Monthly Archives: January 2016

Are All Lives Treated Equally?

In Survivability, Vulnerability, Affect (Frames of war: when is life grievable?) , Judith Butler raises the often difficult and uncomfortable question of whether or not all lives matter equally.  Through her examination on the war on terror in this article and various concepts such as “framing” Several justifications for both sides of the argument become apparent.

Furthermore,  the concept of framing can be described as one in which a story or scenario, (in this case the war on terror) is examined whilst simultaneously ignoring the other side argument. Whether this is done intentionally or not is debatable. However, that being said there are harmful effects that can arise from this practice, such as important dialogue being shut down.

Anyways, back to the original question. Do all lives matter equally? Obviously in an ideal world they would all matter equally to the people in positions of power who essentially dictate who lives and dies in the war on terror as this tends to have a large effect on the thoughts of the public at large. Of course the other side to this argument would be that terrorists themselves have consistently shown through their own actions that they hold their own lives and the lives of others in their community with very little regard. This itself could be considered to be a sort of subliminal effect on the general public in the sense that most people may not realize they hold this bias because of these actions.

Continuing, a similar debate can be seen regarding the current migrant crisis the Europe is facing and unfortunately due to the war on terror, a lot of people in the west maintain the same negative misconceptions about middle eastern people that were developed through the war on terror.

Oskar

Hello readers, in this blog entry I’m going to discuss the significance of Oskar Schell in Extremely Loud & Incredibly Close By Jonathan Safran Foer. For those of you that have not read the book, Oskar is the protagonist in the novel who’s father passed away shrouded in mystery during the terrorist attacks on The World Trade Centre on September 11th, 2001. The novel essentially follows Oskar in his quest to uncover the mystery surrounding his father’s death, whilst simultaneously featuring interjections from His grandparents who are featured as narrators in several of the chapters. I believe that Oskar as a character serves as a motif or symbol for the thousands of people who lost friends and family on that fateful day and that Safran-Foer created Oskar as a manifestation of the suffering of all those people.

Continuing, it seems as though Safran-Foer makes a conscious effort while writing as Oskar, to remind readers that he is in fact a young child thus making it even more difficult for him to cope with losing his father. This effort can be seen most clearly throughout the first chapter of the novel which in turn leaves a lasting impression. This is evidenced in the first chapter as a whole. Oskar’s narration style can be described as both erratic and on the verge of incoherent, as he makes reference to trivial facts and events that have occurred in his lifetime. However, upon reading more of the book it becomes apparent that this is just a part of Oskar’s personality.

Conclusively, although Oskar is presented as an unusual child, this can be seen to counterintuitively endear him to readers who become more and more attached to the character as the novel and plot progress. At a higher level of abstraction, Oskar serves as a monument to all those who lost loved ones on September 11th, 2001.