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Bibliography

“Alain Locke.” Accessed from Howard University Education Web. Web. 13 March 2013. http://www.howard.edu/library/assist/guides/Alain-Locke.htm

 

De Jongh, James. Vicious Modernism: Black Harlem and the Literary Imagination. Cambridge: Cambridge University Press, 1990. Print.

 

Dorsey, Brian. Who Stole the Soul? Blaxploitation Echoed in the Harlem Renaissance. Salzburg: Instiut Fur Anglistik Und Amerikanistik Universitat Salzburg, 1997. Print.

 

Douglas, Aaron. Song of Towers. 1934. New York Times. Web. 18 March 2013. http://www.nytimes.com/2008/09/12/arts/design/12doug.html?_r=2&

 

Fultz, Michael. “‘The Morning Cometh’: African-American Periodicals, Education and the Black Middle Class, 1900-1930.” The Journal of Negro History 80.3 (1995): 97-112. JStor. Web. 14 March 2013.

 

Hayden, Palmer. A Midsummer Night in Harlem. 1938. PBS. Web. 13 March 2013.

http://www.pbs.org/wnet/aaworld/arts/hayden.html

 

Kellner, B. “Refined Racism: White Patronage in the Harlem Renaissance.” The Harlem Renaissance Re-Examined. Ed. Victor A. Kramer and Robert A. Russ. New York: Whitston Publishing Company, 1997. 121-132. Print.

 

Larsen, Nella. Passing. New Jersey: Rutgers University Press, 1986. Print.

 

Schwarz, A.B. Christa. “Transgressive sexuality and the Literature of the Harlem Renaissance.” The Cambridge Companion to the Harlem Renaissance. Ed. George Hutchinson. Cambridge: Cambridge University Press, 2007. 141-154. Print.

 

Scruggs, Charles. “Sexual Desire, Modernity, and Modernism in the Fiction of Nella Larsen and Rudolph Fisher.” The Cambridge Companion to the Harlem Renaissance. Ed. George Hutchinson. Cambridge: Cambridge University Press, 2007. 155-169.

 

Stewart, Jeffrey C. “The New Negro as Citizen.” The Cambridge Companion to the Harlem Renaissance. Ed. George Hutchinson. Cambridge: Cambridge University Press, 2007. 13-27. Print.

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