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Final thoughts and Goodbye

As “Topics in Hispanic Literature” comes to an end, I’m surprised to find myself quite emotional. It feels great to complete the course and come one step closer to graduating, but this course has had a profound impact on me and I’ll truly be sad to see it go. Throughout the semester, we delved into a diverse and captivating selection of texts, exploring themes such as death, temporality, colonialism, violence, gender, dreams, childhood, nature, and translation. My favorite aspect of the course by far was the prominent presence of female authors in the syllabus, and the unique perspectives they brought to my understanding of the “Latin American experience.” I tried to be intentional in my “chosen adventure” to prioritize the texts written by women and I feel so grateful for that decision. It was incredible to experience culture, injustice, and freedom through their eyes.

Mama Blanca’s Memoirs by Teresa de la Parra, Madwomen by Gabriela Mistral, The Hour of the Star by Clarice Lispector, I, Rigoberta Menchú by Rigoberta Menchú, and Papi by Rita Indiana are just some of these powerful works that will stay with me for a very long time to come. These authors inspired me to deeply reflect on the complexities of identity, the quest for self-expression, and the unapologetic hope for freedom. These texts left a deep impression on me and I hope to re-read them soon in the near future.

The course also introduced me to masterpieces of Latin American literature such as Cartucho by Nellie Campobello, Labyrinths by Jorge Luis Borges, Pedro Páramo by Juan Rulfo, and One Hundred Years of Solitude by Gabriel García Márquez. These texts captivated me with their rich imagery, intricate narratives, and thought-provoking explorations of the human condition. I have been curious about these books for years and I’m so grateful this course allowed me to explore them in such a personal and meaningful way.

Ending the term with Fever Dream by Samanta Schweblin was an incredible crescendo. It really stood out with its surreal and haunting narrative, blurring the boundaries between reality and fever. Its connections to real environmental and social devastation in Argentina left me extremely contemplative and grateful that such beautiful and haunting art can come out of such injustice.

Overall, this course has truly been a revelation, providing me with a fresh and diverse perspective on Latin American literature. As both a Latina and a STEM major who has had very little academic contact with literature, I’m so grateful for the reprieve and affirmation this class has offered me. It’s been nothing short of amazing to get the opportunity to gain a deeper understanding of the complexities, nuances, and beauty of Latin American culture, history, and society. This class has been one of my favorites of university, and it has left an indelible mark on my literary and cultural sensibilities. I can’t think of a better way to finish off my time at UBC.

Huge thank-yous to Jon and Daniel for crafting such an engaging and delightful class, and also to my classmates for always providing such fun and thought-provoking discussions. You will be missed!

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Week 1: Introduction

Hello everyone, my name is Marisa. As you can tell, I am joining the class late but I can’t overstate my excitement to get started. I am a fifth-year Combined Major in Science student, studying Life Sciences, Earth & Ocean Sciences, and Statistics. If everything goes to plan, this will be my last term at UBC! I’m filled with equal amounts of trepidation and excitement. I grew up in Pittsburgh, Pennsylvania, but my family emigrated from the Dominican Republic. My experience with Latin American and Hispanic literature – outside of a handful of Dominican authors – is very sparse, so I’m incredibly eager to dive into these works.

The aspect of this course that interests me most is our exploration of “the gap between the representational and the real,” as Jon described it. “América Latina: Un pueblo sin piernas, pero que camina” is a quote that always comes to mind when I reflect on the region of my ancestors. It’s a lyric from the band Calle 13, hailing from Puerto Rico, and I think it does an incredible job of capturing the spirit of LATAM people. A people plagued by war, corruption, colonialism, globalization, violence, exploitation, and natural disasters – yet one that unceasingly reaches for the light, so birthing revolution, art, hope, innovation, resistance, and collective dreams. In this lens, it is clear to me how a genre like magical realism emerges. I expect the literature we read in this course to occupy a similar role in its contexts: a tool for imagining futures. Imagination is capable of bridging this gap. Imagination is required for walking (“camina”) without legs (“sin piernas”). I’m curious to see how these authors and poets have generated futures throughout history and hardship.

Although excited, I have to admit I find this course a bit daunting. My background is extremely STEM-heavy, and I don’t have much practice expressing my thoughts and observations in this way. In addition, beyond lived experience, I’m not fluent in the language of politics, international relations, anthropology, history, or the like, so I am anticipating a challenge in articulating some of the more nuanced sociopolitical themes in these works. In that sense, I expect this course to challenge me to stretch myself out of my comfort zone. Nonetheless, I’m hopeful that this foray into LATAM literature will invite me to appreciate the power of imagination in translation and leave me feeling more connected to my culture.

Question for discussion: When choosing your reading list, were there any themes, locations, or identities you were cognizant of selecting? Why was this important to you?

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