Task 8: Golden Record Curation

My selection of 10:

  1. Senegal, percussion, recorded by Charles Duvelle. 2:08
  2. Australia, Aborigine songs, “Morning Star” and “Devil Bird,” recorded by Sandra LeBrun Holmes. 1:26
  3. Japan, shakuhachi, “Tsuru No Sugomori” (“Crane’s Nest,”) performed by Goro Yamaguchi. 4:51
  4. Georgian S.S.R., chorus, “Tchakrulo,” collected by Radio Moscow. 2:18
  5. Azerbaijan S.S.R., bagpipes, recorded by Radio Moscow. 2:30
  6. Beethoven, Fifth Symphony, First Movement, the Philharmonia Orchestra, Otto Klemperer, conductor. 7:20
  7. Navajo Indians, Night Chant, recorded by Willard Rhodes. 0:57
  8. Peru, wedding song, recorded by John Cohen. 0:38
  9. China, ch’in, “Flowing Streams,” performed by Kuan P’ing-hu. 7:37
  10. India, raga, “Jaat Kahan Ho,” sung by Surshri Kesar Bai Kerkar. 3:30

This was a challenge; deciding what ‘we can afford to lose’ is a daunting task!

I tried to take a geographical approach to selection and cover major continents, as well as trying to temper this with a wider diversity of culture. I also leaned more towards selecting tracks that were less word or language-based and more instrumental. I was super-aware of my own biases during the selection process and this was in no way an ‘objective’ exercise with a definite preference for more tribal or ‘raw’ sounds over the more ‘classical’ ones.

2 thoughts on “Task 8: Golden Record Curation”

  1. Hi Lubna,

    Yes! Thank you for sharing your experience in selecting for the Gold Record. I too was very aware of my own biases, as my initial selection consisted of several choices from the USA and Germany. However, through mapping out my choices and deselected a few songs in order to offer a wider diversity within my selection of 10.

    I am curious, why did you lean more towards selecting tracks that were less word or language-based and more instrumental?

    Thank you for sharing.

    🙂 Dana

    1. Hi Dana,
      Apologies for getting back so late, and thank you for your thoughts!

      To answer your question, in retrospect, I must admit my personal bias crept in.. because if I had ‘honestly’ emphasized instrumental tracks, perhaps more of the classical composers would have featured in my curation.

      I guess what I meant was that the older traditions (to me) seem more universal because of their associations with the natural world. I found these to be primal and somehow more relatable, whereas words in a specific language (sung as words, not sounds) may sometimes (not always) fix a composition in time and place.

      Hopefully, that makes some sense 🙂

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