June 18, 2018
What makes a good audience? I have read to students on numerous occasions, and I do think of myself as a competent reader; I read questions as if I were asking a question, and sentences that end in exclamation marks will definitely reflect such. Yet, what of the audience? Is a good audience composed of children sitting on a carpet, cross legged, with eyes forward? Is a good audience a group of children sitting at their desks? Perhaps a good audience is a collective of children that are commenting and reacting to what is being read?
Today, I was with a Grade 2 class, that has a notable amount of challenging behaviours. Two students are on medication for ADHD, two others are diagnosed, two more are undiagnosed but exhibit behavioural challenges, and one child has autism (There are also a handful of students who have learning difficulties). It is definitely a difficult class.
Nevertheless, my attention was particularly focused on our reading and the audience. I noticed that the students were not fully attentive when we began reading a magnificent little book called Bob. The book was about an eleven year old girl, Livy, and her long forgotten zombie-in-a-chicken-suit friend who she left for five years in a closet at her gran’s place. (Fascinating, I know.) The kids were not entirely engaged with the first chapter, and I wondered why this was. My teacher did have a soft voice, but she also allowed the students to sketch the main character as descriptions of Livy were provided through the book. I noticed that not all of the students had made sketches, nor were they doodling. After lunch, there was another reading session and I simply had to get a go at trying to enrapture the students in the book.
For chapter 2, I decided to give the students an option: We could either read chapter two with everyone at their desks doing a sketch of the zombie-in-a-chicken-suit or sit at the carpet. After voting, we went to the desks and I began reading. As per habit, I walked throughout the classroom and amongst the desks as I read (I noticed that this is an effective tool for engaging students who find content too mediocre). The students became enraptured with the story, and many of them did not do a sketch. How did I know they were enraptured?… The desks all face the board, and I noticed that over half the class swivelled their bodies to face me as I paced around at the back of the students. Furthermore, the students with behavioural challenges were not acting out, and there was a palpable focus in the classroom: How much of this was my reading style, and how much of this was the book? (A loaded question of course, because the answer is both…)
By the end of chapter 2, the enraptured students let out a collective “Awww! Can we read the next chapter?” I consulted their teacher, and she agreed to another chapter. Therefore, I told the students, since not many of them had made sketches, “We will sit on the carpet”… In my mind, I had already set up my experiment: I am going to test how sitting in a “comfortable” position, lying down, sitting on a chair in close proximity, or whatever their acceptable position (no feet on chairs), affects an enraptured audience.
The initial set up at the carpet took a few extra minutes because one child who had opted to sit on a chair had moved into the proximity of a child with behavioural challenges. After that was resolved by the removal of the chair, because it was inhibiting learning, the students quickly became absorbed into the story. Eyes and ears were consistently on me, and the students were highly invested in the story. At the end of the chapter, they still hungered for more and it was time to transition to the gym.
Why is the question of what is an audience and an enraptured audience important to me?
This question came to me as I watched one of the children reprimanding another for encroaching upon his activity. In a very deprecating tone that was on the verge of verbal abuse, he scolded a classmate of his for a mediocre intrusion. This he did on multiple occasions and he chimes in with the teacher when she is correcting other students’ behaviours. Mind you, the teacher does correct him for his speaking out during such moments as well. Ironically, he himself exhibits many behavioural challenges and often intrudes into others’ learning. Where did he learn this tone of voice, this attitude towards behaviours that offend or disturb? Parents… teachers… other children… siblings. The community.
This school, all schools, are part of a larger integrating community that is the family unit. For that student, the school may not necessarily be the primary concern in his life: he has his home life, which provides many social influences. It reminds me of another student in the class that was more concerned about his dirt biking, shooting firearms (a .22 and a pellet gun), and upcoming quad race which had a side-by-side as the first place prize. The audience that teachers will have when they are reading, when they are teaching is a highly confusing and diverse one. Nevertheless, it seems that the transition to becoming an enraptured audience that is highly invested in the activity at hand is very possible.
Still… I wonder why the students were enraptured. Was it my reading and style, or was it the book? Probably both.