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2019 marked by 10-year anniversary moving to Canada summer then married seven years of this summer my son turned 4 the summer is we has a family and one of my best summer is that I’ve had in Canada we on what the song was like then we did a good job making the best of Summer one of my philosophies around summer cooper other nine months of the year are down payment for summer summer Vancouver is absolutely gorgeous not always necessarily so always laugh when we look travelling out of town summer because we spent all this time here during the winter and then how it’s summertime and now it’s time to travel where is it’s beautiful time to the city mostly close to Vancouver and we got out and did quite a few hikes sign in to discover a little bit of travelling around we went to Kamloops for a few days and acting like a cowboy going to a ranch we bought him some cowboy boots and he was excited about using those to stomp on a snake perspective we didn’t see any snakes when we return to Vancouver and we saw a little while we were out walking one day and then we do another small trip penn State olympic National Park we visit with my sister we enjoyed a section of the park we had not seen before on the North side but we were pretty much in Vancouver for the summer and we really felt like we we summered hard summer two of our favourite discoveries were secret beach close to our house and a waterfall on the basis of Cypress Mountain with the beach we were excited to find this because it turns out that it is the closest beach to our house and now after having lived here over 10 years and me for over seven in our in our current home we found out that the closest beach to our house is 5 minutes instead of 7 or 8 so we’re spoiled cuz we’re so close to the beach but found out there’s actually a beach that is right by our house that we never knew was accessible was a very exciting discovery because there was low tide one day and that allowed us to walk along the beach and we discovered this beach and set all the boys wanted to go down and see what was in this area there was a beach there and all we have to do is hop over a fence in a park close to our house to get to that Beach covering our son has loved this summer the secret Beach the rediscovery was the Cypress Falls hike it was good height for a 4 year old we met our son did a good job on that one and we were on our way back out and someone went on another path just a little bit further decided to turn around and when we did we found my son was particularly excited at the end of one of the other thing of that double waterfall there was an abandoned truck probably the road years decades ago even and ended up on the side of the waterfall and it was Rusty and just a good-looking old beat-up truck we enjoyed that hike and we were glad that we found that good spot by adventuring a little bit further in and seeing the double waterfall and all in all we were just really pleased with how the summer turned up
What would you have done differently if you have had the chance to script the story?
If I had the chance to script this story I would have thought about the piece in more detail. I would have written a first draft and then edited it to make it tighter. I would not have repeated myself. I also would have paid more attention to the structure to build towards some sort of climax and diversified the diction.
What are the most common “mistakes” in the text?
The most common errors in the generated text are: lack of punctuation; improper capitalizations; omitted phrases; dropped definite articles; successive duplicated words; and incorrect words.
Why do you consider these “mistakes”?
These are mistakes because they misrepresent and obfuscate the ideas I intended to communicate. I am confident that most fluent English listeners could have comprehended over 95% of what I said, but the text above is difficult for me to parse less than 24 hours after having generated it. While to be fair, as Borditsky quoted George Bernard Shaw in her SAR lecture, “The single biggest problem in communication is the illusion that it has taken place,” it also seems fair to say that the dropped phrases and incorrect words are an inaccurate representation of the words I spoke, and they are mistakes.
In what ways does oral storytelling differ from written storytelling?
In general oral storytelling affords a more embodied, emphatic, and emotive presentation than written storytelling. The difference between oral and written storytelling may be analogous to photographs and video; in a technical sense video has the ability to convey more information than photography because video is photography plus movement and often sound. Likewise oral storytelling is written storytelling plus cadence, including volume, inflection, tempo, and rhythm. Oral storytelling often may also have a visual component, which is minimal and standardized in most written texts.
However, where the analogy may break down is that written storytelling has some affordances missing from most oral storytelling. These include spelling, font, textual embellishments, kerning, colour, punctuation, illustration, tactility, reading conventions—for example in the case of English left to right, top to bottom—and in less common cases such as concrete poetry, a physical form which reinforces or adds meaning a the text.
Written storytelling is less ambiguous than oral storytelling in the case of spelling, but more ambiguous in the case of interpretation. For example, consider “Let’s raise the barn.” In oral storytelling context is required to know if the imperative is “Let’s raise the barn” or “Let’s raze the barn”—an unfortunate contranym if the hearer interprets and acts on the opposite intended meaning. Conversely, while context is an exegetical aid in understanding the phrase in either form of storytelling, the embodied prosody of oral storytelling adds to the phrase an interpretive dimension—excitement, reluctance, vengeance, confusion, or anger, as examples. Written storytelling does not provide such embodied interpretation; the reader is open to draw his or her own conclusions. Thus lacking audible inflection and tonality, written storytelling allows a reader more room for textual interpretation than oral storytelling; in oral storytelling an orator’s eisegesis stands between the text and the listener.
Written storytelling is primarily a visual medium, except for braille, which is primarily tactile. Oral storytelling is primarily an auditory medium.* Written storytelling also allows a reader to traverse ahead or back to a particular point in the story, which seems rare in non-recorded oral storytelling. Whereas written storytelling is committed to a singular, uniform textual presentation for each edition, oral storytelling is more fluid and the text of each presentation is likely to be unique, even if slightly. Of course, in the case of people reading a defined written text aloud or telling an oral story word for word each time, the distinctions between oral and written storytelling may overlap.
*This is not to discredit that visual, tactile, olfactory, and gustatory contributions can add invaluable elements to oral storytelling, or similarly auditory, tactile, and olfactory—and possibly even gustatory—additions can amplify written storytelling. My point is that by definition oral storytelling fundamentally requires sound and written story telling fundamentally requires writing or image.