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Author giving a reading

Naomi Beth Wakan reads at a Robson Reading Series event. Photo credit: Robson Reading Series.

The conclusion of the Robson Reading Series is featured in the Globe and Mail and Quill and Quire.

For more information, please see the announcement about the reading series. Readings remain scheduled until the end of March – please visit the Robson Reading Series for more information.

cihr_logo_no_background_1

To raise awareness of sexual health, CIHR-funded researchers are available to discuss this important part of our lives and its impact on people’s physical and mental health. What is CIHR? The Canadian Institutes of Health Research (CIHR) is the Government of Canada’s health research investment agency. [Its] mission is to create new scientific knowledge and to enable its translation into improved health, more effective health services and products, and a strengthened Canadian health care system. 

The CIHR experts discussing the importance of sexual health at the University of British Columbia (UBC) are listed below:

Women are this, men are that – Discussing misconceptions about gender norms
Dr. Joy Johnson, Scientific Director of the CIHR Institute of Gender and Health (Vancouver, British Columbia)

Sex, risky behaviour, and infection – Contraceptive methods to reduce sexually transmitted diseases
Dr. Robert Brunham, CIHR-funded researcher (Vancouver, British Columbia)

Feeling sexy after prostate or breast removal? – Rebuilding confidence post-cancer
Dr. John Oliffe, CIHR-funded researcher (Vancouver, British Columbia)

Pregnancy rates are higher among gay, lesbian and bisexual teens: A closer look at sexual health for sexual minority youth
Dr. Elizabeth Saewyc, CIHR-funded researcher (Vancouver, British Columbia)

Look up the UBC’s CIHR experts via the Faculty & Administrative Directory at: https://directory.ubc.ca/index.cfm. Visit the CIHR website at: http://www.cihr-irsc.gc.ca/e/46317.html.

Did You Know?

You can find ‘a peer-reviewed casebook on a range of research-based accounts that illustrate how attending to gender and sex in health research contributes to advancing knowledge, strengthening science and improving knowledge translation’. Read or download this e-publication in cIRcle at: http://hdl.handle.net/2429/41862.

Above text in partial italics and image are courtesy of the CIHR website

Photo courtesy of the Chung Collection

Photo courtesy of the Chung Collection

UBC Library is proud to unveil a documentary film and a book looking at the fascinating stories behind the Wallace B. Chung and Madeline H. Chung Collection – a designated national treasure that was donated to the Library in 1999.

The book, Golden Inheritance: The Wallace B. Chung and Madeline H. Chung Collection at UBC Library, provides an overview of UBC alumnus Dr. Chung and his family, profiles the dedication and dynamics behind the Chung Collection, and offers an in-depth examination of its three themes: early B.C. history, immigration and settlement, and the Canadian Pacific Railway Company. Passage of Dreams: The Chung Collection is a documentary that features the stories of Dr. Chung’s childhood love of collecting Canadian Pacific artifacts and memorabilia.

The Chung Collection is housed in the Rare Books and Special Collections on Level 1 of UBC Library’s Irving K. Barber Learning Centre and is open to the public.

WALID BITAR, BASMA KAVANAGH and MISSY MARSTON

at the Robson Reading Series

Thursday, February 21, 2013, 7pm

UBC Bookstore at Robson Square

Robson Reading Series events are free and open to the public but registration is recommended. To register for this event, please click here.

 

    They have no maps. Ours, I’ll redraw.
    Isn’t itself, their neck of the woods;
    needs a rest – something more than a nap,
    and less than death, though death wouldn’t hurt.

In Divide and Rule, Walid Bitar delivers a sequence of dramatic monologues, variations on the theme of power, each in rhymed quatrains. Though the pieces grow out of Bitar’s personal experiences over the last decade, both in North America and the Middle East, he is not primarily a confessional writer. His work might be called cubist, the perspectives constantly shifting, point followed by counterpoint, subtle phrase by savage outburst. Bitar’s enigmatic speakers are partially rational creatures, have some need to explain, and may succeed in partially explaining, but, in the end, communication and subterfuge are inseparable – must, so to speak, co-exist.

Walid Bitar was born in Beirut, Lebanon, in 1961. He immigrated to Canada in 1969. His previous poetry collections are Maps with Moving Parts (Brick Books, 1988)2 Guys on Holy Land (Wesleyan University Press, 1993)Bastardi Puri (Porcupine’s Quill, 2005) and The Empire’s Missing Links (Véhicule Press, 2008). From 1990 to 1991, he held a Teaching-Writing Fellowship at the University of Iowa. His newest work, Divide and Rule (Coach House Books, June 2012), is a collection of dramatic monologues. He lives in Toronto.

