Category Archives: Tasks

Task 12: Speculative Futures

“Technology is neither good, nor is it bad, nor is it neutral” – Melvin Cransberg

Episode 60 – Leading Lines: The future of
digital literacies.
The future of nursing? This fear, of being replaced by robots, has been around for many years in the field. It is also a common theme in future themed science fiction. Now, this reality may be approaching.

The Task

I have to admit, I had a really, really hard time with this task. It requires a level of creativity that I just do not have available to me at this time.

I went through several prompts until I could find one that I thought I could work with.

Describe or narrate a scenario about an artwork found a few years into a future in which order is deliberately coordinated or imposed. Your description should address issues related to the court system and elicit feelings of awkwardness.

The museum was quiet as two men in crisp, tailored suits stood amid the large marble halls. The first man looked around and contemplated the various pieces of art on the walls. His eyes skimmed a blank space and he frowned.

“What is that blank space on the wall?” He turned to his friend in confusion, watching as the other man turned to observe the space with a disinterested hum.

“I think there was a painting there a few years ago.” The man stated in a bored manner as he looked at the obvious blank space on the otherwise packed, but orderly wall. There was even a space where the plaque would have gone, removed from sight, “They haven’t gotten around to replacing it yet. Funds.”

“What? What was wrong with the painting? Was it offensive?” The first man questioned. The second man fixed the lapels of his pristine suit and shrugged half-heartedly.

“I think it was an abstract.” He replied, eyes scanning the space absently. “It was there before the ruling came down from the Supreme Court of Canada about abstract art.”

“What’s wrong with abstract art?”

“It goes against the law of orderliness.” The second man explained, his tone becoming didactic, like a professor in a classroom. “The law states that every piece of art has to contribute to the greater good…a past leader, for example, and has to elicit a feeling of happiness or satisfaction towards the government.  An abstract painting, particularly one with disparaging colours like red or blue is against this law.  Hence, it was probably taken down. Nothing to be done I suppose. It was against the law”.

The curator approached the pair; a dour looking man with a pair of spectacles around his neck on a loose chain. He came to a stop next to them and stared up at the blank space; almost unseeingly. The two men looked to him in confusion as he began speaking unprompted.

“The painting was about questioning the establishment and thinking critically about what you are seeing.  It wasn’t unhappy or seditious at all, and yet when the Supreme Court decides…” The man eyed the two knowingly, before his gaze shot back to the blank space. “…It must be carried through, hm?”

“I mean, we can’t have anything out of place, making us question the order of things and causing confusion for the masses. Especially art.” The curator took on an air of sad thoughtfulness, and said “what is the purpose of art, after all? Is it not there as an expression of thought or emotion?”

“How does one single entity decide on what is art and what is acceptable, after all?” He expressed passionately, gesturing wildly around him at the museum walls with their orderly paintings and statues of Prime Ministers, Heads of State and War Heroes.

The two men looked at each other and then at the gesturing man and decided to quickly take their leave. Being not inclined to debate Supreme Court law with this strange little man who was not part of their rule-bound, orderly world.

References

Bruff, D. (Host). (2019, May 20). Future of digital literacies faculty panel (no. 60). [Audio podcast episode). In Leading Lines. Vanderbilt University.

Lab, S. (n.d.). The Thing From The Future. Situation Lab. https://situationlab.org/project/the-thing-from-the-future/

WION. (2021, June 9). Meet Grace, the healthcare robot COVID-19 created | Celebrity Humanoid Robot Sophia | Robot Nurse [Video]. YouTube. https://www.youtube.com/watch?v=6lcyBTis17g

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Task 11: Algorithms

Option 2: AI Generated Art

I chose this option as I’ve always been fascinated by science fiction and the ways in which life imitates art through venues like sci-fi.

I’ve seen AI generated art before, and saw that human faces were the most difficult thing for the programs to ‘draw’.

When I went to Craiyon, I input two prompts.

The first prompt was “Horse playing a piano”

This image is not at all what I expected.  I pictured a horse, sitting on a piano stool, literally with a hoof on the keyboard. What I got was horses and pianos, put into the same picture, superimposed on each other. Some of the images, like the first one in the upper left corner, are partly there with the image I wanted, but the others are not really depicting the topic of the picture I wanted. 

I tried a Boolean search, “horse+playing+piano” to see if I would get something closer to what I wanted.

Using this search term, I got a little closer, particularly the bottom left picture of the two horses licking the piano keyboard. This could be a picture of grazing horses superimposed on a piano keyboard, as they’d have to be standing on top of the piano from that angle…But it is closer to the image I had in mind. Even the middle one on the right is much closer, though seems a bit distorted. It is at least a painting, rather than images put into the same picture.

The next prompt was “Beautiful flowers in a field”. I was curious to see what the computer would interpret as ‘beautiful’.

This image is basically a Google search of colourful wildflowers in a field. I wonder if the term ‘beautiful’ was pulled from many of the titles on the internet of pictures of flowers. So the computer took this as an interpretation of the keyword beautiful. This just seems like a Google Image search that I could have done myself. Which I did below.

I did a Google Image search using the same prompt and got very similar images:

I then looked at different AI generated art programs using the same prompt as ‘horse playing piano’, in Night Cafe and Hot Pot.ai. These seem to be just images, gathered from the web, of the keywords I used, like “horse” and “piano”, or “flowers” and “field”, just superimposing the images in the same frame in some way.  This seems like the same process that Craiyon used.

