{"id":38,"date":"2012-12-10T15:11:26","date_gmt":"2012-12-10T23:11:26","guid":{"rendered":"https:\/\/blogs.ubc.ca\/cavell\/?page_id=38"},"modified":"2023-07-24T13:27:39","modified_gmt":"2023-07-24T20:27:39","slug":"articles","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/cavell\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"#refereed\">Refereed Publications<\/a><\/li>\n<li><a href=\"#non-refereed\">Non-Refereed Publications<\/a><\/li>\n<\/ul>\n<h2>Refereed Publications<\/h2>\n<p><a href=\"#journal\">Journals<\/a> | <a href=\"#interviews\">Media Interviews<\/a> | <a href=\"#conferences1\">Conference Proceedings<\/a> | <a href=\"#other\">Other<\/a><\/p>\n<p><a name=\"journal\"><\/a><\/p>\n<h3>(a) Journals<\/h3>\n<ul>\n<li>\u201cKittler\u2019s <em>Apophrades<\/em>: Marshaling McLuhan,\u201d <em>Berlin Journal of Critical Theory 3<\/em>\u00a0(2022) 5-32<em style=\"font-size: 1rem;\">\u00a0<\/em><\/li>\n<li>* \u201cDematerialization and Rematerialization: Mediatic Flipflop and the Anthropocene,\u201d <em>The Berlin Journal of Critical Theory <\/em>1 (2019): 83-97<\/li>\n<li><em>\u00a0<\/em><span style=\"font-size: 1rem;\">&#8220;McLuhan: Technology: Being,\u201d <\/span><em style=\"font-size: 1rem;\">Pan: Philosophy Activism Nature\u2014A Journal in the Environmental Humanities <\/em><span style=\"font-size: 1rem;\">[Melbourne] 12 (2016): 17-22<\/span><\/li>\n<\/ul>\n<ul>\n<li>\u201cOn the 50th\u00a0Anniversary of\u00a0<i>Understanding Media<\/i>,\u201d for the\u00a0<i>Journal of Visual Culture <\/i>13.1 (2014) 33-35\u00a0[50th Anniversary issue,\u00a0<em>Understanding Media<\/em>]<\/li>\n<li><i>\u00a0<\/i>&#8220;Re-Mediating the Medium,&#8221; in\u00a0<em>Site\u00a0<\/em>[Stockholm] 33 (2013): 186-196.<\/li>\n<li>\u201cMcLuhan and the Humanities,\u201d commissioned by\u00a0<i>English Studies in Canada<\/i>\u00a0[special issue for McLuhan centennial] 36:2-3 (2010):14-18.<\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u201cMcLuhan, Glocalism, and Canadian Literature,\u201d in <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Prime: International Peace Research Institute <\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">[Meiji Gakuin University, Tokyo] 27 (2008): 123-130.<\/span><\/li>\n<\/ul>\n<ul>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Geographical Immediations: Locating<\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\"> The English Patient<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">,&#8221; <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">New Formations<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 57 [The Spatial Imaginary] (2005): 95-106.<\/span><\/li>\n<\/ul>\n<ul>\n<li>&#8220;Architectural Memory and Acoustic Space,&#8221; <em>Architecture in Canada<\/em> 28.1 (2003): 7-18.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Here is Where Now,&#8221; <em>Essays on Canadian Writing<\/em> 71 (2000): 195-202.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Typing <em>Tay John,<\/em>&#8221; <em>English Studies in Canada<\/em> [Special Issue on the History of the Book] 25:3\/4 (1999): 347-367.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Material Querelle: The Case of Frye and McLuhan,&#8221; for <em>Essays on Canadian Writing<\/em> 68 (2000): 238-261 (Special issue on Materialist Critique).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;McLuhan and Spatial Communication,&#8221; <em>Western Journal of Communication<\/em> 63.3 (1999): 348-363 (Special Issue on Communication and Space).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Felix Paul Greve, The Eulenburg Scandal, and Frederick Philip Grove,&#8221; <em>Essays on Canadian Writing<\/em> 62 (1998):12-45 [Special Issue on Paraliterary Scandals in Canada].<\/li>\n<\/ul>\n<ul>\n<li>(with Peter Dickinson), &#8220;Bucke, Whitman, and the Cross-Border Homo-social,&#8221; <em>Canadian Review of American Studies<\/em> \/ <em>American Review of Canadian Studies<\/em> 26.3 (1996) (Special Joint Issue on &#8220;Canadian \/ American Relations: The Meaning of Differences&#8221;): 425-448; awarded the North Eastern Modern Language Association Essay Prize (April 1995).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Race of Space,&#8221; <em>New Formations<\/em> 31 (Spring\/Summer 1997): 39-50.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;White Technologies,&#8221; <em>Essays on Canadian Writing<\/em> 59 (Fall 1996; Special Issue on &#8220;Representing North&#8221;): 199-210.