Tag Archives: womanhood

Clarice Lispector, “The Hour of the Star”

Clarice Lispector’s novel, “The Hour of the Star,” tells the story of a poor and uneducated “northeastern girl” in a raw and haunting style of writing. In the beginning, I was quite confused about what the story was about as there wasn’t really a plotline, it was more just following the thoughts and emotions of the narrator as he told the story from his perspective. I was also confused about the narrator’s relationship to the protagonist, it seems like she’s just a figment of his imagination or a story that he conjured up himself, but he conveyed the literature in such detail. In addition, I thought it interesting how Lispector decided to write a story through the narration of a man telling a story of a young woman. Although I first found the writing to be intriguing because of the abstract descriptions and thought-provoking sentences, soon it grew tiresome and I found myself wishing for the narrator to be more simple and direct. However, the story picks back up with the introduction of Olimpico, a northeastern boy with a huge ego and superiority complex.

The protagonist’s, or “northeastern girl,” name wasn’t revealed until later in the book, which was interesting because the narrator said that he didn’t “even know the girl’s name (pg. 10)” when he was introducing the character. The girl’s name was Macabea, she was a young, impoverished, and very naive girl who lived in the slums of Rio de Janeiro. What perplexes me the most about this character is her oblivion to the misery of her situation and how she drifts around like a shell of a person because “she was used to forgetting about herself (pg. 41)”. Her ignorance and innocence are emphasized through several events and exchanges in the novel, like with Olimpico, the doctor, and the fortune teller. She was incapable of picking up the distaste and mistreatment Olimpico directed toward her, it was almost like she struggled to comprehend complex thoughts and emotions; “Thinking was so hard, she didn’t know know how you were supposed to think (pg. 45)”. 

Macabea’s naivety was puzzling but also saddening. She was an orphan living in poverty which limited her access to education. I think that this significantly contributes to her present personality as she never had the chance to develop critical thinking skills or attain basic geographic, cultural, and social knowledge. Her story demonstrates how systemic poverty will continue to keep people economically disadvantaged and socially marginalized without the proper education and supporting environment. 

Discussion Question: 

How does Macabéa’s ignorance and innocence shape her identity throughout the novel? What do you think contributed to her naivety? Was it her upbringing, society, gender norms, or others? How do you think her personality isolated her from the world around her?  

Maria Luisa Bombal, “The Shrouded Woman”

Maria Luisa Bombal’s novel, “The Shrouded Woman,” was a captivating read surrounding the themes of love, memory, desire and womanhood. The main character, Ana Maria, reflects on her life, her relationships, and the choices that she made while lying on her deathbed surrounded by family and friends. The narration was told in the first person, which allowed readers to understand her thoughts and actions as she recounted the significant events and people in her life. The beginning of this story reminded me of the popular phrase, “Your life flashes before your eyes,” that people use when describing a near-death experience. So is it true then? Is it possible for all the memories, burdened with emotional ties, to replay and squeeze into a tiny frame in time? If yes, then in what intensity? There are memories buried so deep within each of us that it takes a specific trigger to bring them back to the surface. Astonishingly, Ana Maria can remember her life in such vivid detail and even recall the emotions associated with each event and personal interaction. 

Although Ana Maria narrated many anecdotes about her past lovers, the relationships between the protagonist and other female characters were the most interesting and insightful for me. For instance, many of her neighbours described her daughter as an “exceptional mind” which caused her to be “proud and at the same time intimidated (p. 191).” This perspective is not uncommon, as a mother often sees a version of themselves in their daughter(s) and the potential they could’ve fulfilled given better opportunities. This was especially relevant in the early 20th century when societal norms often constrained women in homes to care for children and housework. Another female character that stood out to me was Maria Griselda, the ethereal being whose beauty entranced every person she happened upon. Although her natural beauty was of the realm of her control, women often found themselves jealous and scorned her. This made me contemplate the rivalries between women and how we often form judgments and associations based on only physical appearance. To demonstrate, Silvia (Ana Maria’s future daughter-in-law) asked, “Why did Maria Grisedla’s presence always give her a feeling of inferiority?” It didn’t matter how sweet Maria was, her beauty became her curse as women felt threatened and men became infatuated. It was difficult to envision the loneliness she must’ve suffered at the hands of her beauty. 

It seemed like every person graced by the beauty of Maria was mesmerized, this leads me to my discussion questions: What is beauty subjective upon? Is it demographic or cultural or something else? Maria may have fit the beauty standards in Chile, but what if she lived somewhere else; would her treatment and life turn out differently? Additionally, don’t beauty standards evolve? What really makes one beautiful?