Night Cafe resulted in this:

Definitely more of a painting/drawing than previous composite images in Craiyon, but no piano at all.

This is from Hot Pot.ai. More of a horse and a piano painting, but not really the horse playing a piano. The piano is even turned away from the horse, like in the other pictures, so it’s basically just sitting there, and not making a lot of sense in the context of the picture. This is one huge difference about human vs machine thinking – contextual factors and inference based on those factors.

I’ve been thinking about this topic of AI generated ‘art’ and the podcasts speaking about AI being more about detecting patterns from large amounts of data (mostly historical data) and collating it into something like a graph, percentage or rate.

Why does a computer want to paint/make a picture? It doesn’t. It was told to. The only motivation is from the user.

Why does an elephant want to paint a picture? We don’t really know why, but there has to be a motivation to do so (through training, whether positive or negatively enforced, or just wanting to please their handler), or the elephant wouldn’t do it. You can see that all three elephants in this video painted different pictures. Maybe because they were trained to do so from different handlers, but the question remains – is this the same as human learning or more akin to machine learning?

Training/education vs machine learning is food for debate, certainly. It also got me thinking about art and music and how these, like other forms of art, both express and evoke emotion. I looked at whether music could be generated through AI and what the difference might be. I did find two videos that demonstrate the contrast. The first one is a computer generated piece of music based on Chopin (the video creator didn’t want his video embedded, so I just have the link). https://youtu.be/iDFQ4EyxErk

Then you can listen at this video from a (very talented) person, about their take on several classical musicians at a birthday party fighting over the last piece of cake. Both are interpreting various styles of classical composers. So, what would the difference be?

Can you hear the difference between the computer generated piece and the musician generated piece? What are your thoughts?

What does this have to do with algorithms? As Dr. O’Neil reiterates over and over, the algorithm is only as good as the data that is input into it. How was the algorithm designed? Why? What is it supposed to do? These, and many other questions about use, motivation and consequences of the algorithm must be asked to have them truly work the way we want them to.

References

Box, S. (2014, February 1). An elephant paints a self-portrait with his trunk [Video]. YouTube. https://www.youtube.com/watch?v=KAkKSQXgZUA&feature=youtu.be

Google, T. A. (2016, November 2). Weapons of math destruction | Cathy O’Neil | talks at Google [Video]. YouTube. https://www.youtube.com/watch?v=TQHs8SA1qpk&feature=youtu.be

Ma, N. (2022, October 26). Happy Birthday but 13 classical composers are fighting over the last slice of cake [Video]. YouTube. https://www.youtube.com/watch?v=utvhon1epgo&feature=youtu.be

Thinker, D. (2019, August 13). Chopin music generated with AI [Video]. YouTube. https://www.youtube.com/watch?v=iDFQ4EyxErk&feature=youtu.be

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Task 10: Attention Economy

This was probably the most frustrating, annoying thing I’ve ever worked with! While there are apps out there that could compete with this one, it did make the point – with a sledgehammer. In an article about usability, Woolgar (1990, p. 60), states:

“It should be clear by now that technology, and information technology (IT) in particular, is just the latest excuse for doing social science.”

I was not able to get past the first page, despite discovering how to get around the deceptions – “send to bottom” and the “close” button hidden in the corner of the nag screen for the timer. I also had to select and de-select the agreement box many times, an obvious ploy to make you agree to their terms despite the double negative in the sentence.  You can’t proceed unless you do not agree to the privacy terms – so your information is available for them to use any way they want. A subtle and deceptive manipulation to get around privacy laws.

This exercise, to me, is akin to the whole subversive subliminal advertising controversy in the ’60’s and ’70’s. This debate was around advertising companies using subtle images or words embedded in advertising to increase sales, usually around sexual content. More recently, Gherasim & Gherasim (2020) discuss the use of neuromarketing. This is the use of neuroscience to influence the consumer public: “…the subliminal suggestions it contains can be compared to the hypnotic ones. Such advertising messages are therefore intended to influence a consumer’s intention to buy, without the consumer being aware of the true source of motivation.” (p. 41).

“…the subliminal suggestions it contains can be compared to the hypnotic ones. Such advertising messages are therefore intended to influence a consumer’s intention to buy, without the consumer being aware of the true source of motivation.” (p. 41).

This is similar to the issues of the attention economy – marketers, businesses and developers wanting to force users into paying attention to what they want them to pay attention to. This is clear in this case of the game.  This ‘game’ is trying to configure the user, as Woolgar (1990) puts it by dictating what is deemed important by the people designing it.

Could this phenomenon of the attention economy, and perhaps also neuromarketing, be compared to the use of ‘clickbait’ to increase views in social media platforms? Particularly for those content creators who are monetized or trying to get monetized?

References

Brignull, H. (2011, November 1). Dark Patterns: Deception vs. Honesty in UI Design. A List Apart. https://alistapart.com/article/dark-patterns-deception-vs-honesty-in-ui-design/

Gherasim, A., & Gherasim, D. (2020). From subliminal perception to neuromarketing. Economy Transdisciplinarity Cognition Journal, 23(2), 40-46.

