Tag Archives: Indigenous creators

Contemporary Indigenous Artists (M3P3)

In this post, I am weaving together three different resources. When teaching visual art education, sometimes it is useful to direct learners towards other artists as sources of inspiration or research. Sending students exclusively to sites like Behance, Instagram, or Pinterest runs the risks of overwhelmingly Western content. The following resources can help lead students to contemporary Indigenous Artists:

Digital Mural is a collection by Indigenous youth. The gallery includes visual images, audio, video, and digitally rendered work. A central theme to the collection is the creative responses to change, community, and resilience. You can focus the collection by selecting certain categories (ex: Figure, Indigenous Futurism, Land, etc.) or tags (ex: Digital, Illustration, Photography, etc.). Clicking on the individual works will provide information about the piece and/or artist.

The Indigenous Arts Collective of Canada seeks to empower Indigenous women and to create a safe and inclusive space to conserve and share cultural knowledge. In their purpose statement they say: “For Indigenous people, art is the very soul of our spirituality. It’s our every movement, dance and song – it is in every stroke of paint, every bead sewn, every feather placed.” The website has an Artist Directory, where you can browse by artist or by artform, and a Marketplace to support Indigenous artists.

The Secwepemc Artisan Catalogue (2013) showcases Indigenous artists in and near Kamloops, BC. Each artist has a bibliography and samples of their work, from beading to painted headphones.

 

References:

Community Futures Development Corporation of Central Interior First Nations. (2013, October 28). Secwepemc artisan catalogue. SlideShare. https://www.slideshare.net/npankewich/secwepemc-artisan-catalogue.

Digital Mural. (n.d.). https://digitalmural.ca/gallery.

Welcome. Indigenous Arts Collective of Canada. (2021, June 28). https://passthefeather.org/.

M1, P4: Indigenous Screen Memories – Archives

I wanted to see if I could track down digitized versions of some of the content mentioned in Gingburg’s (2002) Screen Memories.

Nanook of the North was pretty easy to find and widely available, although the quality was not great. The film, originally produced in 1922, was among the first 25 films selected for preservation by the Library of Congress for it’s cultural, historical, or aesthetic significance. The essay that accompanies the Library of Congress record for the selection describes the documentary as “one of the most significant American documentaries: it operates as a Rosetta stone for debates about documentary ethics, representation, ethnography, orientalism.” You can read the full essay supporting the selection decision here.

As such a prominent film, it was quite easy to come by. The others were more challenging, but I used the IsumaTV platform to track down lots of other amazing items, including some pieces mentioned in Gingsburg (2002).

Nanook of the north (1922) Full film, https://vimeo.com/42775802

Qaggiq (Gathering Place, 1989) Full film, http://www.isuma.tv/isuma-productions/qaggiq-gathering-place

Atanarjuat (The fast runner, 2000) Trailer, http://www.isuma.tv/isuma-productions/atanarjuat-trailer

Nanook of the North, excerpt, http://www.isuma.tv/vintage-inuit-movie-collection/excerpt-nanook-north-first-documentary-ever

 

Ginsburg, F. D. (2002). Screen memories: Resignifying the traditional in Indigenous media. In F.D. Ginsburg, L. Abu-Lughod, & B. Larkin, B. (Eds.), Media worlds: Anthropology on new terrain (pp. 37-57). University of California Press.

Zimmermann, P. R., & Zimmerman Auyash, S. (2015). Nanook of the North.[Online]. Washington, DC: Library of Congress, National Film Preservation Board.