{"id":8379,"date":"2025-10-02T09:13:36","date_gmt":"2025-10-02T16:13:36","guid":{"rendered":"https:\/\/blogs.ubc.ca\/fccsartwork\/?p=8379"},"modified":"2025-10-02T09:44:55","modified_gmt":"2025-10-02T16:44:55","slug":"troublingtimes5_1000x600","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/fccsartwork\/2025\/10\/02\/troublingtimes5_1000x600\/","title":{"rendered":"Troubling Times: Traces, Portals and Groundings"},"content":{"rendered":"

\u00a0What:<\/strong>\u00a0Exhibition opening, produced by the Troublemakers, UBC Okanagan Gallery and the Indigenous Art Intensive
\nWho:<\/strong>\u00a0Artists Peter Morin, Nicole Neidhardt, Justine Woods
\nOpening reception:<\/strong>\u00a0Wednesday, May 28, 4 to 6 PM
\nExhibition dates:<\/strong>\u00a0Monday, May 26 to Saturday, August 16, open weekdays from 10 am to 4 pm; Saturdays from 12:00 pm to 2:00 pm
\nWhere:<\/strong>\u00a0FINA Gallery, Creative and Critical Studies building, 1148 Research Road, UBC Okanagan<\/p>\n

UBC Okanagan Gallery, in collaboration with the Indigenous Art Intensive, is hosting an innovative new exhibition.\u00a0Troubling Times: Traces, Portals and Groundings<\/em>\u00a0opens on Monday, May 26 and runs until August 19. The exhibition highlights works from The Troublemakers art collective. The Troublemakers, consists of Peter Morin, Justine Woods and Nicole Neidhardt, and traces out ancestral lines in skin, fabric and light-captured with digital devices to reflect distinct experiences with family, heritage and the passing of time.<\/p>\n

The exhibition features photography, a three channel video installation and sculptural artworks that reflect the knowledge shared between people and territories, explains UBCO\u2019s Tania Willard, Indigenous Art Intensive program director.<\/p>\n

\u201cIn our current troubling times the exhibition acts as a disruption to time itself, asking the viewer to pause and examine their own relationship to the lands and ecologies around us,\u201d Willard adds. \u201cThe exhibition seeks to challenge the static gallery space through creative practices that extend the gallery to imaginative and real places outside the gallery walls.\u201d<\/p>\n

About the Troublemakers:<\/strong><\/p>\n

Peter Morin<\/strong>\u00a0is a grandson of Tahltan Ancestor Artists. Initially trained in lithography, Morin\u2019s artistic practice moves from Printmaking to Poetry to Beadwork to Installation to Drum Making to Performance Art. Morin\u2019s artistic offerings can be organized around four themes: articulating Land\/Knowing, articulating Indigenous Grief\/Loss, articulating Community Knowing, and understanding the Creative Agency\/Power of the Indigenous body<\/p>\n

Nicole Neidhardt<\/strong>\u00a0is a Din\u00e9 (Navajo) multi-disciplinary artist and award-winning illustrator who grew up in Tewa territory (Santa Fe, NM). Nicole\u2019s Din\u00e9 identity is the heart of her practice which encompasses illustration, installation, and Indigenous Futurisms.<\/p>\n

Justine Woods<\/strong>\u00a0is a garment artist, creative scholar, and educator with a focus in fashion and material culture, arts-based methodologies, performance embodiment, and research-creation.<\/p>\n

The exhibition is part of the Indigenous Art Intensive program, a month-long event to host leading Indigenous artists and scholars along with others. All activities are free and open to the public and include talks, art-making workshops, performance and additional events.<\/p>\n

Troubling Times: Traces, Portals and Groundings<\/em>\u00a0opens on Monday, May 26 and runs until Tuesday, August 19. Peter Morin will offer a durational performance open to the public on Tuesday May 27 from 11am to 4pm. An exhibition reception takes Wednesday, May 28 from 4 to 6 pm. The exhibition and reception are both free and open to the public. The exhibition is supported by funding from the Social Sciences and Humanities Research Council.<\/p>\n

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