Woolgar, S. (1990). Configuring the User: The Case of Usability Trials. The Sociological Review, 38(1_suppl), 58–99. https://doi.org/10.1111/j.1467-954x.1990.tb03349.x

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Task 9: Networks

The visualization can certainly give you the links and connections between curators and their choices, however, it does not indicate why those particular tracks were chosen.  For instance, for my own, I reordered the tracks in a specific way to match the evolutionary progress of the planet that was presented in the first part of the record. Each person has their own personal reasons for choosing what they did, including the original NASA curators of the Golden Record.

  Without going through each person’s website, there is no way to understand the reasons behind their choices, unless we make some grand assumptions about the culture and biases of the people curating the lists. For example, while they are from all different backgrounds and places in the world, they all have an interest in education/technology, all are in a Master’s program at a Canadian University and have a high degree of literacy. Other than these commonalities, however, you cannot make assumptions about why people chose the tracks they did and why others were rejected.

For example, Amy and I have 4 tracks in common. These tracks were chosen for very different reasons – mine as above, Amy’s for how the piece made her feel, generally hopeful and positive. For Chris and I and Amy, there are only two tracks that all three of us have in common. The reasons are very different, mine for evolutionary progress, Amy for personal feelings and Chris for the de-colonizing aspect of each of the song on the list, excluding white, European settlers.

one data visualisation

The most popular choice was Track 6: El Cascabel (though I didn’t chose this one).  The least popular was Track 12: Tchakrulo. There is no explanation through this tool why these choices were the most popular or least popular, we just get the data. To understand why these were chosen or discarded, one has to go to the source to discover the reasons. While two tracks were tied with 20 out of 20 choosing them, there were only 4 nodes in common between these two.  Again, there are no explanations as to why this was the case.

Overall, one conclusion that can be drawn is that the person curating the list/selection has innate biases that will influence what makes the list and what doesn’t.  The original list itself was selected by humans with their own biases, with no explanation of why, in the vast collection of worldwide music and song, these particular pieces were chosen over others. In the podcast Twenty Thousand Hertz (Voyager Golden Record, 2019) about the Golden Record collection, the curator(s) discuss their reasoning for choosing the 21 songs they did to represent humanity as a whole.

While it is very difficult to be completely without bias, one needs to recognize and understand the reasoning behind the bias. Setting clear parameters as to why the pieces were chosen in the first place can contribute to understanding the selection.  For example, many people chose the pieces they did because of the way the piece of music makes them feel – this experience may be very different for each individual.  Others were more logical about choices, though even the logical choices were biased.  It would be interesting to set the list of a representation of humanity to a true computer  intelligence and see what it comes up with. In her book “Atlas of AI”, Kate Crawford (2021) says there is no true artificial intelligence. All computer data is dependant upon many human factors – the computational power available, parameters input, what data is chosen to input in the first place, and so on (Crawford, 2021).

A quick Google search of “what music best represents humanity” reveals a huge variety of opinions and lists as varied as the population itself. This list, from Beethoven to Bob Marley to Frank Sinatra, is representative of mostly Western/North American culture, who make up a huge percentage of Reddit users. An example of inherent unconscious cultural bias.

It would be intriguing to see what a farm worker from Nepal would list, or someone from a Muslim or Communist community would list as representative of humanity as a whole.

Any list, curated by human beings, is going to inherently include choices made from personal context and exclude those from personal context, regardless of how logically the parameters are applied. This is particularly true for collections that are more emotive in nature, such as art.

References

Humanities, D. (2020, August 3). Palladio – A Network Analysis and Data Visualization DH Tool [Video]. YouTube. https://www.youtube.com/watch?v=Sl0LJ7_WZ_w&feature=youtu.be

Francisco, F. A. M. O. S. (2021, May 5). Kate Crawford on “Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence” [Video]. YouTube: Virtual Wednesdays. https://www.youtube.com/live/KcefG-0InLE?feature=share

Smith Rumsey, A. (2017, February 7). Why Digitize?. CLIR. https://www.clir.org/pubs/reports/pub80-smith/pub80-2/

Voyager golden record (D. Taylor, Interviewer). (2019, April). Defacto Sound. https://megaphone.link/TTH4214315391

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Task 8 – The Golden Record

The thing that I noticed, listening to the podcast, was the progression or order that the music was listed. They started with the evolution of the planet, from big bang to humans using tools to modern transportation and launch of a space craft.  Then the music started in seemingly random order.  

In the podcast, Tim Ferris states that the order was chosen to represent various states of being, as well as human values (Voyager Golden Record, 2019, 09:13). As well, they wanted  “music from all around the world, not just from the culture that created the craft” (Voyager Golden Record, 2019,12:35). I wonder, though, while the intergalactic society may understand the music, would they understand the context? Like listening to a mystery sound, it is difficult to identify without any context. For this task, I decided to match the progression of the music with the progression of man and civilization though it’s music within an evolutionary frame.

Here, then, is my list, in evolutionary order.

