February 2016

Assignment 2.4: First and Ongoing Contacts

We began this unit by discussing assumptions and differences that we carry into our class. In “First Contact as Spiritual Performance,” Lutz makes an assumption about his readers (Lutz, “First Contact” 32). He asks us to begin with the assumption that comprehending the performances of the Indigenous participants is “one of the most obvious difficulties.” He explains that this is so because “one must of necessity enter a world that is distant in time and alien in culture, attempting to perceive indigenous performance through their eyes as well as those of the Europeans.” Here, Lutz is assuming either that his readers belong to the European tradition, or he is assuming that it is more difficult for a European to understand Indigenous performances – than the other way around. What do you make of this reading? Am I being fair when I point to this assumption? If so, is Lutz being fair when he makes this assumption?

In “First Contact as Spiritual Performance,” Lutz explains that “one must of necessity enter a world that is distant in time and alien in culture, attempting to perceive indigenous performance through their eyes as well as those of the Europeans” (32). Although it may seem at first that Lutz is reinforcing differences between indigenous and European perspectives, this is in fact a false dichotomy which Lutz is quite cognizant of and latter collapses. Lutz argues that the first and ongoing contacts between indigenous peoples and Europeans as spiritual as well as material encounters.

Lutz cautions against the downplaying of indigenous belief systems by pointing out how “the attribution of rationality to other peoples [is] a projection of European ideas to the rest of the world.” Many indigenous accounts of first encounters reveal how Native peoples linked the arrival of Europeans and their ships with the supernatural world. The Gitxaala, for example, protect themselves from supernatural beings by rubbing themselves with urine, which is why the native fisherman in the story doused himself in pee when a strange vessel landed on a beach sacred to the transformer Raven (featured image: the only Raven Transformer I knew of before “First Contact”).

But Lutz argues that Western explorers, merchants, and missionaries were equally influenced by spiritual motivations. He writes, “a closer look at the Europeans shows that their rational behavior [too] was determined… by their non-rational spiritual beliefs” (32). A prime incentive for Spanish exploration was evangelism, and Enlightenment Christianity saw science as a way to appreciate God’s creation while seeking to justify the superiority of European Christians to pagans.

At the end of the day, these narratives of first contact reveal how both indigenous peoples and Europeans demonstrate Anthony Pagden’s principle of attachment. Instead of immediately destabilizing traditional beliefs, they interpreted their encounters as ongoing proof of these beliefs, processing the new through the familiar.

Remarkably, Lutz himself forms assumptions about his audience. In asserting that “one must of necessity enter a world that is distant in time and alien in culture [and] perceive indigenous performance through their eyes as well as those of the Europeans,” Lutz assumes his readers belong to the European tradition. This is ironic because this text not only seeks to dismantle the binary between “mythic and historical modes of consciousness” in first contact stories but also in the reader. Lutz calls for the audience to “step outside and see one’s own culture as alien and to discern the mythic in the performances of one’s own histories” (Lutz 32), while himself falling trap to the assumption that it is more difficult for Europeans to understand Indigenous performances, thereby reinforcing the Eurocentricity that he criticizes other cultural scholars of.

At the same time, Lutz’s assumption may be grounded in historical fact. Over the past century, around 150,000 First Nation, Inuit and Métis children were removed from their communities and forced to attend residential schools.

Residential schools were established with the assumption that aboriginal culture was unable to adapt to a rapidly modernizing society. It was believed that native children could be successful if they assimilated into mainstream Canadian society by adopting Christianity and speaking English or French. Students were discouraged from speaking their first language or practicing native traditions. (“A History of Residential Schools”)

Perhaps this period of cultural genocide and forced assimilation has in some way made indigenous people more comprehending of (if not sympathetic to) Western ideologies than vice versa. One question I have for Lutz–and you–is where people who come from neither Western nor indigenous culture stand. Are we lumped in with the Europeans? Or, more generally speaking, do you think it is more difficult for Westerners to understand Indigenous performances?

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Works Cited:

“99 Golden Facts About Urine.” Random Facts. 2012. Web. 19 Feb. 2016

A History of Residential Schools in Canada.” CBCnews. CBC/Radio Canada, 07 Jan. 2014. Web. 12 Feb. 2016.

Lutz, John. “First Contact as a Spiritual Performance: Aboriginal — Non-Aboriginal Encounters on the North American West Coast.Myth and Memory: Rethinking Stories of Indigenous-European Contact. Ed. Lutz. Vancouver: U of British Columbia P, 2007. 30-45. Print.

Pagden, Anthony. European Encounters with the New World. New Haven: Yale University Press. 1993.