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;\u2018Same Difference&#8217;: On the Hegemony of \u2018Language&#8217; and \u2018Literature&#8217; in Comparative Studies,&#8221; <em>The Canadian Review of Comparative Literature<\/em> 23.1 (1996): 27-34.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Where is Frye? Or, Theorizing Postcolonial Space,&#8221; <em>Essays on Canadian Writing<\/em> 56 (1995): 110-134.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Theorizing Canadian Space: Postcolonial Articulations,&#8221;\u00a0<em>Canada: Theoretical Discourse \/<\/em><em>Discours th\u00e9oriques<\/em>, eds. T. Goldie, C. Lambert, R. Lorimer (Montr\u00e9al: Association for Canadian Studies, 1994): 75-104.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Representing Writing: The Emblem as (Hiero)Glyph,&#8221; in\u00a0<em>The European Emblem: Selected Papers from the Glasgow Conference<\/em>, ed. Bernard F. Scholz, Michael Bath and David Weston (Leiden: Brill, 1990): 167-190.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;\u2018The Nth Adam&#8217;: Dante in Klein&#8217;s <em>The Second Scroll<\/em>,&#8221; <em>Canadian Literature<\/em> 106 (1985): 45-53.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;\u2018Et in <em>Acadia<\/em> Ego&#8217;: An Integrative Approach to Canadian Literature,&#8221; <em>Spicilegio Moderno<\/em> [U Bologna] 17\/18 (1982): 12-18.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Unspoken in Sinclair Ross&#8217;s<em> As for Me and My House<\/em>,&#8221; <em>Spicilegio Moderno<\/em> [U Bologna] 14 (1980): 23-30.<\/li>\n<\/ul>\n<hr \/>\n<h3><a name=\"interviews\"><\/a><\/h3>\n<h3>(b) Media Interviews<\/h3>\n<ul>\n<li>Interview with Shruti Shekar, on 4K TV, <em>The Wire Report<\/em>, <a href=\"http:\/\/www.thewirereport.ca\">thewirereport.ca<\/a>, 1 October 2014<\/li>\n<li>Interview with Jessica Werb for UBC News on the shift from time to space in TV programming (Sept. 2014)<\/li>\n<li>Live radio interview with Shere-E Punjabi radio 1550 AM #1 South Asian News re TV on the internet (Sept. 2014)<\/li>\n<li>Interview with cbc.ca (online) re CRTC commission rulings re pay-per-view and Netflix (Oct. 2014)<\/li>\n<li>Interview with Katherine Feng, NTD Television Vancouver (<a href=\"http:\/\/www.ntdtv.com\">ntdtv.com<\/a>) re the Hong Kong protests (Oct. 2014)<\/li>\n<li>Interview with The Source Television network on the CRTC decisions re pay-per-view and Netflix (Oct. 2014)<\/li>\n<li>Interview with Juice FM (Nelson) re CRTC (Oct. 2014)<\/li>\n<li>Interview with Ira Nadel for \u201cArts on the Air,\u201d CITR Radio (UBC), on UBC\u2019s Bachelor in Media Studies Progeram (recorded 16 January 2014)<\/li>\n<li>Interview with Marsha Lederman for \u201cA Thinky superstar for a distracted era: author and innovator Douglas Coupland has become Canada\u2019s go-to guy for art, design, and contemporary social commentary,\u201d <i>The Globe and Mail <\/i>(Saturday 12 October 2013) R8: \u201c\u2019Look at how many chairs he\u2019s able to occupy successfully,\u2019 says Richard Cavell, an English professor at the University of British Columbia, who teaches Coupland to his students: \u2018He\u2019s a thinker. He\u2019s a novelist. He\u2019s a screenwriter. He\u2019s an artist. He\u2019s a designer. He\u2019s a landscape designer. He\u2019s a sculptor.\u2019\u201d<\/li>\n<li>Interview with Sarah Scott, \u201cMr. Concept: Iain Baxter&amp; is Discovered and Re-Discovered,\u201d <i>Canadian Art<\/i> 29.1 (Spring 2012): 92-99 : \u00a0<span style=\"line-height: 1.714285714; font-size: 1rem;\">\u201cIt took other intellectuals to bring BAXTER&amp; back to life. In 2002, Richard Cavell, an English professor at the University of British Columbia, published <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">McLuhan in Space. <\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\">After a couple of decades in the intellectual hinterland, Marshall McLuhan was hot again; with the arrival of the Internet, his theories finally made sense. For the cover, Cavell said, the choice was obvious: it could only be IAIN BAXTER&amp;, because his art expresses some of the profound thoughts of one of the great intellectuals of our time. \u2026 The picture on the cover of his <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">McLuhan in Space<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\">, \u2026 \u00a0[Baxter&amp;&#8217;s]\u00a0<\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Urban Landscape <\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\">(1980), features a landscape in which a huge blue sky is strewn with puffy clouds. \u201c[Baxter&amp;] is trying to remind us that we&#8217;re viewing the world through the medium [of photography]&#8221; (96-7).