  1. Peru, Wedding song, recorded by John Cohen. 0:38
  2. Senegal, Percussion, recorded by Charles Duvelle. 2:08
  3. Peru, Panpipes and drum, collected by Casa de la Cultura, Lima. 0:52
  4. Navajo Indians, Night Chant, recorded by Willard Rhodes. 0:57
  5. Holborne, Paueans, Galliards, Almains and Other Short Aeirs, “The Fairie Round,” performed by David Munrow and the Early Music Consort of London. 1:17
  6. Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor. 4:40
  7. Mozart, The Magic Flute, Queen of the Night aria, no. 14. Edda Moser, soprano. Bavarian State Opera,
  8. Dark Was the Night,” written and performed by Blind Willie Johnson. 3:15
  9. Melancholy Blues,” performed by Louis Armstrong and his Hot Seven. 3:05
  10. Johnny B. Goode,” written and performed by Chuck Berry. 2:38

The Music

  1. Peru “Wedding song” (John Cohen)

I chose this one first as the foundational piece, representing the beginnings of musical performance.  This haunting melody and acapella voice is simple and expressive. This aligns with the idea of “hauntingly beautiful” as Tim Ferris wanted, though it also represents one of the earliest forms of music.

2. Second is from Senegal “Percussion” (Charles Duvelle)

This is the natural progression from the voice is percussion, and this piece sounds like original percussion of people banging on things within their environment and using wind instruments like reeds and hollow tubes/flutes that are naturally found in their environment.

3. Peru, Panpipes and drum, collected by Casa de la Cultura, Lima

From simple voice to percussion with natural instruments found in the environment, we move to more constructed instruments like panpipes. Rhythms and melody become more complex and layered as musical literacy progresses in a natural manner.

4. Navajo Indians, Night Chant, recorded by Willard Rhodes

For the fourth selection, I chose to go with the Navajo piece, representing sophisticated tribal societies and the inclusion of spiritual themes with complex rhythm structures on top of simple instruments.

5. Holborne, Paueans, Galliards, Almains and Other Short Aeirs, “The Fairie Round,” performed by David Munrow and the Early Music Consort of London.

Now we get into the development of larger city centres and expanded trade. The ‘Fairie Round” demonstrates increasing complexity in melody and rhythm and layers in terms of instruments and composition. Equating to the expansion of economic and societal intricacies in a burgeoning technological world.

6. Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor.

In the podcast, Golden Record producer and astronomer Tim Ferris noted that one of the pieces should represent strong mathematical foundations (08:21), in case mathematics is a language that a future intergalactic being would understand.

7. Mozart, The Magic Flute, Queen of the Night aria, no. 14. Edda Moser, soprano. Bavarian State Opera,

Continuing with the theme of mathematically constructed music as humans progressed into greater technological advancement, we are presented with Mozart’s opera, The Magic Flute. The opera can be an example of how musical literacy was becoming more common and more accessible to the general public. This move towards more accessible performances to the general public is similar to how the printing press opened up a more literate world to the common person.

8. “Dark Was the Night,” written and performed by Blind Willie Johnson

In a big leap over whole periods of musical development, we arrive at one of the grandfathers of blues. With it’s roots in folk traditions of the African culture, the Blues was the springboard for a wide variety of music in genres to come, so makes sense to include in such a foundational list of human achievements.

9. “Melancholy Blues,” performed by Louis Armstrong and his Hot Seven

With the popularity of blues in the 1900’s, it enabled more and more black artists to become popular (in Western Society) and jazz was introduced.  Jazz was a stepping stone for many of the forms of popular music we see in Western society today. So the next song in our musical evolutionary journey is the jazz inclusion from the late, great Louis Armstrong.

10. “Johnny B. Goode,” written and performed by Chuck Berry

And for the final track, I chose the most current song from the collection, popular rock & roll from the 1950’s. As the only rock and roll selection on the album, this had to be the last thought to bring us to the end of our very brief travel through the evolution of music on earth. While not all inclusive from a music of the world perspective, this list does provide a brief overview or snap shot of musical development on our planet.

Final Thoughts

It is amazingly difficult to put together any selection of music to represent the world. So many distinct cultural and societal influences happen to produce the music and sound that exists that it would be impossible to to chose just a few pieces and then to provide context for each one would be nigh impossible. There is an endless way to decide which songs go into such a collection, and endless ways of combining them. Would future intergalactic races understand mash-ups? In the decisions of what to keep, like Dr. Smith Rumsey (2017) states, what do we also lose? This will depend, of course, on the bias, whether conscious or not, of the person or people making the decisions, amoung other things that Dr. Smith Rumsey mentions around this subject.

References

Smith Rumsey, A. (2017, February 7). Why Digitize? •. CLIR. https://www.clir.org/pubs/reports/pub80-smith/pub80-2/

Taylor, D. (Host). (2019, April). Voyager golden record. Audio podcast episode]. In Twenty thousand hertz. Defacto Sound. 

Voyager’s Golden Record all songs. (n.d.). [Video]. YouTube. https://www.youtube.com/playlist?list=PL3lxrIznkXXYS1K0PJ5_sou2QdE06Msve

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Task 7- Mode Bending

Audio isn’t great. I’m no studio artist!

For this task, I was struck by the current emphasis in education around multi-modal presentation of content. The increased focus on accessibility and diversity within learners has necessitated a change of venue from the traditional classroom lecture style teaching. There is more focus on concept based teaching, flipped classrooms and various forms of literacy (prose literacy, numerical literacy, digital literacy, health literacy, and many others) as mentioned in the New London Group (1996) work.

