Implementing a New Social Platform

This is my first blog post actually about something that I’ve tried and tested and i’m excited to write about it! For those of you who don’t know, I’m the Digital Media Director for UBC Recreation this year. What exactly does that entail? I manage a team of 4 lovely assistant directors with the objective of enhancing the experience students on campus and in our intramural events and leagues through our digital channels. In a nutshell, my department is in charge of the social media and our online magazine called The Point

So, as a project this year my team and I decided that we wanted to take on the challenge of implementing a new social platform. Over the last couple years there has been one new social media platform that has grown exponentially, especially among our target audience, that we had yet to take advantage of – Snapchat.

Now, with this opportunity there have been a number of obstacles we’ve been working to overcome. We knew that it would not be easy to establish ourselves on this new channel; but, the benefit was that it’s a great way to engage our participants on a more personal level. As a user of snapchat, it only requires 10 seconds or less of your time to get updated and among a community who generally check their snaps a couple times a day, it’s a fantastic way to build that personality behind our brand. As an organization, we want to foster the community around campus events and intramural leagues – this is an excellent platform to be doing so.

What barriers have we faced and what have we done to work and overcome them?

As expected, the initial effort of gaining followers is a challenge. Especially with snapchat where you cannot encourage ‘sharing’ of your content, it’s strictly an “I will follow you because I made the effort to look up your account”. We’ve tried to leverage our other social channels and promote snapchat and the exclusivity benefits. On the platform we’ve run a few small contests where individuals can ‘snap’ us and we bring them a treat to their location. Or the opposite where we snap us at a central location with prizes and wait for people to come find us! These have been moderately successful and our following is growing at a steady rate.

A more effective method we used to gain followers was by encouraging our participants in leagues and events to follow us for perks and prizes. This was very effective, because they’re already familiar with the brand and engage with us on a regular basis.

Outcomes

The engagement rates on this platform are UNREAL! On average, about 60-80% of our followers watch our stories. This is an insane proportion in comparison to our other platforms, especially considering that all stories expire after a day! This adds incredible value to the posts created on this platform.

Looking ahead

We’re looking at building more of a personality behind this platform. Regularly posting footage of our events and leagues as well as holding impromptu contests & giveaways. In October, Snapchat launched a new product called Our Campus Story which is a public feed that everyone can post to, only that its geotagged to a campus location. It is my personal goal to get this rolled out at UBC for Storm the Wall in March (Even if I have to go down to LA and persuade them). So stay tuned… big things may be coming!

Capitalizing on Seasonal Themes: Advent Calendars

An effective way to engage readers is by providing content that aligns with seasonal themes. Coming into November we’ll start seeing holiday-themed content popping up all over the web from holiday-icon videos, to “our gift to you” campaigns to – my personal favourite – advent calendars.

Why do I love advent calendars so much? They are incredibly simple, but offer a creative and interactive ways for customers to engage with a brand. Entirely customizable, they can adapt to any situation and provide a platform for you to offer value to readers or customers. I’ll go over a few of my favourite digital advent calendars in this post.

1. It’s a Shape Christmas

shape christmas
This calendar got a lot of buzz last year because of its wonderful simplicity. Each day, a new ‘shape’ was released that was created by an illustrator around the world and an individual could download the illustration. The campaign was hugely successful getting on average 1000 unique viewers per day. This was a collaboration by Shape a website design company in the UK. Brilliant digital marketing by them to do what they do best, create an incredible website, and then invite other illustrators to use the platform to share their own unique content. The illustrators get to be creative and get their own name out there, and Shape gains unique and interesting content to share — a win-win situation!

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All photos taken from Its a Shape Christmas Website

2. Adfont Calendar

Font Deck released their “Adfont Calendar” in 2011 and each day a new Holiday themed font was available for a free download. With an interactive page with ‘opening doors’ and a rustic feel it is very appealing to look at. I really liked how detailed the piece was, even the text that showcases the font was put into holiday themed phrases instead of the standard “the quick brown fox…”. As a typeface distributor this is a piece of content that will bring value to its current customer base.
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Photo taken from Font Deck Website

3. The Economist

The Economist’s advent calendar displayed 23 of their favourite visual content pieces. By double clicking on any of the images it brings you to that article. It’s fun for readers to click through and be reminded of some interesting pieces from the year and it’s a great way for the website to showcase and influence some exploration of their website. As a collection of visual pieces it’s more interactive and engaging for readers. With  it’s simple design it’s not that intensive to put together and provides significant value!
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Photo taken from The Economist Website

A New Way to Instagram

I have never seen another company or person use Instagram quite like this – and frankly i’m surprised no one else has caught on! The Russian division of the company presented their exclusive catalogue on Instagram in a completely unique way!