<\/span><\/li>\n<li>\u201cThe Politics of Media,\u201d Interview by Maja Skovran, Programme Editor, Serbian Broadcasting Corporation, 27 March 2012<\/li>\n<li>\u201cMedia Today,\u201d Interview with Branko Vasic, Radio Belgrade 202, 27 March 2012<\/li>\n<li>\u201cMcLuhan and Media,\u201d Interview with Valentina Delic, MediaCenter Sarajevo,\u00a0<span style=\"line-height: 1.714285714; font-size: 1rem;\">27 March 2012 [netnovinar.org]<\/span><\/li>\n<li>\u201cMedia Today,\u201d Interview with Vladimir Matkovic, <i>Danas <\/i>[newspaper], Belgrade, 27 March 2012<\/li>\n<li>Series of interviews, Clio Publications, Belgrade Serbia, 27 March 2012<\/li>\n<li>\u201cDie Magie der Medien: McLuhan\u2019s Botschaft,\u201d interview by Ina Zwerger with \u00d6sterreichischer Rundfunk (ORF: Austrian National Radio), broadcast on July 18, 19, 20 and 21, 2011<\/li>\n<li>\u201cNeue und alte Medien: Der McLuhan-Experte und Medienwissenschaftler Richard Cavell war im Sommersemester als kanadischer Gastprofessor am Englischen Seminar,\u201d by Eva-Maria Karpf, <i>Unizeit: Nachrichten und Berichte aus der Christian-Albrechts-Universit\u00e4t zu Kiel<\/i> (No. 67), 16 July 2011, 4.<\/li>\n<li>\u201cMcLuhan and the Body as Medium,\u201d <i>YouTube<\/i>, \u201cDr. Richard Cavell at the UBC Center for Cross Faculty Inquiry, March 5, 2009,\u201d 9 mins. 43 secs.<\/li>\n<li>FACT Gallery (Liverpool) TV: \u201cMcLuhan and the Body as Medium\u201d (www.fact.tv\/channels)<\/li>\n<li>Rob McKee, BBN3 News \/ SoMedia, \u201cCanadian Multiculturalism,\u201d for broadcast on CHEK-TV on 1 July 2010<\/li>\n<li>Amy Minsky, \u201cInternet beats TV for Screen Time,\u201d <i>The Vancouver Sun <\/i>\/ CanWestGlobal, Monday 7 June 2010, B6: \u201cSome people have less faith in the tenacity of the television. \u2018It\u2019s over,\u2019 said Richard Cavell, an English professor at the University of British Columbia. \u2018There is no TV any more, because it has become the internet.\u2019 Cavell, who researches media, technology and television, pointed to an American study that found television usage per capita is increasing by several hours a year. \u2018But what that statistic doesn\u2019t tell you, is that the increase in TV usage was on the internet, as people download and stream shows online.\u2019\u201d<\/li>\n<li>Michael Valpy, \u201cVancouver\u2019s ban on outdoor smoking: the real payoff,\u201d <i>The Globe and Mail<\/i>, Saturday 24 April 2010, F3: \u201cThis week, Vancouver legislated a smoking ban in its parks and on its public beaches, entering what health ethicists call the zone of uncertainty of no-threshold harm, where there is no acceptable level of exposure to cigarette smoke for anyone. To UBC English professor Richard Cavell, decisions by Vancouver and other West Coast communities to push smoking bans outdoors is a legitimate expression of cultural ethos because the mild climate creates an aesthetic of indoors and outdoors being one big room. \u2018West Coast architecture bears this out,\u2019 he says. \u2018The extensive use of glass breaks down any sense of inside versus outside.\u2019\u201d<\/li>\n<li>Richard Cavell, \u201cThe Medium is still the message, if a convoluted one,\u201d <i>The Vancouver Sun<\/i> (Saturday 3 April, 2010) D2 [Faculty of Arts column]<\/li>\n<li>Michael Posner, \u201cHelen Weinzweig: she turned personal pain into beautiful prose,\u201d <i>The Globe and Mail <\/i>(24 February 2010) S9: \u201cUBC English professor Richard Cavell called <i>Basic Black [with Pearls]<\/i> \u2018a novel about the loss of cultural memory. [It\u2019s] devastating both on the personal level [a woman searching for identity] and on the allegorical one of a nation [Canada] that has wilfully forgotten what it is.\u2019\u201d<\/li>\n<li>\u201cMajor endowment for UBC made in honour of Canadian author Jane Rule,\u201d by Denise Ryan, <em>The Vancouver Sun<\/em>, 6 June 2009, A4: \u201cUBC English Prof. Richard Cavell [stated], \u2018The topic of human sexuality extends right across the entire university, arts, social sciences, art. \u2026 I am just staggered by the generosity and foresight of this donor. \u2026 It is a major donation to the faculty of arts; human culture is fundamental to everything we do on campus.