Basma Kavanagh’s debut collection, Distillō, engages the natural world and seeks to explore our relationship to it. Hers is a poetics of description which subverts scientific observation and the authoritative language of nomenclature for mythopoetic ends. In the opening section (“Moisture”), precipitation is dissected and categorized, but ultimately the deluge of “rain making rain, /making rain” overwhelms controlled interrogation and undulating imagery saturates everything. Nomenclature reappears elsewhere in the book, attempting to anchor object poems about west-coast flora and fauna–salmon, elk, bear, bigleaf maple, bog myrtle–which otherwise drift toward the mythworld and gesture in the direction of the ethereal and the totemic. Understanding that language can be most precise when it harbours ambiguity and surprise, Kavanagh experiments with pattern poems and the layering of multiple voices in her attempt to express “a fullness /an absence /of self.” This is a book which turns over rocks and looks under them in search of truth in its soft, damp hiding places, poems which instruct us to “[d]escend. Blend /your knowing with the breath of earth”.

Basma Kavanagh is a painter, poet and letterpress printer living in Kentville, Nova Scotia. She produces artist’s books under the imprint Rabbit Square Books. Her poems have appeared in the chapbook A Rattle of Leaves, published by Red Dragonfly Press, and included in anthologies in the United States.

The Love Monster is the tall tale of one woman’s struggle with mid-life issues. The main character, Margaret H. Atwood, has psoriasis, a boring job and a bad attitude. Her cheating husband has left her. And none of her pants fit any more. Missy Marston takes the reader on a hilarious journey of recovery. Hope comes in the form of a dope-smoking senior citizen, a religious fanatic, a good lawyer and a talking turtle (not to mention Christo and Jeanne-Claude, Warren Zevon, Neil Armstrong and a yogi buried deep underground). And, of course, hope comes in the form of a love-sick alien speaking in the voice of Donald Sutherland. More than an irreverent joyride, The Love Monster is also a sweet and tender look at the pain and indignity of being an adult human and a sincere exploration of the very few available remedies: art, love, religion, relentless optimism, and alien intervention.

Missy Marston‘s writing has appeared in various publications, including Grain and Arc Poetry Magazine. She was the winner of the Lillian I. Found Award for her poem, “Jesus Christ came from my home town.” As explained in her National Post Afterword columns, Missy Marston loves Margaret Atwood, aliens and Donald Sutherland. Her first novel, The Love Monster, is an ode to all three. She has been called “an irreverent Canadian” by Commentary Magazine and “weird, funny and moving” by The Globe and Mail. She is fine with that. The Love Monster is her first novel. She lives in Ottawa, Ontario.

 

On February 27, 2012, 12.00PM-1.00PM, the School of Library, Archival, and Information Studies (SLAIS) will be hosting Anabel Quan-Haase for her talk “Serendipity Models: How We Encounter Information and People in Digital Environments” at the Lillooet Room, Room 301 of the Irving K. Barber Learning Centre.

Much of the research on how we encounter information tends to focus on linear models of intentional information search. Recently a number of studies and frameworks have suggested that not all information individuals encounter is through goal-oriented search, but rather that individuals often find information and connect with people accidentally, without purposefully looking. A wide range of terms and models have been proposed to describe the phenomenon. The present presentation has three goals. First, it provides an overview of the current debate around the phenomenon of serendipity, presenting and contrasting various models of how serendipity occurs. Second, it discusses how technology could affect serendipity and opportunities for designing digital tools that support innovation, creativity, and resource discovery. Finally, it presents current research findings on how serendipity impacts the work of scholars.

Anabel Quan-Haase is Associate Professor of Information and Media Studies and Sociology at the University of Western Ontario. Dr. Quan-Haase received her Masters degree in Psychology from the Humboldt-University in Berlin in 1998 under the supervision of Dr. Herbert Hagendorf and her Ph.D. in Information Studies from theUniversity of Toronto in 2004 under the supervision of Drs. Lynne Howarth and Barry Wellman.

The primary interests lies in the areas of Internet and society and computer-mediated communication. Her Ph.D. thesis examined how information flows in high-tech organizations employing a social network analysis approach. She also compared employees’ face-to-face, email, and instant messaging networks. She was also involved in a large-scale survey investigating the effect of the Internet on people’s social relations, sense of community, and political involvement. This talk is sponsored by the School of Library, Archival, and Information Studies (SLAIS) as part of its SLAIS Colloquium lecture series.

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