{"id":150,"date":"2021-11-08T05:30:11","date_gmt":"2021-11-08T12:30:11","guid":{"rendered":"https:\/\/blogs.ubc.ca\/etec540yang\/?p=150"},"modified":"2021-11-08T05:31:28","modified_gmt":"2021-11-08T12:31:28","slug":"task-9-network-assignment-using-golden-record-curation-quiz-data","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/etec540yang\/2021\/11\/08\/task-9-network-assignment-using-golden-record-curation-quiz-data\/","title":{"rendered":"Task 9: Network Assignment Using Golden Record Curation Quiz Data"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td width=\"378\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Tracks<\/strong><\/span><\/p>\n<\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Frequency<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 6: El Cascabel \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">14<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 14: Melancholy Blues \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">14<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 18: Fifth Symphony (First Movement)<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">13<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 7: Johnny B. Goode \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">11<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 11: The Magic Flute (Queen of the Night aria) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">11<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 25: Jaat Kahan Ho \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">11<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 3: Percussion (Senegal) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">11<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 21: The Fairie Round \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">10<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 10: Gavotte en rondeaux \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">10<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 24: Flowing Streams \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">10<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 5: Morning Star Devil Bird \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">9<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 13: Panpipes and Drum (Peru) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">9<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 9: Tsuru No Sugomori (Crane&#8217;s Nest) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">8<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 2: Kinds of Flowers \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">8<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 23: Wedding song \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">7<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 15: Bagpipes (Azerbaijan) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">7<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 20: Night Chant \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">7<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 12: Tchakrulo \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">7<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 27: String Quartet No. 13 in B flat \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">7<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 1: Brandenburg Concerto (First Movement) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">6<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 26: Dark Was the Night \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">6<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 16: Rite of Spring (Sacrificial Dance) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">5<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 19: Izlel je Delyo Hagdutin \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">5<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 17: The Well-Tempered Clavier \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">5<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 22: Panpipes (Solomon Islands) \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">4<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 8: Men&#8217;s House Song \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">2<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"378\"><span style=\"color: #000000;\">Track 4: Pygmy Girls&#8217; Initiation Song \u00a0<\/span><\/td>\n<td width=\"66\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">2<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table style=\"height: 311px;\" width=\"416\">\n<tbody>\n<tr>\n<td width=\"186\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Communities<\/strong><\/span><\/p>\n<\/td>\n<td style=\"text-align: center;\" width=\"138\"><span style=\"color: #000000;\"><strong>Number of Edges<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"186\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Community 1<\/span><\/p>\n<\/td>\n<td width=\"138\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">60\/60<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"186\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Community 2<\/span><\/p>\n<\/td>\n<td width=\"138\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">60\/60<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" width=\"186\"><span style=\"color: #000000;\">Community 3<\/span><\/td>\n<td width=\"138\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">50\/50<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"186\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Community 0<\/span><\/p>\n<\/td>\n<td width=\"138\">\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">49\/49<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"color: #000000;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-151 aligncenter\" src=\"https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2-300x119.png\" alt=\"\" width=\"685\" height=\"271\" srcset=\"https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2-300x119.png 300w, https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2-1024x407.png 1024w, https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2-768x305.png 768w, https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2-1536x610.png 1536w, https:\/\/blogs.ubc.ca\/etec540yang\/files\/2021\/11\/Community-2.png 1750w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/span><\/p>\n<p><span style=\"color: #000000;\">It was a great way to visualize connectivity of members in each community generated by Palladio. The size of nodes indicates the \u201corder\u201d of the track among the community members. The higher order (the track is shared by higher number of members) means the bigger node size.\u00a0 I could move the nodes around and extend\/shorten the edges to see the connections more clearly.<\/span><\/p>\n<p><span style=\"color: #000000;\">I noticed that each track is selected by at least two people and the most popularly selected tracks are shared by 14 out of 22 people. Comparing <strong><a style=\"color: #000000;\" href=\"https:\/\/blogs.ubc.ca\/etec540yang\/2021\/10\/31\/task-8-golden-record-curation\/\">my 10 choices<\/a><\/strong> with the above table, I noticed that majority of my selections are in the top half of the table.<\/span><\/p>\n<p><span style=\"color: #000000;\">There are 22 curators (ie, the participants to the Voyager\u2019s Golden Record curation quiz) and they are grouped into 4 different communities. Examining the number of nodes and edges in the graphs, I noticed that one of the curators in Community 0 has selected only 9 tracks as opposed to 10 tracks and this explains the total number of edges (49) in Community 0. Also, I noticed that in all 4 communities, there are no tracks shared by all members of the community.<\/span><\/p>\n<p><span style=\"color: #000000;\">To attempt to figure out Palladio\u2019s criteria of generating these 4 communities out of these 22 curators in such ways, I examined each community\u2019s <strong>shared tracks, frequency\/degree, \u201cnull\u201d choices (ie, unselected tracks), number of nodes, average degree, and density<\/strong>. The last two properties can be found under Global Metrics in Palladio.<\/span><\/p>\n<p><span style=\"color: #000000;\">Both Community 1 and Community 2 share the same number of tracks (22), the same number of curators (6) and the same average degree value (4.28571429). I have looked through the data and maps\/visual representations and some mathematical calculations to justify Palladio\u2019s interpretation of the data. Despite my efforts to discover logical or mathematical reasons behind creating such communities, I could only conclude that the most popularly shared tracks in each group of Community 1, 2, 3, and 0 tend to be in lower part of the frequency table of 27 tracks as their average degree values decrease. (I am not sure if that makes sense to explain my findings to you)<\/span><\/p>\n<p><span style=\"color: #000000;\">I can only assume that the program performed some mathematical calculations to generate each group\u2019s highest possible average degree value. As I did not indicate my reasons for selecting my 10 tracks when I completed the Quiz, obviously, reasons for choosing and not choosing such tracks are not evident in the visualization. Just because two people chose the same track does not mean that they made their choices for the same justification. The members who share the same community may have been connected by misleading, misinterpretation, or assumption of the given data.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tracks Frequency Track 6: El Cascabel \u00a0 14 Track 14: Melancholy Blues \u00a0 14 Track 18: Fifth Symphony (First Movement) 13 Track 7: Johnny B. Goode \u00a0 11 Track 11: The Magic Flute (Queen of the Night aria) \u00a0 11 Track 25: Jaat Kahan Ho \u00a0 11 Track 3: Percussion (Senegal) \u00a0 11 Track 21: [&hellip;]<\/p>\n","protected":false},"author":83425,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,3],"tags":[],"class_list":["post-150","post","type-post","status-publish","format-standard","hentry","category-task_9","category-weekly_tasks"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/users\/83425"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"predecessor-version":[{"id":154,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/posts\/150\/revisions\/154"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/etec540yang\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}