\u2019\u201d<\/li>\n<li>\u201cFederal Budget Cuts to Arts Organizations,\u201d interview with Chris England (6 Nov. 2008) for radio station 107.9 (BCIT), airing January 2009<\/li>\n<li>\u201cUBC to host largest conference in its history,\u201d <em>Business in Vancouver<\/em> (May 20-26, 2008), by Glen Korstrom [on Congress 2008, academic convener Richard Cavell]<\/li>\n<li>\u201cCongr\u00e8s 2008,\u201d <em>Le Devoir<\/em>, 31 May 2008.<\/li>\n<li>\u201cCongress 2008,\u201d <em>The Vancouver Sun<\/em> (May 31, 2008), by Randy Shore.<\/li>\n<li>\u201cDude, Where\u2019s My Liberal?\u201d interview by Pieta Woolley, <em>The Georgia Straight<\/em>, 16-23 February 2006, p. 13.<\/li>\n<li>\u201cCBC still committed to <em>The One<\/em> despite dismal ratings, criticism,\u201d recorded interview by Victoria Ahearn for the Canadian Press, 24 July 2006 for rebroadcasting and reprinting thereafter in various news media (heard on Radio 600 in Vancouver).<\/li>\n<li>&#8220;Cage and McLuhan,&#8221; CITR-FM (Vancouver, Canada), 4 December 1998 (20mins.)<\/li>\n<li>&#8220;Michael Ondaatje&#8217;s <em>The English Patient<\/em>,&#8221; live interview with Louise Adler, Australian Broadcasting Corporation, 5 March 1997 (18 mins).<\/li>\n<li>&#8220;Canadian Literary Transvetism,&#8221; Knowledge Network (British Columbia), aired 9-10pm, 5 May 1994 (with J. Wasserman and K. Sirluck)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a name=\"conferences1\"><\/a><\/p>\n<h3>(c) Conference Proceedings<\/h3>\n<ul>\n<li>Angels and Robots: Bio-extension revisited in the age of communicating objects,\u201d Hungarian Academy of the Sciences and T-Mobile Communications: <a href=\"http:\/\/www.socialscience.t-mobile.hu\/2009\/index.html\">http:\/\/www.socialscience.t-mobile.hu\/2009\/index.html<\/a> (posted May 2010).<\/li>\n<\/ul>\n<ul>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;\u2018Comparative Canadian Literature&#8217; as Crisis and Critique: Toward Comparative Cultural Studies,&#8221;\u00a0<\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Textual Studies in Canada<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a05 (1994): 7-14.<\/span><\/li>\n<\/ul>\n<ul>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Futurismo in Canada: The Bologna Connection,&#8221; in\u00a0<em><em><em>Bologna: la cultura italiana e le letterature<\/em><\/em><\/em><em>\u00a0moderne<\/em>. Vita Fortunati et al, 3 vols. (Bologna: Longo, 1992):1: 265-270.<\/span><\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Dialogue of Being: Dialogical Form in Klein, Kroetsch and Kogawa,&#8221; in\u00a0<em>Canada\u00a0ieri\u00a0e\u00a0oggi<\/em>, ed. Giovanni Bonanno, 3 vols. (Fasano: Schena, 1986) 2:45-53.<\/li>\n<\/ul>\n<h3>(d) Other<\/h3>\n<ul>\n<li>\u201cMedium&amp;Message&amp;MessAge&amp;Baxter&amp;,\u201d foreword to\u00a0<i>H&amp; IT ON: Iain Baxter&amp; on Marshall McLuhan\u00a0<\/i>(Toronto: YYZ Gallery, 2012) 7-9.<\/li>\n<\/ul>\n<ul>\n<li>\u201c<i>War and Peace in the Global Village<\/i>,\u201d entry in the <i>Dictionary of Transnational History<\/i>, ed. Alsiva Iriye and Pierre-Yves Saunier (London: Palgrave, 2009) 1095<\/li>\n<\/ul>\n<ul>\n<li>\u201cMarshall McLuhan and the History of the Book,\u201d <i>The History of the Book in Canada 3: 1918-1980<\/i>, ed. Carole Gerson \u00a0and Jacques Michon (Toronto: U Toronto P, 2007): 88-90.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Canadian Book Design and Illustration,&#8221; in the\u00a0<em>Encyclopedia of Literature in Canada<\/em>, ed. W. H. New (Toronto: U Toronto P, 2002): 131-137.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Discipline and Place,&#8221; essays and introduction by the Discipline and Place collective,\u00a0<em>Anglistica<\/em>\u00a0[Universit\u00e0 Occidentale di Napoli] 4.1 (2000): 91-118 [all work was collaborative, and involved formulating questions, posing them to the interviewees, and following up on their answers]<\/li>\n<\/ul>\n<ul>\n<li>(with the Discipline and Place Collective: G. Creese, S.Gunew, P. Gurstein, G. Pratt, L. Roman, B. Ross, R. San Juan, P. Vertinsky), &#8220;Moving Spaces \/ Firm Groundings: An Interview with Rey Chow,&#8221;\u00a0<em>Environment and Planning D: Society and Space<\/em>\u00a015 (1997): 509-532 [all work was collaborative, and included formulating questions, posing them to the interviewee, and following up on her answers]<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Gramsci, Antonio,&#8221; in\u00a0<em>Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms<\/em>, general editor Irena R. Makaryk (Toronto: U Toronto P, 1993): 344-345 (double columns).