{"id":4262,"date":"2020-11-20T10:08:20","date_gmt":"2020-11-20T17:08:20","guid":{"rendered":"https:\/\/blogs.ubc.ca\/fccsartwork\/?p=4262"},"modified":"2020-11-20T15:08:48","modified_gmt":"2020-11-20T22:08:48","slug":"action-and-object-drawings-from-visa-300o-001-advanced-practice-in-drawing","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/fccsartwork\/2020\/11\/20\/action-and-object-drawings-from-visa-300o-001-advanced-practice-in-drawing\/","title":{"rendered":"Action and Object Drawings from VISA 300 001, Advanced Practice in Drawing"},"content":{"rendered":"

\u201cThis selection of drawings is intended to function as a conversation between two opposing but interrelated definitions of drawing as both verb and noun that the students considered this semester.<\/p>\n

When considered as a verb drawing can be understood as a temporal, process-based action, something that we do. When considered as a noun, we focus more on its role as an autonomous art object or image, something that is there, to be viewed. Most of the time both definitions apply.<\/p>\n

In focusing on drawing as a conduit between self and other, both through its making and its viewing, themes emerged of relationships to and perceptions of time, place, and bodies.\u201d<\/p>\n

Alison Trim, Instructor VISA 300O001<\/p>\n

List of works<\/strong><\/p>\n

01 Jen Poodwan, <\/strong>Computer Biology, <\/em>digital, <\/em>1758 x 1324px, 72dpi<\/p>\n

\"\"A crossover of the digital and the biological.<\/p>\n

02 Madison van der Gulik, <\/strong>Queen Lucy<\/em>, Copic markers, prisma color pencil crayons, 14″ x 10.5″<\/p>\n

\"\"A personal drawing meant to put emphasis on the importance some people give pets.<\/p>\n

03 Ari Sparks<\/strong>, Two Boys Kissing<\/em>, plastic fuse beads, 27\u201d x 19\u201d<\/p>\n

\"\"Our already increasingly virtual experience of interaction and connection has been deeply exacerbated by the coronavirus pandemic. This work explores the experience and mediation of pixelated information in a digital era by representing an act of intimacy, through the physical process of individually placed beads.<\/p>\n

04 Angela Wood,<\/strong> One Place After Another,<\/strong><\/em> ink & watercolour on paper, <\/em><\/strong>11 x 15\u201d each<\/p>\n

1 Apartment, <\/em>2 Backyard Neighbour,<\/em> 3 Cul-de-Sac,<\/em> 4 City Kid,<\/em> 5 Prairie<\/em><\/p>\n