Uncategorized

Pasts-Adebayo-FIP138

Continuous Pasts
Frictions of Memory in Postcolonial Africa

(University of Michigan Press, 2023)
FIP 138

In Continuous Pasts, author Sakiru Adebayo claims that the post-conflict fiction of memory in Africa depicts the intricate ways in which the past is etched on bodies and topographies, resonant in silences and memorials, and continuous even in experiences as well as structures of migration. Adebayo argues that the post-conflict fiction of memory in Africa invites critical deliberations on the continuity of the past within the realm of positionality and the domain of subjectivity—that is to say, the past is not merely present; instead, it survives, lives on, and is mediated through the subject positions of victims, perpetrators, as well as secondary and transgenerational witnesses. The book also argues that post-conflict fiction of memory in Africa shows the unfinished business of the past produces fragile regimes of peace and asynchronous temporalities that challenge progressive historicism. It contends that, in most cases in Africa, the post-conflict present is beset with a tight political economy wherein the scramble for survival trumps the ability to imagine a just future among survivors—and that it is precisely this despairing disposition toward the future that some writers of post-conflict fiction attempt to confront in their works. On the whole, Continuous Pasts shows how post-conflict fictions of memory in Africa recalibrate discourses of futurity, solidarity, responsibility, justice, survival, and reconciliation. It also contends that post-conflict fictions of memory in Africa provide the tools for imagining and theorizing a collective African memory. Each text analyzed in the book provides, in very interesting ways, an imaginative possibility and template for how post-independence African countries can ‘remember together’ using what the author describes as an African transnational memory framework.

(Description Source: University of Michigan Press)


Author

Sakiru Adebayo is an assistant professor of English and Cultural Studies at the University of British Columbia. Born in Ijebu Igbo, a town in Southwestern Nigeria, Sakiru moved to Ibadan to study at the University of Ibadan, Nigeria’s premier university. He later moved to Johannesburg, South Africa for his Ph.D. at the University of the Witwatersrand. He worked as a postdoctoral fellow at the Wits Institute of Social and Economic Research (WISER) for a year. He is very excited to be a part of the UBC community in the Okanagan Valley.

UBC Library Holdings

https://tinyurl.com/32bk836z


How to Purchase this Book

From the Publisher – University of Michigan Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9780472076239
ePub ISBN: 9780472221196
Paper ISBN: 9780472076239

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Lullaby-Ward-FIP138

Amdo Lullaby
An Ethnography of Childhood and Language Shift on the Tibetan Plateau

(University of Toronto Press, 2024)
FIP 138

This book analyses the everyday conversations of children in eastern Tibet (contemporary People’s Republic of China) to demonstrate how they use language to navigate the social and cultural changes caused by rural to urban migration.

In Amdo, a region of eastern Tibet incorporated into mainland China, young children are being raised in a time of social change. In the first decades of the twenty-first century, Chinese state development policies are catalysing rural to urban migration, consolidating schooling in urban centres, and leading Tibetan farmers and nomads to give up their traditional livelihoods. As a result, children face increasing pressure to adopt the state’s official language of Mandarin.

Amdo Lullaby charts the contrasting language socialization trajectories of rural and urban children from one extended family, who are native speakers of a Tibetan language known locally as “Farmer Talk.” By integrating a fine-grained analysis of everyday conversations and oral history interviews, linguistic anthropologist Shannon M. Ward examines the forms of migration and resulting language contact that contribute to Farmer Talk’s unique grammatical structures, and that shape Amdo Tibetan children’s language choices. This analysis reveals that young children are not passively abandoning their mother tongue for standard Mandarin, but instead are reformatting traditional Amdo Tibetan cultural associations among language, place, and kinship as they build their peer relationships in everyday play.

