{"id":8,"date":"2015-08-13T13:50:33","date_gmt":"2015-08-13T20:50:33","guid":{"rendered":"https:\/\/blogs.ubc.ca\/dburgess\/?page_id=8"},"modified":"2019-09-01T16:25:38","modified_gmt":"2019-09-01T23:25:38","slug":"research","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/dburgess\/research\/","title":{"rendered":"Research"},"content":{"rendered":"<p><strong>Articles:<\/strong><\/p>\n<p>\u201cWe Can Haz Film Fest! Internet Cat Video Festival Goes Viral.\u201d <em>NECSUS European Journal of Media Studies<\/em> (2015): <a href=\"http:\/\/www.necsus-ejms.org\/we-can-haz-film-fest-internet-cat-video-festival-goes-viral\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.necsus-ejms.org<\/a>.<\/p>\n<p>\u201cWhy Whistler Will Never Be Sundance and What This Tells Us About the Field of Cultural Production.\u201d <em>Canadian Journal of Film Studies<\/em> 23:1 (2014): 90-108.<\/p>\n<p>\u201cBridging the Gap: Festival Governance, Public Partners and \u201cthe Vexing Problem of Distribution.\u201d <em>Canadian Journal of Film Studies <\/em>21:1 (2012): 2-20.<\/p>\n<p>\u201cCharting the Course of the Pacific New Wave\u201d <em>CineAction 61<\/em> (2003): 29-33.<\/p>\n<p>\u201c<em>Kanehsatake<\/em> on <em>Witness<\/em>: The Evolution of CBC Balance Policy\u201d <em>Canadian Journal of Communication 25<\/em>:2 (Spring 2000), 231-249.<\/p>\n<p><strong>Book Chapters:<\/strong><\/p>\n<p>\u201cPositionality and Film Festival Research: A Conversation.\u201d [Co-authored with Brendan Kredell] <em>Film Festivals: History, Theory, Method, Practice<\/em>. Marijke de Valck, Brendan Kredell, and Skadi Loist, eds. New York: Routledge (2016): 159-176.<\/p>\n<p>\u201cAir Bud and Stickgirl Share Leaky Condo: The Changing Landscape of BC Cinema Since the 1980s.\u201d <em>Self-Portraits: The Cinemas of Canada Since Telefilm<\/em>. Andr\u00e9 Loiselle and Tom McSorley, eds. Ottawa: The Canadian Film Institute (2006): 129-165.<\/p>\n<p>\u201cLeaving Gender Aside: The Legacy of Studio D?\u201d <em>Women Filmmakers: Refocusing<\/em>. Jacqueline Levitin, Judith Plessis and Valerie Raoul, eds. Vancouver: UBC Press (2003): 418-433.<\/p>\n<p><strong>Reviews:<\/strong><\/p>\n<p>Scene reviews of <em>Kissed<\/em>, <em>Hard Core Logo<\/em>, <em>Better Than Chocolate<\/em>, <em>Everything\u2019s Gone Green<\/em>. In\u00a0<em>World Film Locations Vancouver<\/em>. Rachel Walls, ed. Bristol: Intellect Books, 2013.<\/p>\n<p>Review of Jerry White (ed.), <em>The Cinema of Canada<\/em>, London: Wallflower Press (24 Frames series), 2006 and Jim Leach, <em>Film in Canada<\/em>, Toronto: Oxford University Press, 2006. <em>Canadian Journal of Film Studies <\/em>17:1 (Spring 2008): 87-92.<\/p>\n<p><strong>Selected Conference Papers:<\/strong><\/p>\n<p>&#8220;BC Cinema After Netflix.&#8221; Film Studies Association of Canada, Vancouver, June 2019.<\/p>\n<p>&#8220;Reframing National Screen Culture in the Age of Netflix: A Comparative Analysis of Canada and Australia.&#8221; Panel Co-Chair, Co-Presenter with Kirsten Stevens, Society for Cinema and Media Studies, Seattle, March 2019.<\/p>\n<p>&#8220;#SeetheNorth: Re-Curating the National After TIFF at Canada&#8217;s Top Ten Film Festival.&#8221; NECS European Network for Cinema and Media Studies, Amsterdam, June 2018.<\/p>\n<p>&#8220;Symbolic Value, Attention Momentum, and the Dispersive Qualities of Film Festival Buzz.&#8221; Media Industries, King&#8217;s College London, April 2018.<\/p>\n<p>\u201cAn Ecosystem of Networked Circuits? Towards a Sustainable Theory of the Film Festival Sector.\u201d Film Festival Cartographies Symposium, Modena, Italy, November 2014.<\/p>\n<p>\u201cA Tale of Two Cities: Local Exhibition, Regional Alliances, and the Development of Major Film Festivals in the Pacific Northwest.\u201d Panel Chair, Society for Cinema and Media Studies, Seattle, March 2014.<\/p>\n<p>\u201cBehind the Velvet Rope: Insider\/Outsider Dilemmas for Film Festival Researchers.\u201d<br \/>\nWorkshop Chair, Society for Cinema and Media Studies, Chicago, March 2013.<\/p>\n<p>\u201cWhy Whistler Will Never Be Sundance and What This Tells Us About the Field of Cultural Production.\u201dSociety for Cinema and Media Studies, Boston, March 2012<\/p>\n<p>\u201cOn Theorizing Film Festivals: Past, Present, Future.\u201d Co-Chair, Workshop Co-Chair, Society for Cinema and Media Studies, New Orleans, March 2011.<\/p>\n<p>\u201cThe Art and Politics of Film Festival Programming.\u201d Workshop, Society for Cinema and Media Studies, Los Angeles, March 2010.<\/p>\n<p>\u201cNot Just Another Art House: Public Funding and Festival Forays into Bricks and Mortar.\u201d Film Studies Association of Canada, UBC, Vancouver 2008.<\/p>\n<p>\u201cCulture, Commerce and Cosmopolitanism: Film Festivals and the Traffic in International Cinema.\u201d Canadian Communication Association, UBC, Vancouver 2008.<\/p>\n<p>\u201cNegotiating Admission: The Film Festival as Liminal Market\/place.\u201d Media Change and Social Theory, CRESC conference, St. Hugh\u2019s College, Oxford 2006.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Articles: \u201cWe Can Haz Film Fest! Internet Cat Video Festival Goes Viral.\u201d NECSUS European Journal of Media Studies (2015): www.necsus-ejms.org. \u201cWhy Whistler Will Never Be Sundance and What This Tells Us About the Field of Cultural Production.\u201d Canadian Journal of &hellip; <a href=\"https:\/\/blogs.ubc.ca\/dburgess\/research\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33112,"featured_media":33,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"showcase.php","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/users\/33112"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":7,"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":71,"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/pages\/8\/revisions\/71"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/media\/33"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/dburgess\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}