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Spatial Form,&#8221; in\u00a0<em>Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms<\/em>, general editor Irena R. Makaryk (Toronto: U Toronto P,1993): 629-631 (double columns).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Jane Rule,&#8221; in\u00a0<em>Profiles in Canadian Literature<\/em>\u00a07, ed. Jeffrey Heath (Toronto and Oxford: Dundurn P, 1991): 159-166 (double columns).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Il Virgilio nella letteratura canadese,&#8221; <em>Enciclopedia virgiliana<\/em> (Roma: Istituto della Enciclopedia Italiana, 1984), volume one, p. 646 (double columns).<\/li>\n<\/ul>\n<hr \/>\n<p><a name=\"non-refereed\"><\/a><\/p>\n<h2>Non-Refereed Publications<\/h2>\n<p><a href=\"#journals2\">Journals<\/a> |\u00a0<a href=\"#other2\">Other<\/a><\/p>\n<h3><a name=\"journals2\"><\/a>(a) Journals (Reviews)<\/h3>\n<ul>\n<li>Review of Harold Adams Innis, <i>The Bias of Communications<\/i>, 2<sup>nd<\/sup> ed., intro. by Alexander John Watson, for the <i>University of Toronto Quarterly <\/i>79.1 (2010) 418-9.<\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u201cCosmic McLuhan,\u201d review essay on Janine Marchessault, <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Marshall McLuhan<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> (London: Sage, 2006) and Terrence Gordon, <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Everyman\u2019s McLuhan<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> (N.Y.: Mark Batty, 2007) for the <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Journal of Communication<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 34.1 (2009): 159-162<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u201cReview of Alexander John Watson, <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">Marginal Man: The Dark Vision of Harold Innis<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> [U of Toronto P, 2006]\u201d for the <\/span><i style=\"line-height: 1.714285714; font-size: 1rem;\">University of Toronto Quarterly<\/i><span style=\"line-height: 1.714285714; font-size: 1rem;\"> [Letters in Canada issue] 77.1 (Winter 2008): 335-337.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Dancing on the Faultlines of Discourse,&#8221; response to Christopher Dummitt, review of <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Love, Hate and Fear in Canada&#8217;s Cold War<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, ed. R. Cavell, in <\/span><a style=\"line-height: 1.714285714; font-size: 1rem;\" href=\"mailto:H-Canada@H-Net.msu.edu\">H-Canada@H-Net.msu.edu<\/a><span style=\"line-height: 1.714285714; font-size: 1rem;\"> (Sep. 2004).<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Anne Innis Dagg, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Feminine Gaze: A Canadian Compendium of Non-Fiction Women Authors and Their Books, 1836-1945 <\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">(Waterloo: Wilfrid Laurier UP, 2001), in <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">biography<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 26.1 (2003): 187-190.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Steven Totosy, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Comparative Literature: Theory, Method, Application<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> in <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">University of Toronto Quarterly<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> [Letters in Canada 1999] 70.1 (Winter 2000\/2001): 313-314<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">A Sense of Place: Re-Evaluating Regionalism in Canadian and American Writing<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, ed. Christian Riegel and Herb Wyile,&#8221; <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Review of Comparative Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 26.2 (1999): 351-354.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Irene Gammel, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Sexualizing Power in Naturalism: Theodore Dreiser and Frederick Philip Grove<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, in the <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">American Review of Canadian Studies<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 28.1 (Spring \/ Summer 1998): 202-204.