If I can make one critique about the movie Juno, I would have to say that it offers a somewhat distorted account of what single motherhood entails. While I appreciate that Juno’s character pushes the boundaries of traditional femininity, I am troubled by her calm, sarcastic, and, dare I say, masculine attitude when it comes to negotiating her pregnancy. I feel as though Junos disposition as a socially awkward yet endearing teen valorizes traditional aspects of masculinity, while simultaneously rejecting the arguably terrifying and stressful reality of teen pregnancy. Moreover, Juno was offered an abundance of support throughout her pregnancy, and this, I feel, completely ignores the many barriers women dealing with unwanted pregnancies must face when attempting to secure support.
Despite my own critical analysis of the film, many feminist scholars have also made strong arguments about this films tendency to undermine women’s rights. Similar to my reading of the film, Hoerl explores the ways in which this film this film inadequately represents instances of teen pregnancy. Hoerl unpacks the word ‘choice’ and notes that for many teenagers dealing with an unwanted pregnancy, choice is often grounded in the opinions and pressures of others. Furthermore, Thoma suggests that by implicitly putting forward the idea that ‘choice’ exists, Juno depoliticizes the topic of abortion. To elaborate, it would be to say that if ‘choice’ existed, there would no longer be reason for debate on the topic of abortion, which is highly problematic.
Works Cited:
Thoma article:
http://www.tandfonline.com.ezproxy.library.ubc.ca/doi/full/10.1080/14680770903233001#.VCs5GuktDIU
Hoerl article:
http://www.tandfonline.com.ezproxy.library.ubc.ca/doi/full/10.1080/14791420.2010.523432#.VCsqBuktDIU