Assignment 2.3: Sharing is Caring is Home

Read at least 3 students blog short stories about ‘home’ and make a list of the common shared assumptions, values and stories that you find. Post this list on your blog.

I had the pleasure of reading Althea, Karen, and Cherie’s short stories, and here are a list of shared assumptions that I discovered:

  1. Cultural Traditions and Histories
  2. Communal Eating
  3. Family and Intergenerationality

What I found most interesting was that all three blog posts dovetailed on the subject of Chinese New Year. Althea and Karen’s stories were strewn with descriptions of traditional festivities—the red and gold banners, lai see, the fortune box—while Cherie, who reminiscences of a much quieter celebration, was brought to the pinnacle of homesickness by the sound of a lion dance. As Karen learns from her exchange with Uncle Ben, these communal celebrations are important conduit for the intergenerational exchange of cultural heritage, values, and stories. Being Chinese myself, I totally resonate with Althea, who writes, “When my house is decorated in a lot of red and gold decorations it always reminds me of how much my parents value their culture and when I grow up to be a parent I will probably do the same to instill the culture on to my kids.”

Another common vein I found was the centrality of food—quite literally, since Asian dinner tables are round and dishes are placed in the middle—in Asian culture. In Althea’s story, her family gathers for “Tun Yun Fan.” The first word means wholeness, while the second means round; together they reinforce the belief that a circle represents completion—the family is complete when they sit down and eat together. This same idea is conveyed in English through the saying, “everything comes full circle.” Karen’s “tray of togetherness” too is, unsurprisingly, a round box.

As Cherie points out with the #fishballrevolution, people can get really defensive about their food. In Hong Kong, any attempt to regulate street food culture is tantamount to an infringement on home. For Hong Kong native and restaurant chain entrepreneur Alan Yau, the fishball bears two meanings: “It is the quintessential Hong Kong street food and – culturally – it represents the Hong Kong working class like no other institutions can. Street food, and the fishball represent the values of entrepreneurship. Of capitalism. Of liberal democracy. Anthropologically, they mean more than a $5 skewer with curry satay sauce.”

Underlying cultural traditions and ethnic cuisines is the idea that home is first and foremost determined by our relationships and ties with people. Chinese New Year is a time where everyone sets aside their busy schedules in order to focus on re-establishing relationships. I love how Karen and Althea both bring up the fact that they get to interact with their grandparents and extended relatives. Home is one of the few places where intergenerational relationships can be nurtured. Traditionally, it was imperative for all members of the family to come home to eat “Tun Yun Fan” with the family, no matter how far away they were working during the rest of the year. Today, this festival continues to occasion the largest annual human migration worldwide, as migrant workers and Chinese diaspora from around the globe rush home for reunion dinner on New Year’s Eve. Home indeed, is where the heart is.

Assignment 2.2: Delineations of Home

Write a short story (600 – 1000 words) that describes your sense of home; write about the values and the stories that you use to connect yourself to, and to identify your sense of home.

I chose to write this assignment as a series of vignettes. What started as a project to describe my hometown Richmond turned into a meditation on what it means to feel “at home.” And that’s when I realized that my own city didn’t feel “at home” at all. In fact, it began to feel like a disembodied hand…

via Wikia.com

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In 2004, my family returned to the rural district of Pun Yu for the latter half of my grandfather’s funeral rites. That first night in a tiny farming village where squat toilets were a rarity, I was greeted by a parade of first, second, and third cousins, “This is your xiang! Welcome home, little sister!” This is home, they insisted. They took me to the Lew family house. They showed me the Lew family record: you are the 32nd generation. They pointed to each other: everyone had the same mole on their right cheek.

Xiang. Roots. Home.

Yet to say that roots are home, regardless of what the Canadian brand says, would not be altogether accurate. The first part of grandfather’s ceremony had taken place in Hong Kong. WWII refugees, my grandparents had uprooted and resettled in Hong Kong, raised a business and a family. Grandma calls Pun Yu xiang, but when the Vancouver chill starts to nip at her bones and grandma tells us that she’s booking the next flight home, we know she means Hong Kong.

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Back in grade one, if you wanted to know where someone came from, you didn’t think about their skin tone, or peer into their lunch box, or do the smartest thing–just ask. You looked at their clothes tag.

Micah was from ‘China.’ Tina’s shirt read ‘Taiwan.’ Shawn came from this mysterious place called ‘Do not Bleach.’