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Through a Gloss Darkly,&#8221; revs. of James Reaney, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Lewis Carroll&#8217;s &#8220;Alice Through The Looking Glass<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> and W.J.T. Mitchell&#8217;s <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Reconfigured Eye<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 149 (1996): 120-122.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Scopophobia,&#8221; review of R. Krauss, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Optical Unconscious<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> and M. Jay, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Downcast\u00a0Eyes<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 146 (1995): 135-136.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Caged Presences,&#8221; reviews of J. Reaney, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Performance Poems<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; J. Cage, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">I-VI<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; G. Steiner, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Real Presences<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 144 (1995), 193-195.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Native Literature,&#8221; review of P. Petrone, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Native Literature Canada: From the Oral Tradition to the Present<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> in <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Textual Studies in Canada<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 1.1 (1992): 189-192.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Videocrit,&#8221; review of <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Apprenticeship of Mordecai Richler and Margaret Atwood: One Day in August<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> (videocassettes) for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 131 (1991): 249-250.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Cultural Memory,&#8221; review of Antonio Mazza, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Way I Remember It<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> (recording), for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 128 (1991): 148-149.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Image\/Text,&#8221; review of Naomi Jackson Groves, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">One Summer in Qu\u00e9bec: A.Y. Jackson in 1925<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; A. Moorhouse, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Art, Sight and Language<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 128 (1991).<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Personae,&#8221; review of Otto Friedrich, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Glenn Gould: A Life and Variations<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 127 (1990): 127-129<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Music,&#8221; review of John Beckwith and F. Hall, eds., <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Musical Canada<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; F.Hall ed. The Canadian Musical Heritage 3; and L. Poirier ed. The Canadian Musical Heritage 7, for Canadian Literature 127 (1990): 144-5.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Sciences,&#8221; review of Suzanne Zeller, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Inventing\u00a0 Canada:\u00a0 Early\u00a0 Victorian\u00a0 Canada\u00a0 and\u00a0 the\u00a0 Idea\u00a0 of\u00a0 a\u00a0 Trans-Continental\u00a0 Nation<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 127 (1990): 161-162.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Insalata Mista,&#8221; review of <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Il Veltro<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 29:2 (1985) [Special Issue: &#8220;Le relazioni tra l&#8217;Italia e il Canada&#8221;] for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 115 (1987): 253-255.