Music & Transformation

Attributed to the Berlin Painter, Terracotta amphora (jar), Metropolitan Museum of Art; Wikimedia Commons
Kithara player, c. 490 BCE, attributed to the Berlin Painter, Terracotta amphora (jar), Metropolitan Museum of Art; Wikimedia Commons

Plato employs an influential musical metaphor to describe human wholeness as the ‘tuning’ or harmonization of human motivations: the musical soul will ‘harmonize her [reason, emotion, and desire] like the three limiting notes in a musical scale – high, low, and middle; she binds [herself] together… only then, as a unity, does she act’ (Republic 4, 443d).

This small-scale daytime workshop explores the role of musical imagery and analogy in the Platonic tradition of philosophy and psychology, touching on Greek and Latin traditions with Plato himself (5th-4th century BCE), Boethius (6th century CE), and Marsilio Ficino (15th century CE).

We’ll conclude with a public musical performance and opportunity for hands-on study of the ancient lyre and monochord attributed to Pythagoras that inspired students in Plato’s Academy: further details of the concert are available here.

We are grateful to the UBC Faculty of Arts and Green College for support making this workshop possible.

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