The wisest of us soon suspected that the grade two’s had been pulling our leg, since everyone seemed to come from either China, India, or Taiwan. Regardless, there was one label that stumped us every time, and that was ‘MIC.’ The trick about the MIC was that you could never be sure what “C” stood for. Chile. Cameroon. Czech Republic. Cote D’Ivoire?

When my parents immigrated to Vancouver in the 1990’s, my mother was already six months pregnant with me. So, if I was born with a t-shirt label, it would probably read “MIC.” Made in China? Delivered in Canada? Chinese-born Canadian? Canadian-born Chinese?

In many ways, Richmond too, is horrigably, ambiguously MIC. Located in Canada, but populated by ethnically and (until recently) stoutly non-politically Chinese citizens, it’s been touted as the laid-back, West Coast replica of Hong Kong. Home both is and isn’t Canada.

Oh, and it gets even more complicated.

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“The sad fact is that the history of settlement around the world is a history of displacing other people from their lands.” –Edward Chamberlin

Until UBC Imagine Day, I had never known that my home was built on the “unceded territory of the Musqueam and Squamish people.” What?! The True, North, Strong, and Free not actually free? When my parents settled in Richmond, they were only two in a sea of people who were fleeing the repatriation of Hong Kong in 1997. In a sense, they, like my grandparents, were political refugees as much as immigrants chasing the Canadian Dream. I don’t think my parents were ever aware that their new home was already a contested site, or that their homemaking only perpetuated the homelessness another people.

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So what is home? Richmond is a transplanted tree, twice removed from native soil. Richmond is a disembodied hand, a broken branch. My access to xiang, my cultural heritage and my roots, will always be through the prosthesis of my parents’ memory. And perhaps most troubling of all, to be transplanted is also to be foreign. Richmond, home, is an invasive species.

But I like to think that grafted branches can also bear good fruit, and when the old and the new adapt to one another, the whole tree is made stronger.

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Works Cited:

“3,500 Year Old Tree Transplant.” The Big Trees Blog. Web. 08 Feb. 2016.

Buzard, Kurt. “Myrrh and Frankincense.” Travel To Eat. 28 Dec. 2012. Web. 08 Feb. 2016.

Chamberlin, J. Edward. If This Is Your Land, Where Are Your Stories?: Reimagining Home and Sacred Space. Cleveland, OH: Pilgrim, 2004. Print. 78.

Donne, John. “Meditation XVII.” Devotions Among Emergent Occasions. 1624.  

“The Disembodied Hand That Strangled People.” The Calvin and Hobbes Wiki. Web. 08 Feb. 2016.

“Vignette Writing Tips.” Vine Leaves Literary Journal. Web. 08 Feb. 2016.

Assignment 1.5: The Story of Evil

Take the story about how evil comes into the world, from King’s text, and change it to tell it. First, learn the story by heart, and then tell the story to your friends and family. When you are finished, post a blog with your version of the story and some commentary on what you discovered. 

I have a great story to tell you. It’s about the story about how Evil came into the world. Well, sort of. You’ll see.

Have you ever heard of General Sherman?  It’s the biggest tree on earth and one of the oldest living things in the world. Well, a long, long, long time ago, way before General Sherman even joined the military, there was another really, really tall tree.

This tree was at the center of a beautiful garden. Everything and everyone in this garden was perfect. No screaming babies. No assignment deadlines. No missed buses. No sickness, no death, no hate, no hunger.

Now if this tis all beginning to sound a little too familiar, I beg you to hang in there with me. Because in this garden, there was also no unbreakable rule. There were no “thou shalt not’s” or “boys only” signs nailed to any treehouse or mysterious gardeners walking around in glowing, white togas.

The only people in this garden were three best friends: Philip, Evelyn, and Goodwin.

And they all lived in a treehouse in this tree at the center of the garden. Now, as you’ve probably imagined already, but this garden was lush and filled with every type of seed-bearing fruit tree: cherries, pears, mangosteens, papaya, you name it, or rather, Phil, Eve, and Good took turns naming them. Anyway since the three best friends were all living  in the tallest tree in the garden, they had a pretty good view of the garden. So, the trio contented themselves with the abundant selection they had below and never bothered to look up.

That is, until one day…

Eve was busy shelling a basket of walnuts in the treehouse, when all of a sudden she heard a noise above her. Some people say it was the hiss of a snake. Others say that it was the coo of a dove. I’m inclined to believe that it was just the wind. Regardless, the fact of the matter was that Eve looked out the window and up.