In the re-design of this task, I wanted to present a completely different form of presentation.  In his article, Gee (2005) discusses musical notation and rap and it’s relationship to literacy:

What do we want to say of someone, for instance, who
can understand and even compose rap songs (words and music), but cannot
read or write language or musical notation?
Of course, in traditional terms, this person is illiterate in terms of both
language and musical notation. But yet he or she is able to understand and
compose in a language style that is distinctively different from everyday language
and in a musical form that is distinctively different from other forms of
music. We might want to say that the person is literate in the domain of rap
songs (as a distinctive domain combining language and music in certain characteristic
ways), though the person is not print literate or musical-notation
Literate.

Gee, 2005, p. 17

This resonates with me, as there is a theme of multimodality that can appeal to different styles of learner and hits different parts of the brain. I have no musical background at all, so really had to use a different type of creativity that I’m not used to using. I did enlist the help of my young adult daughter to help match the words to the cadence of the song.

To start, I had to decide on the background rhythm tone – bright and happy or heavier and dark?  I also had to consider copyright, so looked through YouTube’s free library of music in the Hip Hop/Rap genre.

Once the music was established came the task of making the words fit into the cadence of the music, which was a huge challenge. This required a much different idea of literacy and structure that demanded thinking very differently about the structure of a sentence.  This was very difficult for someone with very structured ideas of writing and grammar. This for sure requires a different type of literacy that challenged me to push my boundaries.

References

Anno Domini Beats. (2022). Culture. YouTube Audio Library.

Gee, J. P. (2005). Semiotic domains: Is playing video games a “waste of time”? [EBook]. In What video games have to teach us about learning and literacy (pp. 13–50). Palgrave Macmillan. https://ebookcentral.proquest.com/lib/ubc/reader.action?docID=308383&ppg=20

The New London Group. (1996). A Pedagogy of Multiliteracies: Designing Social Futures. Harvard Educational Review, 66(1), 60–93. https://doi.org/10.17763/haer.66.1.17370n67v22j160u

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ETEC 540: Task 6 – Emoji Story

My emoji Story

The biggest challenge for this task was finding the appropriate emojis.  Even when entered  into my post, this platform does not want to support them and all I got at the end was lines of question marks. I finally had to screenshot the word document to create a .png and upload it onto the page as an image (is this an example of the breakout of the visual?).

The challenge of trying to find the symbols (emojis) for what I wanted to convey was the first hurdle to get over, as there wasn’t the exact emoji for what I wanted to represent, so I had to search all over the place to find what I wanted.  I also found that, just like a library literature search, you had to carefully define your terms, as many of the things I wanted to find didn’t seem to exist. This process is, I think, similar to the challenges in making graphics or visuals on a page accessible by providing alternate descriptions in written form, like Ekphrasis that Boltor (2001) notes.  Trying to summarize a picture, image or symbol into written words is a challenge in itself, and part of the reason why we use graphics and symbols to convey concepts or ideas. To then have to summarize in words the image being presented is an extra layer of complexity and challenge that needs to be accounted for in our more visual culture.

I found that what Gretchen McCullough stated in The Allusionist podcast (Zaltzman, 2019) about needing emojis to provide context for tone when communicating by writing are used extensively in our digital culture, in emails and texts. Bolter (2001) reiterated this thought in his chapter discussing graphics, text and ASCII (p. 72). However, when trying to convey a complete story in pictograph format, things get lost in translation, and are also grounded in the culture in which you are communicating. Engelbart (1963) discusses symbology to represent concepts and the difficulties in doing so in the absence of written word symbols. As Engelbart (1963) writes, “a lack of words for some types of concepts makes it difficult to express those concepts…” (p. 13).

This visual outbreak has influenced culture in many ways.  For example, I use PowerPoint a great deal in my work.  Some of the principles in effective powerpoint presentations are to limit the number of words on a “slide” and use images more (Phillips, 2014). This is yet another demonstration of how visual representation has overtaken media, pedagogy and business.

I also found that I ordered my visual representation in the same way that I would a written text, from left to right in a line, then back to the left for the beginning of the next line and so on (Kress, 2005).  I was looking at representing ideas and concepts rather than individual syllables or words. Even starting with the title, as like a chapter heading, is an example of trying to translate the written format conventions into graphic representations.

References

Bolter, J. D. (2000). The breakout of the visual [E-book]. In Writing space: Computers, hypertext, and the remediation of print (2nd ed., pp. 47–76). Lawrence Erlbaum Associates. https://doi.org/10.4324/9781410600110

Engelbart, D. (1963). Chapter 1: A conceptual framework for the augmentation of man’s intellect. In P. Howerton & D. Weeks (Eds.), Vistas in Information Handling (Vol. 1, pp. 1–29). Spartan Books. https://www.dougengelbart.org/pubs/papers/scanned-original/1963-augment-133183-Conceptual-Framework-for-Augmentation-of-Mans-Intellect.pdf

Kress, G. (2005). Gains and losses: New forms of texts, knowledge, and learning. Computers and Composition, 22(1), 5–22. https://doi.org/10.1016/j.compcom.2004.12.004

Phillips, D. J. (2014, April 14). How to avoid death by PowerPoint [Video]. YouTube TEDx. https://www.youtube.com/watch?v=Iwpi1Lm6dFo&feature=youtu.be

Zaltaman, H. (2019, July 13). New rules (season 1, episode 102). http://theallusionist.org/new-rules

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ETEC 540: Task 4 – Manual scripts

My manual writing

I haven’t physically written anything in a very long time, as most of my written communication is done digitally.  E-mails, texting, writing reports, evaluating student assignments, and all other written communication is done via laptop or smartphone.  I have found that I can type faster than I can write (on a laptop/desktop, rather than on a phone), so getting my thoughts on paper tends to flow faster by typing rather than manually writing.