What sets IKEA apart from their competitors is their way of inspiring their consumers imaginations and allowing them to visualize what furniture pieces would look like in their own home. From their catalogues to store design this objective is clear, and much of their marketing initiatives display this as well. A great example is their IKEA app which allows you to project furniture into the rooms so you can really get a taste for how it will look! (Click here for an article about the app).

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This Instagram account is different than most approaches because it does not foster a user to ‘follow’ it. It is not updated so would not show up in a users feed – but, it displays just like a catalogue in its page feed in ’tile view’ with different photos for different categories of items. When you click on a photo, for example the Benches picture in the above photo, then tap the photo to see tags, you realize that all of the items also have their own Instagram accounts! Clicking on that tag brings you to the specific item, where more photos are posted to show different functional uses of that object, the price, and specific details about the product.

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I imagine that this series of accounts was especially intensive to set up and have everything function effectively, so it would not be feasible as an ongoing campaign or way to consistently market goods, but in terms of intermittent launches of new product lines that are visually interactive this is an innovative way to display it. I’m super surprised that this hasn’t been integrated elsewhere and I look forward to seeing how other companies get creative with instagram and its visual capabilities.

Samsung – The reining King of Digital

Samsung is notorious for integrating their products across multiple digital platforms in unique ways. One of the most iconic examples is Ellen’s selfie at the Oscars which went viral in the twitter-sphere. Amber Mayo, Samsung’s director of media and partnerships, explained their integration tactics as “using technology to provide the same information but in a more fun, unique different way” according to Adweek. The selfie example showed the samsung product, showed someone using the product effectively (as normal advertising would) but then being the first time a celebrity was using a product on stage to take a massive selfie – the stunt got a lot of attention.

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Photo taken from Hollywood Reporter

But their integration’s don’t stop there, for the 2012 American Music Awards the Korean company had their Galaxy Note 2 phones switched in for the traditional paper envelopes, A live commercial on Jimmy Kimmel Live in June of 2012 followed by a few other night time shows showcasing their products, and having CBS Sports capture photos from a Notre Dame vs Navy football game on a Samsung device! These are only a few examples of the unique and exciting ways that Samsung gets their products known in the digital world.

I think it’s really cohesive with their branding – as an electronics company in today’s day and age you always need to be looking for the ‘next big thing.’ The industry is very competitive, and if you fall back on your R&D there’s a chance that you could be overtaken by competitors. On the marketing end, Samsung is always trying new methods of marketing and advertising, showcasing their products in different ways. With their brand being perceived like this in the marketing sense, it spills over so that their company as a whole is perceived as forward thinking and ahead of the trends. Therefore, their products will be seen as the newest, best and ahead of the trends leading to more sales by those consumers who are looking for the ‘latest and greatest’ products in the tech industry.

Online and Offline Marketing: Game Of Thrones Part 2

In class we talked about the importance of having cohesive campaigns across digital and traditional platforms. If the two streams are not working together and subsequently sending out misaligned messages it will only confuse consumers. Regardless of how incredible and well thought-out the individual campaigns are, if they are battling against each other, the outcome will not be nearly as radical. The importance of cohesive campaigns across platforms as well as mediums is essential and I think HBO’s efforts with Game of Thrones exemplify this perfectly.

First, looking at their digital efforts, the brand is highly active over social media by participating in conversations as well as engaging fans during and in between seasons. As explained in my Why Game of Thrones Conquers Social post, they are active over multiple platforms keeping fans engaged during and between seasons. But what is amazing is how they are also equally active offline.

For season 1 they started things off with a bang to get the conversation moving. From one day to the next New York City was plastered with “Winter is Coming” posters of Ned Stark. “A Taste of the Westereos” food trucks with daily recipes created by Top Chef judge Tom Colicchio were stationed in New York, Philadelphia, San Francisco, and Los Angeles. Also, “Iron Thrones” would pop up around these cities for an epic photo backdrop. This whole campaign had one cohesive theme across their online and offline channels which was giving consumers the chance to experience the Westereos.

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Ned Stark Season 1 Ad “A Taste of the Westereos” Food Truck
Photo from Wikia Photo from Tor.com

 

Jumping to season 3 (my favourite campaign of theirs to date), they certainly succeeded in creating buzz. The theme for new season was dragons. When the posters were released there were many fans disappointed with the simplicity.

