McLUHAN IN SPACE: A CULTURAL GEOGRAPHY<\/strong><\/em><\/h2>\nforthcoming in translation from<\/em><\/strong><\/p>\nCommunication University of China<\/em><\/strong><\/p>\nPress (Beijing) \u00a0July 2026<\/em><\/strong><\/p>\n(1st ed. UTP 2002)<\/strong><\/p>\n![\"\"](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2012\/12\/mcluhan-in-space-193x300.jpg\")
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\u00a0 \u00a0MEDIATIC SHAKESPEARE<\/strong><\/em><\/h2>\n[forthcoming UTP 2025]<\/em><\/p>\n![\"\"](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2025\/01\/UTP-MS-COVER-ONE-219x300.jpg\")
<\/a><\/p>\n<\/a>“fabulous readings”; “stunningly original”;<\/em><\/strong><\/p>\n“a near-perfect mastery of primary and secondary sources”;<\/strong><\/em><\/p>\n“eye-opening”; “well-structured and lucidly written”<\/strong><\/em><\/p>\n[from the pre-publication reviews]<\/p>\n
Stephen Wittek, “Review of Mediatic Shakespeare,” Shakespeare<\/em> (13 January 2026)<\/strong><\/p>\n“compelling erudition”; “a maestro in complete control over a staggering abundance of material”; “a genuinely daring and thought-provoking piece of scholarship that will surely have a wide-ranging impact on the fields of Shakespeare studies and media studies alike. Cavell has pointed the way toward an exiting new framework for thinking about Shakespearean drama and early modern literature in general.”<\/p>\n
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<\/a><\/p>\n*McLuhan Award for Outstanding Book of 2024, Media Ecology Association*<\/strong><\/em><\/h2>\n*2025 Book Award Honorable Mention, American Anthropology Association, Council for Museum Anthropology*<\/strong><\/p>\n\u201ccharts the intellectual life of an epoch”; “a major contribution to (a) the history of anthropology, including visual anthropology; (b) the history of media and communications studies; (c) collecting and museology”\u00a0\u00a0<\/strong>[from the pre-publication reviews]<\/h2>\n![\"\"](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2019\/01\/ZyKqs6Og-2.png\")
<\/a><\/p>\nSpeechsong: The Gould \/ Schoenberg Dialogues\u00a0<\/strong><\/em>(New York \/ Los Angeles: Punctum Press, 2019)<\/strong><\/p>\n*\u00a0Installed at West Cultural Centre, The Hague, Summer 2023 [westdenhaag.nl]<\/strong><\/p>\n\n- G\u00f6del Escher Bach <\/em>Exhibition, West Den Hague Cultural Centre, The Hague, Netherlands, an installation based on Richard Cavell, SpeechSong <\/em>(Punctum P, 2020): 38:00 min. 4:3 video with synchronized lighting; commissioned for the exhibition and realised by Baruch E. Gotlieb<\/li>\n
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<\/a><\/p>\nFriedman House<\/strong><\/em><\/p>\nSan Francisco: ORO Press, for the UBC School of Architecture and Landscape Architecture 2017<\/strong><\/p>\n <\/p>\n
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Remediating ![\"remediating](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2012\/12\/remediating-aup.jpg\")
<\/a>McLuhan<\/i><\/b>\u00a0<\/strong><\/p>\nAmsterdam University Press,<\/strong><\/p>\n2016<\/strong><\/p>\n(ISBN 9789089649508)<\/strong><\/p>\nRepublished London: Routledge 2025<\/strong><\/p>\n <\/p>\n
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<\/a>Marshall McLuhan,\u00a0On the Nature of Media: Essays 1952-1978<\/em>, compiled, edited and introduced by Richard Cavell<\/strong><\/p>\nBerkeley and Hamburg: Gingko P, 2016<\/strong><\/p>\n <\/p>\n
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Marshall McLuhan, McLuhan Bound<\/em>:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Essays on Understanding Media<\/em>,\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0compiled, edited and introduced by\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Richard Cavell (same text as above, with new introduction for this edition) (Beijing:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sowe, 2016)<\/strong><\/p>\n![\"\"](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2021\/04\/mbound-206x300.jpg\")
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Marinetti Dines with the High Command:\u00a0<\/strong><\/em>A Manifesto and Five AeroPoems<\/strong><\/em><\/p>\n(Toronto: Guernica Essential Drama Series, 2014)<\/strong><\/p>\n“a brilliant and important book”<\/strong><\/p>\n–Marjorie Perloff<\/strong><\/p>\n <\/p>\n