I found this task quite difficult. Because I usually don’t write anything by hand, it took me a long time, as my ‘writing muscles’ are stiff.  I also found the word count challenging. Because I don’t write by hand, I had no idea how long a 500-word written paragraph should be.  Doing this in a word processing program like MS Word is easy. I found I was manually counting the words as I went.

By using a FriXion© erasable ink pen, I was able to get around the mistake issue. I now use the erasable ink pen all the time, for when I do write my notes, so I can easily erase or correct things.  Editing is out of the question in a written document – if you want to move a paragraph or change a sentence in a manually written document, you must start over on another piece of paper.

Using digital word production is my preference over manual writing due to the ease of use, ease of correction, ease of editing and speed of production.  For someone who is not particularly eloquent and socially awkward, it is good to be able to take the time to type something out and easily correct it to ensure my message comes across the way I mean it to.

Even this post has been edited several times before posting.

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ETEC 540: Task 3 – Voice to Text

The transcribed text is found below the questions.

How does the text deviate from conventions of written English?

When I am writing something, particularly in a word processing program or email, I automatically edit and punctuate as I go. I learned touch typing in high school, so just automatically use punctuation, such as commas and periods, as a type of ‘muscle memory’.  When reading a story out loud, say to my daughter, there are cadences, pauses, emphasis on some words and not others, and, sometimes, use of different voices for characters to differentiate them one from another.  One of the criticisms of email or other types of written electronic communication is that there is no emotional tone, no nuance of behaviour to help the reader understand context or tone.  Hence the development of emoticons to help readers understand the tone in which the passage is written (Schmandt-Besserat & Erard, 2007, p. 23), such as a “winky face” 😉 to denote a lighthearted or jovial tone.

There is also no paragraph structure, indentations, line spacing or other elements of a properly formatted text, such as APA 7 (General Format – Purdue OWL® – Purdue University, n.d.). Though perhaps this is something that can be set up prior to the dictation?

But what does this say about thought processes? In written text, you have time to formulate your response, so some word-smithing and editing to help ensure it (hopefully) comes out the way you want. With the spoken word, this is more challenging, unless the person is a talented orator or the conversation is rehearsed or known beforehand.

What is “wrong” in the text? What is “right”?

The lack of punctuation at the beginning and lack of other formatting elements makes this one long, rambling paragraph, with double words in places and some words that didn’t translate very well. For example, near the bottom “…new technology anet it is…”. It does point out my speech patterns, in terms of my trailing off at the end of the sentence, again pointing out my tendency to not finish my thought or not appear confident in what I’m saying. It is easier to point out the things that are wrong in the text, rather than the right things. Being from a very literate society and hyperliterate family/household (Haas, 2013) of University graduates, it is difficult for me to read the dictated text without trying to format the paragraphs in my head, and judging the grammar and syntax. When listening to someone speak, I generally don’t try to format the paragraphs into written text in my head.

The voice to text function in MS Word

What are the most common “mistakes” in the text and why do you consider them “mistakes”?

Again, the lack of punctuation is disconcerting.  It is difficult to know when to pause in the reading. Which also makes deciphering some of the sentences difficult, as they all run together.  When this happens, it is difficult to know what the sentence is about – is it part of the previous subject or is it a new subject? With the spoken word, these are more easily identified as the person is speaking, with natural pauses and inflections indicating the new subject or topic. Without these natural pauses and inflections, it is harder to decipher the written form of a dictated speech.

What if you had “scripted” the story? What difference might that have made?

If the story had been scripted, it would likely have been more organized. I perhaps would have included the punctuation earlier, as I would have included the punctuation in the written script. I would also have been able to fill in and clarify more of the details. With more time to wordsmith the story of my first experience with dictating in MS Word, it would probably make more sense and provide more context. More of the details would be filled in and the sentences would flow together in a more coherent manner.

In what ways does oral storytelling differ from written storytelling? 

Oral and written storytelling require different skills. This is akin to reading a play vs watching a performance of the play.  The Shakespeare plays we read in high school are very difficult to read and understand without a lot of thought and interpretation. As someone who regularly attends the Vancouver Shakespeare festival (Bard on the Beach https://bardonthebeach.org/ ). I can attest to the difference in reading vs performance of these plays.

A storyteller who writes their stories has tools of writing, and time to carefully craft how the work looks on the page. As Ong (2002, 1982) describes on p. 11, the oral tradition is  ethereal, with no lasting permanence.  It changes and morphs into other forms as the story is relayed from person to person, as in the telephone game described by Gnanadesikan (2011).

In oral traditions, these stories are often metaphorical or spiritual in nature and passed on from knowledge keepers to other knowledge keepers and while they can change the way and manner in which the story is told, they don’t change the message or core of the story.  This is similar to printed stories, though these are more permanent and less mutable, except in re-prints.