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Season 3 Ad
Photo from Tor.com

After letting the simple design simmer in the minds of fans for a few days, HBO then lived up to its reputation and overnight released their digital and traditional campaign. All of a sudden there were dragon shadows flying across the screens of sponsored websites (I tried to find a screenshot of this – but was unfortunately unsuccessful) The HBO headquarters had a huge dragon shadow print ad and the New York Times (yes, the New York Times) had a full page shadow. These are only a few select pieces of the campaign that really stood out to me, but they really exemplify how HBO’s Game of Thrones used a consistent theme across traditional and digital channels to amplify their advertising efforts. The theme of dragons was everywhere – and this gave fans the opportunity to interpret it as they wished and come up with their own theories and stories for the upcoming season.

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The main takeaways from this post is the importance of cohesiveness across all channels – digital and traditional. This is only one example of how to do it right, if you have any other favourite campaigns that do a great job of online and offline consistency put it in the comments below!

Why Game of Thrones Conquers Social

I’ve been asked this question in countless interviews and conversations and my answer doesn’t change. HBO’s Game of Thrones (which yes, i’m biased, it is my favourite show) blows me away each season with their cohesive campaigns.

Keep in mind that the book series had a huge fan base, and then there were those people who were very interested in the books but didn’t feel up to the daunting task of plowing 4,273 pages (and that’s just books one to five!). Creating the television show was bound to be successful, yet they had an incredible amount of drive behind their marketing campaigns, incorporating a number of digital platforms in addition to innovative traditional marketing.

Their most notable social media campaign was #RoastJoffrey which was launched in December 2013. Now, if you don’t know the series, Joffrey is the boy-king that is so ruthless and horrible fans love to hate him. This social media roast received engagements not only from fans, but brands and influencers as well reaching more than 60,000 roasts, 1 million interactions, and 850 million impressions in the first 48 hours (Also note that this was during the shows off-season).
Sourced from FastCompany

RoastJoffrey | A Prairie Girls Perspective

Photo taken from Lightly Buzzed

 Game of Thrones is recognized for killing off your favourite characters in horribly spectacular ways when you least expect it. Building off of this, they did a 30-day countdown to the season four premiere titled “Beautiful Death” which released photos depicting some of the most significant deaths across the series thus far. Not only did these photos receive engagement from fans, but also allowed them to submit their own artwork that could potentially be shared online. With some of the brand fanatics – this was exactly the opportunity they were looking for.

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Photos Sourced from “Beautiful Death”

The show works masterfully across multiple channels from Twitter to Facebook to Tumblr. Another of my favourite pieces – that is so simple – is their Vine feed. Building up to a season premiere, they hype up the release of a teaser trailer across platforms, and then post previews (yes, previews of their previews) on their vine. The resources for this are minimal – the teaser is already made – just find an 8 second snipit to preview and watch it go viral.

These are only a few of the many digital strategies the brand has used to engage it’s audience and they all work seamlessly across platforms. Considering that the target audience of the television show is for young adults this is the perfect way to push marketing strategies as this demographic is highly interactive online. I always look forward to what they will come up with in the upcoming season – the anticipation is almost as much as I have when the show rolls around!

My thoughts on #Ello

Two week’s ago I had a good friend of mine come running up to me jumping around in an excited frenzy asking if I had heard about the “new Facebook” called Ello. I had recalled hearing the name a few times in conversation but I hadn’t really looked into it. This particular friend of mine was talking about how she was dying for an invite and was hoping that I could help her out – at that point in time I hadn’t really gotten into the community.

Her excitement on it really got me curious so I went home and looked into the rapidly growing platform and reached out to a few of my colleagues who are my go-to’s on digital trends. Out of a few quick conversations I ended up getting an invite so I could 1) secure my username and 2)  really get a feel for what this new platform is.

Alexandrakari | Ello

It really is an interesting design and community. Putting aside its no-advertising and privacy perks, its simplicity is refreshing. On most websites you’re bombarded with colour, styling, mass amounts of text and different pieces trying to fight for your attention all around the screen. With Ello’s intuitive layout and design your attention span gets a blissful rest where you can simply browse content that you want to see.

One piece I find especially entrancing is that you can follow people as ‘friends’ or ‘noise’ but they will never know which section you categorized them into – again further allowing you to customize the content that you want to see.

alexandrakari | Ello2

In it’s beta stage there are not as many people on the platform (at least within the social circles I interact with) so my feed isn’t very exciting. However,  I am really interested to see how it grows. The focus of the content right now seems to be more art and graphics. I wonder if when it opens up to the mainstream public that people will use it as a platform to share their personal thoughts and stories as they do on other social media sites. On the other hand it may continue to be primarily used by people who who want to share (or, as in my case, browse) less quantity, but high quality interactive content.