(Description Source: University of Toronto Press)


Author

Shannon Ward is an assistant professor of Anthropology, in the Department of Community, Culture, and Global Studies at the University of British Columbia Okanagan. She is trained as a linguistic anthropologist (Ph.D. New York University 2019), and specializes in the study of language acquisition and socialization, multilingualism, language shift, and language documentation. Her research program addresses how children acquire languages alongside cultural practices, especially in situations of social change and language shift. Over the past ten years, she has been investigating the relationships among migration, urbanization, and language shift in multilingual Tibetan families living in western China and North America.

UBC Library Holdings

https://tinyurl.com/5wyy5k3b


How to Purchase this Book

From the Publisher – University of Toronto Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781487558666
ePub ISBN: 9781487558697
PDF ISBN: 9781487558680
Paper ISBN: 9781487558673

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Sptakwlh-Lyon-FIP138

Sptakwlh múta7 sqwéqwel’
St̕át̕imcets Narratives by Qwa7yán’ak (Carl Alexander) Volume II

(PNWLL USLCES, 2025)
FIP 138

This volume is the second in a two-part series of narratives, following Sqwéqwel’ Múta7 Sptakwlh: St’át’imcets Narratives by Qwa7yán’ak (Carl Alexander).

This latest volume features twenty-six narratives as told by Qwa7yán’ak Carl Alexander in St’át’imcets, recorded between the summer of 2016 and the winter of 2020. Narratives were recorded, transcribed, and translated by Matt Andrew (Lil’wat7úl), Henry Davis (UBC-Vancouver), and John Lyon (UBC-Okanagan). Each narrative is presented in three formats: a St’át’imcets-only version, an English-only version, and an interlinear gloss, which provides a morpheme-by-morpheme breakdown of the original St’át’imcets.

(Description Source: PNWLL Press)


Author

John Lyon is an assistant professor in the Community, Culture and Global Studies program at UBC Okanagan. He received his PhD in linguistics from UBC Vancouver. For the past fourteen years, he has worked with Salish language speaking elders and communities in Canada and the U.S. on dictionaries, story collections, and some of the finer grammatical nuances of how these languages work.

He teaches Syilx language (Nsyilxcn; Okanagan Salish) at UBCO’s Bachelor of Nsyilxcn Language Fluency (BNLF) Program, and works closely with the En’owkin Centre to provide post-graduate language learning and research opportunities for indigenous and non-indigenous students pursuing language revitalization or language fluency.

Henry Davis is a professor in department of Linguistics at UBC Vancouver. His background is in language acquisition. For the past twenty years his research has focused on the critically endangered indigenous languages of BC, in particular, those of the Salish, Wakashan, and Tsimshianic families.

He has been working since 1992 on the Northern Interior Salish language St’át’imcets (Lilllooet), in partnership with the Upper St’át’imcets Language, Culture and Education Society and collaboration with his colleague Lisa Matthewson.

Besides syntactic research on categories, configurationality, anaphora, ellipsis, and WH-questions, and semantic work on modality and quantification, he has written a large but as yet-unpublished teaching grammar of the language, is collaborating on a three-volume English-St’át’imcets dictionary, and has worked on both contemporary and historical textual materials.

UBC Library Holdings

N/A


How to Purchase this Book

From the Publisher – PNWLL
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri
Available Online as a free PDF – PNWLL

Paper ISBN: 9780888655608

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Convexity-Bauschke-FIP138

An Introduction to Convexity, Optimization,
and Algorithms

(SIAM Publications Library, 2023)
FIP 138

This concise, self-contained volume introduces convex analysis and optimization algorithms, with an emphasis on bridging the two areas. It explores cutting-edge algorithms-such as the proximal gradient, Douglas-Rachford, Peaceman-Rachford, and FISTA-that have applications in machine learning, signal processing, image reconstruction, and other fields.

An Introduction to Convexity, Optimization, and Algorithms contains algorithms illustrated by Julia examples, more than 200 exercises that enhance the reader’s understanding of the topic, and clear explanations and step-by-step algorithmic descriptions that facilitate self-study for individuals looking to enhance their expertise in convex analysis and optimization.

