Braschi

Week 11: Yo-Yo Boing and the Art of Spanglish

Reading Yo-Yo Boing! by Giannina Braschi was a unique and thought-provoking experience for me. As someone who is semi-bilingual and interested in linguistics, translation, and multicultural literature, this book provided me with a deeper insight into the complex nature of language and culture.

One of the central themes of the book is bilingualism and the challenges of translation. The characters in the novel often switch between English and Spanish, reflecting the reality of many bilingual individuals who navigate between two or more languages on a daily basis. I really liked Jon’s visual of characters “yo-yo-ing” between tongues and cultures. Everyone I know who is bi- or multilingual experiences language like this; not in distinct, black-and-white realities, but in oscillating sounds and voices.

The text also highlighted the struggle of immigrants to maintain their cultural identity while adapting to a new linguistic and cultural environment. Braschi uses language creatively to capture the unique experiences of bilingualism and the cultural clash that occurs when different languages and cultures come together. This felt very familiar to my own lived experience, growing up in Pennsylvania and watching my family wrangle with English and the midwestern American culture. I felt particularly reminded of The Brief Wondrous Life of Oscar Wao by Dominican writer Junot Díaz while reading Braschi’s text; this book also uses a liberal patchwork of Spanglish dialogue and linguistic clashes to portray the experience of Hispanic immigrants in the US.

Moreover, the novel explores the role of translation as a tool for bridging cultural gaps. Translation is a way of preserving cultural identity and heritage, as characters try to translate cultural traditions and beliefs into a new context. Hurdling language barriers with code-switching and bilingual slang becomes an essential means of understanding each other. Linguistically, it felt like a third language was born in the expanse between English and Spanish. I thought this was beautifully executed with Braschi’s focus on a chorus of nameless dialogue; it concentrated all the focus on the poetry of spoken translation in action.

As a bilingual person, I could relate to the characters in the book and their experiences of navigating multiple languages and cultures. The book made me reflect on my own linguistic and cultural background and the challenges that come with maintaining my cultural identity while living in a different linguistic and cultural environment.

I think Yo-Yo Boing! is a powerful reflection on the complexities of language, culture, and identity. It challenges traditional ideas of code-switching and offers a fresh perspective on the immigrant experience. Braschi turns Spanglish into an art in and of itself; something that I was once very ashamed to resort to is made into something quite beautiful and singular here.

Question for discussion: Do you have any words, phrases, or discourses in mind that you feel are untranslatable? Language that can only be understood and appreciated in its original form?

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4 thoughts on “Week 11: Yo-Yo Boing and the Art of Spanglish

  1. Daniel Orizaga Doguim says:

    Thanks for mentioning The Brief Wondrous Life of Oscar Wao! There are elements in common between both novels, but also with other even earlier ones, such as those of Chicano literature. I am curious to know if, in addition to the issue of bilingualism, there is something else that has provoked a reaction while you read, for example forms of expression, idioms, specific words. Would you say that there are ties between countries in the same region? How are those identities transformed in in every place where we migrate (New York or Pennsylvania)?

  2. montserrat avendano castillo says:

    Hey! I really enjoyed your interpretation on this weeks reading! For me there are several words (mainly curses) that end up having so many meanings despite having one definition. For isntance “Pedo” in spanish literrly means fart but cann be used to descirbe someone drunk, a problem, to negate something, and so man more!

    Montserrat Avendano

  3. rebeca ponce says:

    Hi Marisa! I really enjoyed reading your blogpost for this week! To answer your question, I think that one example of things that are untranslatable is Pedro Paramo. Although the class read it in English I took the chance to read it in Spanish and when I got my hands on an English copy it felt different. I remember there were some expressions that made the book “feel” as if you were in a rural Mexican town and I think that is pretty untranslatable.

  4. Clandestino says:

    Hi there,

    thank you for sharing with us.

    Jorge Luis Borges said that a translation can never do true justice so in many terms I felt betrayed by my own self reading the english version instead of the original Spanish versions where the context and precision of the words within syntaxes could be presumed to be more precise and natural. In this book, as a testament to the author, I think the general syntax and layout of the book was very natural and original since it was intended to be designed with such a fluid and chaotic identity with language and being.

    The world that I always enjoy to ponder in english in querer. A very common and meaningful word in Spanish that has no exact translation in English.

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