Personally, I love the unique look and feel of the platform and I really hope it does not turn into the “next Facebook” with mass amounts of personal information (that many of your followers could probably care less about). Keep with the simplicity and foster a place for people to share and interact with the interesting and cool things you do or create.

The Challenges Behind Fostering Engagement

As a social media manager for a small company for the last year, the one thing that I have always struggled with is fostering engagement. Everything you read about social media and digital marketing stresses engagement and ‘building a community’ for your brand but it’s not always talked about how they do it.

I want to chat about the practices I have tested and have found to be successful.

Incorporating a variety of media into posts: as an inexperienced content creator I was focused on the text of the posts and having the perfect wording, containing useful information and keeping it concise and to the point.

I’m not trying to discount the importance of these aspects, but they also require viewers to actually read your posts for it to affect them. In order to grab viewers attention use a mix of media from links, photos, videos and other graphics. This makes your feed seem more interesting and graphics are more likely to grab an individuals attention in the mass of information presented to them in their news feed.

Interacting with your most engaged followers: Rewarding those who consistently engage with your content by taking time to comment on their posts that are relevant to your brand has been extremely successful tactic. I have a list in twitter exclusively of our clients or engaged followers which allows me to monitor what they’re saying about their daily lives and offer support and encouragement.

Keeping content short and sweet: Ensure all text is clear and concise and presented in a way that is easy to read. If you don’t grab their attention in 1 second, they’ll likely just skip right over your post.

All in all, engagement isn’t an easy thing to build and is a slow going process. But consistently working at it and seeing the foundations of a community start to form is an extremely rewarding thing!

When mistakes go viral… [Part 2]

Your phone is buzzing off the hook – notification after notification on twitter as one of your unfortunately overlooked tweets goes viral. What do you do next? The piece of content may not have even been created or posted by you, but it’s your responsibility to “fix it” – and fix it fast. Where do you even start?

Well first start by taking the piece down. There are likely copies and screenshots already so this won’t solve the problem, but it’s important to get it off of your brands page.

It’s also important jump into action immediately! This is where brands often fall short in recovery, they want to develop the best possible plan of action, resulting in a delayed response. When media picks up the story you want to have your voice in the mix (to be clear – not in a defensive or aggressive way, take responsibility, and explain your plan to solve the problem).

An example of this is when a Dominos staff member posted a video of employees contaminating food before sending it out. This went viral and Dominos waited a full 48 hours before responding. They apparently hoped the hype would die down – and when it was clear that wasn’t going to happen they issued a formal apology and action plan via Youtube video. The video resulted in a quick positive sentiment recovery, but issuing this quicker would have been much more effective.
More information on Domino’s social media mishap can be found here and here.

The most important thing to note is that playing the blame game won’t work. Take responsibility for the mistake and try to move forward. The DiGiorno example in the previous post was handled well. Only a few minutes after the tweet was sent it was deleted and a formal apology tweet was up. They also have sent personalized responses to numerous people who expressed their discontent.

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Photo via Adweek

As digital marketers it’s important to be careful with content being posted, have an action plan in place in case of a mishap, and when something happens take responsibility and swiftly do everything in our power to remedy the situation to minimize the damage to your brand and reputation.

When mistakes go viral… [Part 1]

Every couple weeks a story breaks because a brand’s digital media content was perceived negatively or a mistake was made which put a group of consumers in uproar. Most of the time the post was sent with the purest of intentions, but as digital marketers it’s especially important to ensure that your post will not be misinterpreted and that you fully understand every context it could be viewed from. Being that the social media sphere is such an instantaneous community there is pressure to get your content out fast – especially around hot topics – for the best results.

(First example of a company doing this right that comes to mind is Oreo’s “You Can Still Dunk in the Dark” tweet during the 2013 Superbowl blackout)

But what about when you come up with something clever, put it out there, and things go horribly wrong? The unfortunate thing with digital media is that once it’s out there, it’s near impossible to take it back. Last week it was DiGiorno’s twitter account made a horrible error by trying to get a witty tweet into a trending hashtag conversation without researching the context. The #WhyIStayed was for people to express their experiences in abusive relationships and to combat the perception that the victim is at fault for staying in that relationship. DiGiorno prides themselves on being on top of real-time conversations and quickly put in the following tweet after seeing the trending hashtag without apparently looking into the context of the conversation.

DiGorno TweetPhoto taken from AdWeek

It’s vital as digital marketers to be especially careful with what we put out (especially if you’re doing so in the name of a brand) because this small mistake put DiGiorno’s reputation at risk. We need to be aware of the pressures of instantaneous communication but balance that with taking a deep breath to think about the many ways a comment could be perceived to avoid misinterpretation from the author or reader!