(Description Source: SIAM)


Author

Heinz H. Bauschke is a professor of mathematics at the University of British Columbia (Okanagan), and an associate head of the department. He earned his PhD at Simon Fraser University, and was the Researcher of the Year in 2009 at UBCO. He researches convex analysis and optimization, monotone operator theory, projection methods, and applications. He has authored or co-authored more than 125 refereed publications, including 2 books, and co-edited several conference proceedings with Springer.

Walaa M. Moursi is an assistant professor in the Department of Combinatorics and Optimization, University of Waterloo, Canada.

UBC Library Holdings

https://tinyurl.com/492rzmak


How to Purchase this Book

From the Publisher – SIAM
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

ePub ISBN: 9781611977806
Paper ISBN: 9781611977790

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Fashion-Filippello-FIP138

Fashion and Feeling
The Affective Politics of Dress

(Palgrave Macmillan, 2023)
FIP 138

Fashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion are still largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling.

(Description Source: Palgrave)


Author

Roberto Filippello is a Killam Postdoctoral Research Fellow and a teaching fellow in Gender Studies at the University of British Columbia, Okanagan. He studies how aesthetic practices such as fashion image-making and design have been used by LGBTQ+ individuals to voice political consciousness and shape affective belonging.

Ilya Parkins is an associate professor of Gender and Women’s Studies at the University of British Columbia, Okanagan, Canada. She specializes in feminist theory, mass culture, fashion, and femininities. Her new project is about the wedding attire of folks who identify as feminist and/or queer. It is supported by a grant from the Social Sciences and Humanities Research Council of Canada.

UBC Library Holdings

https://tinyurl.com/ysna3vmn


How to Purchase this Book

From the Publisher – Palgrave
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9783031190995
ePub ISBN: 9783031191008
Paper ISBN: 9783031191022

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Aquapelagos-Hayward-FIP138

Aquapelagos
Integrated Terrestrial and Marine Assemblages

(Routledge, 2024)
FIP 138

Aquapelagos is a cross-disciplinary volume that is geared to a general undergraduate and non-specialist readership while also being rigorous and theoretically exciting for doctoral and advanced researchers of climate and ocean studies. It foregrounds marine-terrestrial assemblages as philosophical, navigational, and knowledge-making interfaces.

Drawing on ethnographic, geographic, architectural, sociological, and scientific methodogies, Aquapelagos sheds light on varied approaches, dialogues, and responses to the catastrophic and impending futures unfolding across waterfronts from the Andaman Islands, Maldives, and Indonesia to the Grand Banks and the Juan Fernandez Islands. It delves into pressing issues of human interrelations with aquatic environments, ocean volatility, ocean toxicity, flooding, inundation, mitigation, rising seas, and climate adaptation in interdisciplinary and comparative global terms. Within the conceptual framework of the aquapelago, the contributors to this volume explore aspects of integrated terrestrial and marine assemblages that enhance our understanding of the impact of global climate change and related rising sea levels on diverse planetary ecologies and the societies that depend on them.

The volume will be of interest to scholars, researchers, and students of ethnography, social anthropology, climate action, development studies, public policy, and climate change.

(Description Source: Routledge)


Author

Philip Hayward is an adjunct professor at the University of British Columbia, Okanagan, the editor of the journal Shima, and a strategic advisor for the River Cities Network. His research addresses oceanic, island, coastal, and riverine environments with particular regard to issues of cultural heritage, tourism, and representation. He has published articles in journals such as AnthropocenesIsland Studies JournalLagoonscapesSmall States and Territories and Transformations, and he has written and edited 14 books.

May Joseph is a professor of Social Science at Pratt Institute, Brooklyn.

UBC Library Holdings

https://tinyurl.com/3pwsv8zh


How to Purchase this Book

From the Publisher – Routledge
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781032723440
ePub ISBN: 9781003569534
Paper ISBN: 9781032941929

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Sustainability-Joy-EME2202

Sustainability in Art, Fashion and Wine
Critical Perspectives

(De Gruyter, 2024)
EME 2202

The art, fashion and wine industries are currently at various stages in their efforts to embrace and transition towards sustainability. While sustainability commitments are a necessary condition for progress, they are not sufficient. Instead, there is a need for sweeping transformative change that includes giving serious consideration to indigenous worldviews without recolonizing them.

