{"id":315,"date":"2020-10-04T09:59:28","date_gmt":"2020-10-04T16:59:28","guid":{"rendered":"https:\/\/blogs.ubc.ca\/classroomartwork\/?p=315"},"modified":"2022-09-13T08:28:40","modified_gmt":"2022-09-13T15:28:40","slug":"postcolonial-lovesey-art114","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/classroomartwork\/postcolonial-lovesey-art114\/","title":{"rendered":"Postcolonial-Lovesey-ART114"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2693 size-medium\" src=\"https:\/\/blogs.ubc.ca\/classroomartwork\/files\/2020\/10\/61d-zUS2yIL-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/classroomartwork\/files\/2020\/10\/61d-zUS2yIL-200x300.jpg 200w, https:\/\/blogs.ubc.ca\/classroomartwork\/files\/2020\/10\/61d-zUS2yIL-682x1024.jpg 682w, https:\/\/blogs.ubc.ca\/classroomartwork\/files\/2020\/10\/61d-zUS2yIL-768x1153.jpg 768w, https:\/\/blogs.ubc.ca\/classroomartwork\/files\/2020\/10\/61d-zUS2yIL.jpg 900w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em>The Postcolonial Intellectual<br \/>\n<\/em><\/strong><em>Ngugi Wa Thiong\u2019o in Context<\/em><strong><em><br \/>\n<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">(Ashgate Publishing, 2015)<\/span><br \/>\n<span style=\"color: #000000;\">ART 114<\/span><\/p>\n<p>Oliver Lovesey examines the conundrum of the postcolonial intellectual, a central yet critically overlooked figure in the postcolonial project. He focuses on Ng\u0169g\u0129 wa Thiong\u2019o within his cultural, historical, and intellectual contexts, primarily with respect to his non-fictional prose writings, including his neglected early journalism and his most recent autobiographical and theoretical work. Lovesey argues for Ng\u0169g\u0129\u2019s position as a major postcolonial theorist who helped establish postcolonial studies.<\/p>\n<p><span style=\"color: #000000;\">(Description Source: <a href=\"https:\/\/www.routledge.com\/The-Postcolonial-Intellectual-Ngugi-wa-Thiongo-in-Context\/Lovesey\/p\/book\/9780367878948\">Routledge<\/a>)<br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000;\"><em><br \/>\nAuthor<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><strong>Oliver Lovesey<\/strong> is an associate professor of English at the University of British Columbia, Okanagan Campus, Canada. He has authored a number of monographs on George Eliot and Ng\u0169g\u0129 wa Thiong\u2019o, and edited<span class=\"apple-converted-space\">\u00a0<\/span><i>Victorian Social Activists\u2019 Novels<\/i>,<span class=\"apple-converted-space\">\u00a0<\/span><i>The Mill on the Floss<\/i>,<span class=\"apple-converted-space\">\u00a0<\/span><i>Approaches to Teaching the Works of Ng\u0169g\u0129<\/i>, and a<span class=\"apple-converted-space\">\u00a0<\/span><i>Popular Music and Society<\/i><span class=\"apple-converted-space\">\u00a0<\/span>special issue: &#8216;Popular Music and the Postcolonial&#8217;.<\/p>\n<p><span style=\"color: #000000;\"><em><br \/>\nUBC Library Holdings<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><a href=\"https:\/\/tinyurl.com\/y6l3vk3k\">https:\/\/tinyurl.com\/y6l3vk3k<\/a><\/p>\n<p><span style=\"color: #000000;\"><em><br \/>\nHow to Purchase this Book<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\">From the Publisher &#8211; <a href=\"https:\/\/www.routledge.com\/\">Routledge<\/a><\/span><br \/>\n<span style=\"color: #000000;\">From Used-book Sellers &#8211; <a href=\"https:\/\/www.abebooks.com\/\">ABE<\/a>, <a href=\"http:\/\/www.amazon.ca\">Amazon<\/a>, <a href=\"https:\/\/www.antiqbook.com\">Antiqbook<\/a>, <a href=\"https:\/\/www.biblio.com\">Biblio<\/a>, <a href=\"https:\/\/www.vialibri.net\">Vialibri<\/a><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\">Paper ISBN: 9780367878948<br \/>\n<\/span>Hardback ISBN: 9781409409007<br \/>\n<span style=\"color: #000000;\">eBook ISBN: 9781315554112<\/span><\/p>\n<p><span style=\"color: #000000;\"><em><br \/>\nUBC Okanagan Classroom Artwork Project <\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\">The <em>University of British Columbia Okanagan Classroom Artwork Project<\/em> aims to display academically inspiring artwork in classrooms and other teaching areas of the university.<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\">Artwork displayed as part of this project \u2013 including the covers of books and journals containing work written or edited by UBCO scholars and researchers \u2013 is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.<\/span><\/p>\n<p><span style=\"color: #000000;\"><em><br \/>\nHow to Submit Artwork <\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #000000;\">If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO\u2019s educational mission, please email your suggestions to <a href=\"mailto:classroom.artwork@ubc.ca\">classroom.artwork@ubc.ca<\/a>.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">The <em>UBC Okanagan Classroom Artwork Project<\/em> began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO&#8217;s Faculties and the Office of the Provost.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Artwork and other images that are a part of this project are displayed solely for educational purposes.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Postcolonial Intellectual Ngugi Wa Thiong\u2019o in Context (Ashgate Publishing, 2015) ART 114 Oliver Lovesey examines the conundrum of the postcolonial intellectual, a central yet critically overlooked figure in the postcolonial project. He focuses on Ng\u0169g\u0129 wa Thiong\u2019o within his cultural, historical, and intellectual contexts, primarily with respect to his non-fictional prose writings, including his [&hellip;]<\/p>\n","protected":false},"author":73825,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[35],"class_list":["post-315","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-english"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/posts\/315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/users\/73825"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/comments?post=315"}],"version-history":[{"count":8,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/posts\/315\/revisions"}],"predecessor-version":[{"id":2694,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/posts\/315\/revisions\/2694"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/media?parent=315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/categories?post=315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/classroomartwork\/wp-json\/wp\/v2\/tags?post=315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}