That’s when something bright and shiny caught her attention out of the corner of her eye. There, fifteen branches up, something red stood out among the leaves. What is this? Eve wondered as she climbed up to take a closer look. Nestled among the branches was a fruit that she had never seen before. Odd. It was hard like a pear, but more spherical, like an orange. The fruit was still mostly green, which probably accounted for why she hadn’t noticed it before, but the face that was turned towards the sun had developed an attractive rosy blush. Hm, maybe Phil or Good would know. But Eve’s mouth started watering as she relieved the branch of this tantalizing new specimen and before she knew it, she had taken a bite. And another. And another. Until all that was left in her palm was the stem and two seeds.

Just at that moment Phil popped his head out the window.
–Hey Eve, are you finished shelling the wal—WOAH. What are you doing up there?
–You’ll never believe what I found, said Eve.
Then she burped. But of course, since Eve had eaten it all, she didn’t have anything left to show Phil. Eve scanned the empty branches around her.
–Well, there’s only one solution, she said, and started climbing.
–Wait up! cried Phil.

Now I forgot to mention this earlier, but this tree in the middle of the garden was many, many General Shermans tall, so high that even if you stood at the edge of the garden and looked up, you still wouldn’t be able to see the canopy. But the fruit was very tasty, and Eve knew she would do anything to share it with her friends. So, Phil and Eve climbed up higher and higher and higher… until pretty soon, they couldn’t see the roof of the treehouse anymore. In fact, they climbed so high that the leaves and the branches started looking like roots.

Eve was just about to comment on this strange phenomenon when—schoompf—she broke the last layer of branches and found herself peering out among some bushes at a whole grove of trees. She made room for Phil.
–Weird. This place looks exactly like our garden. A garden above a garden, can you believe it!?!
–But better, ‘cause look, those are exactly the fruits I was telling you of!

Eve jumped out onto firm ground and rushed to the nearest bough. Phil agreed that this fruit was indeed the premium. The pair became so engrossed in their u-picking adventure that it was sunset before they remembered Good.
–Oh hey, we should probably bring some back.

But no matter how hard they looked among the bushes, Phil and Eve couldn’t find the hole again.
–Rats! We’re stuck here, cried Eve. What good are all these apples—for that was the name Eve and Phil had decided on—if we can’t share them with Good?
–It’s all your fault, said Phil accusingly. If you hadn’t bitten that apple…

Well, Eve and Phil bickered and fought for a solid 146.25 days but there was no going back. Eventually, they settled into this new world, and had a family. But Eve and Phil never felt whole again without their best friend. No matter how many apples they ate, there was a hole in their hearts that just couldn’t be filled. Nothing could satisfy their love hunger for Good.

This is the story of how Eve-Phil came into the World and left Good behind. Throughout the ages, their children have tried to fill this hole with a myriad of things a little more sophisticated than fruit. They’ve done terrible things to one another, yet nothing could satisfy their love hunger. Eventually, one of Eve-Phil’s descendants took it upon himself to write down the story of his great, great, great, great… grandparents. By then, of course, no one could remember all the details, so his version became the version. But even if Eve or Phil did come up with a new and revised edition, it would be too late. For once a story is told, it cannot be called back. Once told, it is loose in the world. So, be careful of the stories you tell, and the stories you listen to.

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In this story, I played with inversions. You probably noticed many references to Genesis 1, which is the origin story of evil that I’ve been living with daily since I’m also taking a course on Paradise Lost. Reading through other origin stories however, I realized that the Judeo-Christian tale isn’t the only one involving a Fall. Many creation tales speak of a lost relationship between the “sky people” and “earth people,” and even Charm’s story involves a free-fall from a higher paradise. In my story, however, Eve and Phil climb up instead, and their “Fall” comes about as a result of their ascension–which nevertheless leads to pain because Good gets left behind. When my brother heard the conclusion, he rolled his eyes and labeled my pun “cringeworthy.” And I would agree. But there is method to my madness! Looking beyond this “cringeworthy” play on words, I also wanted to consider the idea that “evil” itself isn’t actually an entity; rather, it’s privatio boni, or the deprivation of good. Maybe people don’t do terrible things because they’re inherently wicked, perhaps they’re suffering from a bit of love hunger.

Thanks for reading!

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Works Cited:

“17 of the Most Amazing Treehouses From Around The World.” Bored Panda. Web. 01 Feb. 2016.

King, The Truth About Stories, Chapter One: You’ll Never Believe What Happened Is Always a Great Way to Start.

Milton, John. “Paradise Lost.” The Online Literature Library. Web. 01 Feb. 2016.

“The General Sherman Tree.” Sequoia & Kings Canyon. National Park Service. Web. 1 Feb. 2016.

Tooley, Michael. “The Problem of Evil.” Stanford University. Stanford University, 2002. Web. 01 Feb. 2016.