References

General Format – Purdue OWL® – Purdue University. (n.d.). https://owl.purdue.edu/owl/research_and_citation/apa_style/apa_formatting_and_style_guide/general_format.html

Gnanadesikan, A.E. (2011). The first IT revolution. In The writing revolution: Cuneiform to the internet. (pp. 1-12). John Wiley & Sons.

Haas, C. (2013). The technology question. In Writing technology: Studies on the materiality of literacy. (pp. 3-23). Routledge.

Ong, W.J. (2002).Chapter 1: The orality of written language. In Orality and literacy: The technologizing of the word (pp. 5-16). Routledge. (Original work published 1982).

Schmandt-Besserat, D., & Erard, M. (2007). Origins and forms of writing. In C. Bazerman (Ed.), Handbook of Research on Writing: History, society, school, individual, text. (pp. 7-26). Routledge.

The voice to text transcript:

You know it’s funny I’ve been using word since almost the time it actually came out when it first started I didn’t even remember when and I’ve never actually used this dictation thing before I’ve thought about it a lot in terms of my students and making notes when I’m after a visit with them so I can better fill out their evaluations and make it more robust but I’ve looked at this little button on the the toolbar of word and thought OK I’ve never actually didn’t ever register before so here I’m going to use it now for the first time so it’s an interesting foray into a new technology for me when I was on zoom a lot like during the pandemic it I would turn on the closed captioning mainly in the interest of accessibility and multimodal or ways of learning so you know visual learners oral learners and etc would have some options in terms of the lectures they were live live synchronous sessions so I know we have the close captioning on and it’s kind of distracting sometimes when you’re watching the closed captioning things happen because it it will start a word and then it will auto correct itself and it’s very very strange to see it unfolding as you talk but now that I notice I’m not sure if I can use it on my phone I’ve tried a couple of voice to text apps on my phone but they never seem to I don’t know work very well I’ll see if I can use this on my phone ’cause it will be much easier if I can just dictate a note in Word and then send it to myself at the end of the day and transcribe it onto or save it on to my computer and a file from my students to do their evaluations so that would be the main reason I would use it I actually enjoy typing I like the feel of the keyboard in my fingers I I like the clicking the sounds that it makes I guess they don’t click anymore but just that that typing sound it’s it’s actually I’ve never thought about that sound before it’s not a clicking it’s it’s it’s more subtle than that but you can still hear it even though these keyboards are supposed to be silent you can get typewriter sounds I think but now I’m rambling anyway this voice to text technology I had it on my phone I think most phones actually come with like a voice app sort of thing but I’ve never actually used it but now that I see that this I’m dictation thing in Word works kind of I’m not sure how punctuation works I’m going to try. Hi I did it it’s really weird I need to watch as it’s unfolding but now that I know I can say the punctuation that would probably be the good thing: I’ll try this now see it works again so that’s that’s interesting I just have to remember to actually say the phrases or the but the punctuation is how much I don’t all right now I’m running out of things to say I’m not used to talking for 5 minutes at a stretch so I’m going to prop it up but this is very interesting foray into a new technology anet it is interesting and I’ll get into the analysis after of my thoughts as I’m talking I’m also trying to analyze which I should probably stop doing ’cause I just get a little tongue tide and worried about how it’s sounding different talk without listening to yourself yeah it’s kind of annoying I do that so I’m going to wrap it up here. And I hope I can do a good job with the analysis by

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ETEC 540: Task 1 – What’s in My Bag?

“While the spoken word can travel faster, you can’t take it home in your hand. Only the written word can be absorbed wholly at the convenience of the reader.” – Kingman Brewster, Jr.



Hello!

I’m Deborah.  This is my eighth course in the MET program. I live in Squamish, British Columbia with my 21 year old daughter, a little old dog and young tabby cat.  On the weekends, I volunteer at a horse rescue in Squamish and lease one of the horses there.  I ride him almost every weekend (except in the winter). I have been an RN for over 30 years and currently have been teaching in the nursing program at a polytechnic in Burnaby, British Columbia for 8 years.

For this task, I chose my nursing bag. I carry this bag every day at work.  I teach in a nursing program in the third year of a three year accelerated program in a home care nursing context. I have a group of eight clinical students at a home health unit in Vancouver, BC.  I bring this bag to the health unit and with me when the students visit clients at their homes with either wounds or for chronic disease management.

In my bag is:

  • My BCIT employee ID card and swipe card for the unit on a chain lanyard.
  • My BCIT RN name tag
  • Sets of ear buds for Zoom calls and presentations
  • An accordion file folder containing:

                – student weekly schedule

                 – assignment guidelines

                 – weekly module/lesson plan

                 – home care nursing resources/forms

  • My notebook for recording items to discuss during huddles and post clinical conferences
  • Tape flags & sticky notes
  • Plastic case for surgical masks and N95 masks (PPE)
  • My goggles (PPE “Stoggles”)
  • My stethoscope case with pens, Frixion eraser, alcohol swabs and gloves
  • My reading glasses
  • A pad
  • Sphygmomanometer (BP cuff)
  • An oximeter (device using light beam to read the level of oxygen contained in red blood cells)
  • A clipboard
  • Extra alcohol swabs
  • My work phone
  • My personal phone
  • My house keys (has a pocket CPR mask on it)
  • My car keys (also has a pocket CPR mask on it)
  • A headlamp
  • Gloves
  • Hand sanitizer