Sustainability in Art, Fashion and Wine includes findings from recent research and contributes to a new understanding of familiar concepts such as sustainability, (de)colonization and corporate responsibility in the art, fashion and wine industries by adopting critical lenses and incorporating them with innovative perspectives on circular business models and digitalization. It endeavours to present remedies for effectively combating climate change and promoting social good.

While discussing specific issues such as sub-contracted labour, safe working conditions, living wages, environmental degradation, mismanaged waste, and more, the book argues that recognizing the significant role western colonization has played – and continues to play – in the developing world in our current conception of capitalism is itself unsustainable. To understand the true meaning of sustainability – to fully recognize the looming deadlines we face in combating the climate crisis and instituting sustainability as a new normal – the acceptance of a new conception of capitalism, one antithetical to colonization and exploitation, is required.

Contributors to this book address these issues by applying a critical studies approach to their respective chapters, allowing the book to set out what real sustainability could and should look like in the art, fashion and wine industries.

(Description Source: De Gruyter)


Editor

Annamma Joy is the associate dean, Research and Professor of Marketing at UBC Okanagan. Before assuming her position in January 2008, she was a professor of Marketing at Concordia University in Montreal. She is an acknowledged expert on fashion, luxury brands, and art and some of her work has appeared in Financial Times 50 journals such as the Journal of Consumer Research and the Journal of Consumer Psychology.

Her research interests are primarily in the area of consumer behaviour and branding with a special focus on luxury brands, fashion brand experiences, wineries and wine tourism, consumer behaviour in the People’s Republic of China (PRC), and aesthetic consumption. She has been a visiting scholar at The Hong Kong University of Science and Technology, The Hong Kong Polytechnic University, China-Europe International Business School, Shanghai, Lingnan University, Hong Kong, SDA Bocconi, Milan, the Helsinki School of Economics, and Aalto University in Helsinki, Finland.

UBC Library Holdings

https://tinyurl.com/3aunz64d


How to Purchase this Book

From the Publisher – De Gruyter
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9783110783896
ePub ISBN: 9783110783933

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Political-Doll-EME2202

Political Activist Ethnography
Studies in the Social Relations of Struggle

(Athabasca University Press, 2024)
EME 2202

As activists strategize, build resistance, and foster solidarity, they also call for better dialogue between researchers and movements and for research that can aid their causes. In this volume, contributors examine how research can produce knowledge for social transformation by using political activist ethnography, a unique social research strategy that uses political confrontation as a resource and focuses on moments and spaces of direct struggle to reveal how ruling regimes are organized so activists and social movements can fight them.

Featuring research from Aotearoa (New Zealand), Bangladesh, Canada, Poland, South Africa, and the United States on matters as diverse as anti-poverty organizing, prisoners’ re-entry, anti-fracking campaigns, left-inspired think-tank development, non-governmental partnerships, involuntary psychiatric admission, and perils of immigration medical examination, contributors to this volume adopt a “bottom-up” approach to inquiry to produce knowledge for activists, not about them. A must-read for humanities and social sciences scholars keen on assisting activists and advancing social change.

(Description Source: Athabasca University Press)


Editors

Agnieszka Doll is a socio-legal scholar in law, health and regulation and an assistant professor at the Department of History and Sociology at the University of British Columbia, Okanagan. She is a socio-legal researcher and an ethnographer working at the nexus of law, medicine, regulation, and everyday life. She is interested in how legal knowledges intersect with other knowledges and in the material and non-material effects of those encounters. In my research, she adopts feminist and socio-legal approaches and employs a variety of qualitative research strategies, including feminist ethnography, ANT, and critical discourse analysis. She also works with alternative sociology of institutional ethnography.

