Flower Power

Throughout out art course this semester we kept a visual journal, a physical representation of our artistic journey. My visual journey incorporates many pieces, from painting to stamps to 3D pieces to simple sketches. Something that is recurring for me are flowers; for some reason when I places my tool on the page I have a reaction to draw flowers. I like to draw roses, flowers, petals, bouquets and more. There are many textures which can be portrayed through flowers; however, I also try to expand out of flowers and draw different shapes.

 

Lawrence Paul Yuxweluptun

Lawrence Paul Yuxweluptun is a Vancouver based artist of Coast Salish and Okanagan descent who was born on 1957 in Kamloops, Canada. Yuxewelupton’s work consists of indigenous people and history which he incorporates into his contemporary art. His artwork has immense meaning behind it as he paints to contribute to his heritage as well as to let people know about the history of his people including the effects of colonialism. Something admirable about Yuxwelupton is that as a history painter sometimes he might not want to work on certain projects about certain times in history, but someone has to do it and he takes that upon himself.

Ted Harrison

Edward Hardy Harrison was born in 1926 in Wingate England, Ted Harrison is an artist who contributed to art and education for many years. Ted Harrison learned art and design during his college years, however his studies were interrupted by the second world war. Once his military services ended Harrison resumed with his art studies and received a diploma in design, the following year Harrison completed his B.Ed. Harrison traveled in different parts of the world until he immigrated with his family and settled in Yukon, Canada. Different parts of Canada (Yukon, Vancouver) has inspired much of his work and Harrison went on to put on expos as well. Harrison also won many awards for his contribution to Canadian culture.

Chapter 5 Summary

Chapter 5 “So how am I supposed to do it?” 2011

This chapter focused on the role of the art teacher, whether you are a designated art teacher or a general elementary teacher the chapter provided tips and insight to incorporate. “As a leader you plan for a variety of learning experiences and prepare the materials and resources for the initiation of the project, but also are prepared for the possibility that students may change the shape of the course and eventual outcome” (2001, pg. 50). This quote encompasses most of the key ideas from the reading; even though teachers are typically “leading” a classroom it is not necessary for there to be steps to follow, rather present the idea and see where it goes. This may seem unsettling for some teachers however when it comes to art we want to set the least number of boundaries for our students. This connects with the next key idea, which is that students learn to do by doing, art does not need to be perfect therefore, students should be allowed to learn about art through trials. Once an example is presented with or without instructions it sets standards which children may try to strive and result in frustration. This goes back to the quote, that art should be a free-flowing exercise as its results will vary between students and even change from the intention.

Teacher will have the opportunity to observe and acquire students’ talents, identities, challenges along with the skills and knowledge they will have developed over the course of the school year. The reading also talked about practice of reflection in action, it can be said that art should be valued for process over product, this can be an important value to take into practice as future art teachers. Some of us may not be artistic but that is okay, the process of art includes asking question and experimenting which can be of value for children. For instance, I am not artistic or very creative however I find the process of drawing very calming for me. Another key idea which teachers can take with them is to avoid too much information in the beginning of an art lesson, too much instruction and direction can cause resistance and frustration within children, to which may affect them when they get older. Instead teacher can try to go through an inquiry based learning, where students are provoked with questions about art works and art techniques. Teachers can also try to use storytelling, showcasing art work and imagination to build a connection between art and students.

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