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Demon of Analogy,&#8221; review of Elsa Linguanti, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">L&#8217;itinerario del senso nella narrativa di Malcolm Lowry<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 112 (1987): 87-88.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Transliterature,&#8221; reviews of C. La Bossi\u00e8re, ed. <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Translation in Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; B. Belyea and E. Dansereau, eds. <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Driving Home: A Dialogue Between Writers and Readers<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">; and G. Archambault, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Man With a Flower in His Mouth<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 106 (1985): 108-110.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Ferruccio Masini, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Dialettica dell&#8217;avanguardia: ideologia e utopia nella letteratura tedesca del 900<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for the <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Review of Comparative Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 8.1(1981): 137-139.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Luca Codignola (ed.), <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadiana: aspetti della storia e della letteratura canadese,<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> for the <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Review of Comparative Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 8:4 (1981): 572-576.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">Review of Caroline Bayard, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The New Poetics in Canada and Qu\u00e9bec<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Recherches s\u00e9miotiques<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> \/ <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Semiotic Inquiry<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 10.1-3 (1990): 210-214.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;The Scene of Writing,&#8221; review of J. Derrida, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">The Truth in Painting<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, M. Fried, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Realism, Writing, Disfiguration<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> and F. Meltzer, <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Salome and the Dance of Writing<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">, for <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\"> University of Toronto Quarterly<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 58.4 (1989): 521-525.<\/span><\/li>\n<li><span style=\"line-height: 1.714285714; font-size: 1rem;\">&#8220;Canadian Literature in Italy,&#8221; <\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\">Canadian Literature<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> 87 (1980): 153-156.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><a name=\"other2\"><\/a>(b) Other Non-Refereed<\/h3>\n<ul>\n<li>Research and editorial assistant, <em>Heritage Inventory: Downtown South<\/em>, by Peter Vaisbord; introduction by Michael Kluckner (Vancouver: Community Arts Council, 1991)<\/li>\n<li><em>spectresofmcluhan.arts.ubc.ca<\/em>:\u00a0a digital resource for research on the media theory of Marshall Mcluhan, 1981 to the present; SSHRC funded.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Refereed Publications Non-Refereed Publications Refereed Publications Journals | Media Interviews | Conference Proceedings | Other (a) Journals \u201cKittler\u2019s Apophrades: Marshaling McLuhan,\u201d Berlin Journal of Critical Theory 3\u00a0(2022) 5-32\u00a0 * \u201cDematerialization and Rematerialization: Mediatic Flipflop and the Anthropocene,\u201d The Berlin Journal of Critical Theory 1 (2019): 83-97 \u00a0&#8220;McLuhan: Technology: Being,\u201d Pan: Philosophy Activism Nature\u2014A Journal [&hellip;]<\/p>\n","protected":false},"author":2643,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/users\/2643"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":35,"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":264,"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/pages\/38\/revisions\/264"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/cavell\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}