Laura Bisaillon is a political sociologist and an associate professor in the Department of Health and Society at the University of Toronto Scarborough.

Kevin Walby is an associate professor of Criminal Justice, University of Winnipeg.

UBC Library Holdings

https://tinyurl.com/2zff3w6e


How to Purchase this Book

From the Publisher – Athabasca University Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9781771993982
ePub ISBN: 9781771994002
PDF ISBN: 9781771993999

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Queers-Smith-EME2202

Queers Like Me
Poems

(Book*hug Press, 2023)
EME 2202

Confessional and immersive, Michael V. Smith’s latest collection is a broad tapestry that explores growing up queer and working class, then growing into an urban queer life.

In these poems, we are immersed in the world of a young Smith as he shares the awkward dinners, the funerals, and the uncertainty of navigating fraught dynamics, bringing us into these most intimate moments of family life while outrunning deep grief. Smith moves from first home to first queer experiences: teenage crushes, video cameras, post-club hookups, fears and terrors, closeted lovers, and daydreams of confronting your childhood bully.

Queers Like Me is an enveloping book—a meditation on family complexity and a celebration of personal insight.

(Description Source: Book*hug Press)


Editor

Michael V. Smith is an associate professor at the University of British Columbia, where he teaches creative writing. His first novel, Cumberland, was shortlisted for the Amazon.ca / Books in Canada First Novel Award. His short fiction has won the Western Magazine Gold Award for Fiction and been nominated for the Journey Prize. In 2007, Smith received the Dayne Ogilvie Award for Emerging Gay Writers and Vancouver’s Community Hero of the Year Award. A native of Cornwall, Ontario, Smith currently lives in Kelowna, BC.

UBC Library Holdings

https://tinyurl.com/3k7sm6vc


How to Purchase this Book

From the Publisher – Book*hug Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9781771668507

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Luxury-Joy-EME1202-2

The Future of Luxury Brands
Artification and Sustainability

(De Gruyter, 2022)
EME 1202-2

The concepts of artification and sustainability are now both at the heart of luxury brand marketing strategies; artification as an ongoing process of transformation in the world of art and sustainability as an indispensable response to the issues of our times. The Future of Luxury Brands examines three interrelated luxury-marketing segments—the art world, fashion and fine wines including hospitality services—through the dual lenses of sustainability and artification.

From safeguarding human and natural resources to upholding labour rights and protecting the environment, sustainability has taken center stage in consumer consciousness, embodying both moral authority and sound business practices. At the same time, artification—the process by which non-art is reconceived as art—applies the cachet of art to business, affording commercial products the sacred status accorded to works of art. When commercial products enter the realm of aesthetic creation, artification and consumer engagement inevitably increases.

This pioneering book examining artification and sustainability as strategic pillars of marketing strategies in the luxury industry will be essential reading for practitioners working in luxury product companies, as also students of luxury brand marketing.

(Description Source: De Gruyter)


Editor

Annamma Joy is the associate dean, Research and a professor of Marketing at UBC Okanagan. Before assuming her position in January 2008, she was a professor of Marketing at Concordia University in Montreal. She is an acknowledged expert on fashion, luxury brands, and art and some of her work has appeared in Financial Times 50 journals such as the Journal of Consumer Research and the Journal of Consumer Psychology.

Her research interests are primarily in the area of consumer behaviour and branding with a special focus on luxury brands, fashion brand experiences, wineries and wine tourism, consumer behaviour in the People’s Republic of China (PRC), and aesthetic consumption. She has been a visiting scholar at The Hong Kong University of Science and Technology, The Hong Kong Polytechnic University, China-Europe International Business School, Shanghai, Lingnan University, Hong Kong, SDA Bocconi, Milan, the Helsinki School of Economics, and Aalto University in Helsinki, Finland.

UBC Library Holdings

https://tinyurl.com/56d2y9m6


How to Purchase this Book

From the Publisher – De Gruyter
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9783110737615
ePub ISBN: 9783110732757

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.