I use most of these items in my day at work with the students. I use my PPE’s on every visit with my students. I use the clipboard to store the client information (address, etc.) and then write notes on the student’s performance on the visit to enter into the clinical evaluation at mid-term and final. My reading glasses I use daily as well. The stethoscope, BP cuff and oximeter are used more rarely, but knowing I have them in case they are needed is comforting and the unit doesn’t provide these. The headlamp I use for almost every wound care visit as some client’s homes don’t have enough light to see.  My work phone I use throughout the day to not only connect with my students (“I’m on my way”; “meet in front of the client’s apartment building”; “our meeting is in room 227”; etc.), but also to keep up with the other clinical faculty during the day – we often have new faculty members who have questions that come up during the clinical day with their students. I use my personal phone every day, of course – paying for parking in Vancouver, for example.

In terms of texts, they are more similar to the older interpretations of the concept, such as tektōn (craftsman), as I carry my ‘tools of the trade’. Nursing is often called an ‘art and a science’ and tends to sit in either Humanities or Health Sciences as opposed to Medicine. The stethoscope is an iconic symbol of the (Western) medical profession and is a tool that almost every nurse uses in the course of their work. It is a tool that skilled artisans (nurses, in this case) use to create their treatises. Using numbers and other data, we translate these symbols (numbers and words) into meaning that health care professionals can understand and communicate to each other. This communication takes the form of verbal, written, and electronic information that is transmitted within the medical and health care community. The other parallel is in the word technē referring to, in this case, a skill or skills – not only in teaching the art of nursing but also performing the skills required for the nursing profession. The other items, such as the notebook demonstrate less of a reliance on phones or laptops as alot of what I do offers no opportunities for use of these things during student home visits – I am either holding a light for the student doing wound care or demonstrating the application technique for something like compression stockings. So I am not able to use my phone or tablet during these visits, and have to jot down notes afterwards – usually while sitting in my car before going to the next visit.  I have thought about using a speech to text app, but can’t find one that works for me, and it’s easier for me to scribble notes on a page rather than trying to view tiny text on a phone screen – my age showing there :).

Some of the text technologies in my bag are obvious, like my pen and papers and phones.  I like using the Frixion pens because they are erasable ink. This may show that I am not always confident in what I write down and am often erasing and changing things. Some are not so obvious, such as the BP cuff.  While the cuff gives you numbers, you still record them somehow either by writing them down or printing out a reading from the machine, and from them, interpret what they mean. The same applies to the pulse oximeter.  The machine records something that’s happening internally, as in this case, the amount of oxygen present in the red blood cells, and provides a number that is recorded and must be interpreted. These indicate that language and communication is through scientific and imperial evidence.

I think, in this case, the papers and notebook provide clues to my prose literacy – the ability to read and write at not only a basic level, but also at an advanced level, along with jargon from both educational and health professional lenses.  The other items speak to what we call health literacy – the ability to ‘access, comprehend, evaluate and communicate information as a way to promote, improve and maintain health in a variety of settings across the life course’ (Public Health Agency of Canada, n.d.). I could probably get a tablet and stylus that I can write my notes in and carry with me, but I haven’t yet done that. I also worry about privacy when recording client or student information in a device. The paper I can shred without it going to another country via the internet.

I struggle a lot with anxiety and imposter syndrome, which (I don’t think) shows in my outward appearance.  The feedback I have received from students is one of calmness and a huge wealth of experience and knowledge. Inwardly, though, I don’t feel that.  The notes in my notebook guide me to remember points to speak about as my social anxiety often prevents me from remembering things. I carry my PowerPoint notes pages for our weekly clinical conferences, and these are often in script format to cover my anxiety.  I don’t really need such prescriptive texts, but I feel more secure when I have everything written out and have an idea of what I’m going to say beforehand. A Toastmaster, I am not.

I’ve been an RN for a very long time. 15 or 25 years ago, I was working in acute care hospitals.  While I didn’t carry a bag, I did carry a lot of items around with me in a belt bag/fanny bag.  I would have bandage scissors, tape, gloves, penlight, pen/pencils, piece of paper for writing down vital signs and other assessment information on my patients, my stethoscope, alcohol swabs, clamps for IV’s – why do you think nursing scrubs have so many pockets?  Now, I have all these things in my bag, plus items that I don’t have handily available like BP cuffs and oximeters, as well as items for teaching clinical, which I wasn’t doing previously.

I’m not sure whether archeologists would see educator (unless my name tag was included), but they would definitely see items from a medical profession. They may think I’m a traveling medical professional, if the BP cuff and stethoscope and other equipment are recognizable to them. If the papers had survived the time capsule, they may indicate someone who had to coordinate people, and maybe evaluate their thinking or performance. In terms of engagement with text technologies, there are several cues that indicate the person used equipment/technology to interpret data for them and was immersed in digital technology. Things like the gloves and light may also indicate that there were some elements that were hands-on and dependant more on other types of interpretive or cognitive skills rather than actual text technologies.

Reference

Public Health Agency of Canada. (n.d.). Public Health Agency of Canada – Canada.ca. https://www.canada.ca/en/public-health.html?utm_source=VanityURL

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