\u00a0<\/em><\/p>\n<\/a>McLuhan in Space: A Cultural Geography<\/strong><\/em> (Toronto: U of\u00a0Toronto P, 2002), <\/strong><\/p>\n <\/p>\n
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<\/a><\/em><\/em>“New Cultural Spaces: Cultural Studies in Canada today,” The Review of Education, Pedagogy, and Cultural Studies\u00a0<\/em>29.1\/2 (2007), Special Double Issue, co-edited and co-introduced, with Imre Szeman<\/strong><\/p>\n <\/p>\n
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Communication University of China<\/em><\/strong><\/p>\n Press (Beijing) \u00a0July 2026<\/em><\/strong><\/p>\n (1st ed. UTP 2002)<\/strong><\/p>\n <\/p>\n [forthcoming UTP 2025]<\/em><\/p>\n <\/a>“fabulous readings”; “stunningly original”;<\/em><\/strong><\/p>\n “a near-perfect mastery of primary and secondary sources”;<\/strong><\/em><\/p>\n “eye-opening”; “well-structured and lucidly written”<\/strong><\/em><\/p>\n [from the pre-publication reviews]<\/p>\n Stephen Wittek, “Review of Mediatic Shakespeare,” Shakespeare<\/em> (13 January 2026)<\/strong><\/p>\n “compelling erudition”; “a maestro in complete control over a staggering abundance of material”; “a genuinely daring and thought-provoking piece of scholarship that will surely have a wide-ranging impact on the fields of Shakespeare studies and media studies alike. Cavell has pointed the way toward an exiting new framework for thinking about Shakespearean drama and early modern literature in general.”<\/p>\n *2025 Book Award Honorable Mention, American Anthropology Association, Council for Museum Anthropology*<\/strong><\/p>\n Speechsong: The Gould \/ Schoenberg Dialogues\u00a0<\/strong><\/em>(New York \/ Los Angeles: Punctum Press, 2019)<\/strong><\/p>\n *\u00a0Installed at West Cultural Centre, The Hague, Summer 2023 [westdenhaag.nl]<\/strong><\/p>\n <\/p>\n Friedman House<\/strong><\/em><\/p>\n San Francisco: ORO Press, for the UBC School of Architecture and Landscape Architecture 2017<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/i><\/b><\/p>\n Remediating Amsterdam University Press,<\/strong><\/p>\n 2016<\/strong><\/p>\n (ISBN 9789089649508)<\/strong><\/p>\n Republished London: Routledge 2025<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0\u00a0<\/strong><\/p>\n Berkeley and Hamburg: Gingko P, 2016<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Marshall McLuhan, McLuhan Bound<\/em>:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Essays on Understanding Media<\/em>,\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0compiled, edited and introduced by\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Richard Cavell (same text as above, with new introduction for this edition) (Beijing:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sowe, 2016)<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Marinetti Dines with the High Command:\u00a0<\/strong><\/em>A Manifesto and Five AeroPoems<\/strong><\/em><\/p>\n (Toronto: Guernica Essential Drama Series, 2014)<\/strong><\/p>\n “a brilliant and important book”<\/strong><\/p>\n –Marjorie Perloff<\/strong><\/p>\n <\/p>\n \u00a0<\/em><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0 <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n![\"\"](\"https:\/\/blogs.ubc.ca\/cavell\/files\/2012\/12\/mcluhan-in-space.jpg\")
<\/a><\/p>\n\u00a0 \u00a0MEDIATIC SHAKESPEARE<\/strong><\/em><\/h2>\n
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<\/a><\/p>\n*McLuhan Award for Outstanding Book of 2024, Media Ecology Association*<\/strong><\/em><\/h2>\n
\u201ccharts the intellectual life of an epoch”; “a major contribution to (a) the history of anthropology, including visual anthropology; (b) the history of media and communications studies; (c) collecting and museology”\u00a0\u00a0<\/strong>[from the pre-publication reviews]<\/h2>\n
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<\/a><\/li>\n<\/ul>\n<\/a><\/p>\n<\/a>McLuhan<\/i><\/b>\u00a0<\/strong><\/p>\n<\/a>Marshall McLuhan,\u00a0On the Nature of Media: Essays 1952-1978<\/em>, compiled, edited and introduced by Richard Cavell<\/strong><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a>McLuhan in Space: A Cultural Geography<\/strong><\/em> (Toronto: U of\u00a0Toronto P, 2002), <\/strong><\/p>\n<\/a><\/em><\/em>“New Cultural Spaces: Cultural Studies in Canada today,” The Review of Education, Pedagogy, and Cultural Studies\u00a0<\/em>29.1\/2 (2007), Special Double Issue, co-edited and co-introduced, with Imre Szeman<\/strong><\/p>\n