MOA Arts of Resistance: Sympathy for the Devil 2

Two weeks have passed since I’ve wrote my previous blog on MOA: the arts of resistance. However, some of the issues that came up from it has continued to bother me.

After receiving the comments on my blog post and reading through the class blogs, I started dwelling on my previous blog post and came to a conclusion that I should write an extension of it.

There were three issues that had me scratching my head.

The first issue was how society tries to shape people in certain ways. In the case of the Mexicans, it was during the Spanish colonization when the Christian missionaries tried to implant the Christian morals and rituals by force. They justified their oppressive methods believing that their ways and their religion was superior and they were civilizing the inferior race. This aspect of Christian injustice had me cringing inside as one who believes in Christ. It is so against what I believe the bible and Jesus taught, that I feel I would have added my voice to rebel against such tyranny.

Secondly, personally, the perspective shift on the concept of “rebellion” itself was quite intense. Growing up in a very conservative Asian Christian household, I always thought being rebellious was negative and bad. Honestly, when I first approached the exhibition, there was a sense of uneasiness in me. However, I’ve now learned that fighting for justice is not always bad after all – that is, when it is really “just” and not just a “justification”.

For instance, being rebellious when you are forced to do something may seem to be justifiable; I can relate to such an experience because when I recall my relationship with my parents during high school, I remember how I would always try to go against their will–although sometimes I knew they were right–just because I was forced to do something. Furthermore, I remember what I learned in my Political Science class recently – about how power doesn’t equal authority, and how power based on force usually doesn’t gain people’s respect. In the end, after some time had passed, I acknowledged that being rebellious wasn’t always “just.”

Thirdly, to elaborate on what I’ve said in my recent post,

“ I could understand the rebellious spirit embedded within the masks. I was surprised by how a single mask could contain such a deep story, and how it could become an agent of telling a nation’s history. “

 although now I know the historical context of the devil masks and understand that it was a cultural ritual, I’m still struggling to accept it from a moral perspective.

I heard from a friend that in one of her philosophy classes they were talking about relative morals. If I were in her class, I would ask what attitude and mindset I should have when approaching a culture/belief that contradicts my ideologies or paradigms. Acceptance and tolerance are two different things. Although I understand with my head, I still have the unrelieved emotions that weigh me down in light of the fact that I cannot accept what the mask represents. Should our response to oppression or injustice be the be the opposite of what is being done? The demon masks were the people’s way of rebelling against the Christian/colonial oppression, kind of like a “take that.” But in my opinion, their form of rebellion would actually hurt them more.

In Christianity the cross represents the love and the redemption by god of his people – the story of how Jesus suffered and was persecuted in order to save his people; however, this Is tragically used by those who claimed to be Christians to oppress and enslave others who they looked on as those who needed salvation. One story of salvation was used to oppress, creating a twist from the Christian perspective, and such irony – the story of the demon masks.

 

Dissecting Devils in Arts of Resistance

http://www.latinamericanstudies.org/aztecs/aztec-religion.pdf

https://en.wikipedia.org/wiki/Spanish_missions_in_Mexico

 

MOA Arts of Resistance: Sympathy for the Devil  

MOA Arts of Resistance: Sympathy for the Devil  

From May 17 to September 20, 2018, the Arts of Resistance: Politics and the Past in Latin America exhibition has taken place at the Museum of Anthropology, UBC Vancouver. As it is stated by the homepage of MOA, curated by Laura Osorio Sunnucks, the exhibition illustrates how communities in Latin America use traditional or historical art forms to express contemporary political realities. The exhibition is a unique opportunity for visitors to learn about Latin American politics through the lens of contemporary art. It demonstrates how objects can embody important historical and cultural memories and has the potential to influence how Latin American art and culture are showcased in museums and galleries. (https://moa.ubc.ca/exhibition/arts-of-resistance/)

As I entered the museum, I first noticed the several totem poles exhibited straight ahead of the entrance. Although not part of the Arts of Resistance exhibition, the fact that totem poles were also used as significant political instruments, especially as signs of resistance and rebellion, remarkably came to my mind. When I approached the Arts of Resistance exhibition, I noticed the difference in the atmosphere of the exhibition itself; it felt a bit more modern and dynamic than the other parts of the museum. The bright lively yellow sign that indicated the start of the exhibition seemed to well characterize the exhibition as a whole. Furthermore, from the very entrance, I was very pleased to see how all the explanations of the artworks had a separate Spanish translation (instead of French) regarding the fact that the exhibition was depicting the artworks that were deeply rooted to the history of the Latin Americans.

From graffiti to masks and clothes, there was a wide range of diversity of the form of artworks that all commonly embedded stories of resistance in significantly different ways. Personally, among all the pieces of artwork within the exhibition, the demon masks at the “sympathy for the devil” corner were the most strikingly impressive. I was shocked to read the explanation of the artwork, due to the fact that the devil – a morally deviant character – was perceived as a being who offered consolation, listened to the commoners‘ problems, and could respond and act more quickly than God to Mesoamerican natives.

However, after visiting the exhibition, when I researched on the Mexican colonization – on how in the 1500s, Spanish missionaries would ruthlessly and compulsively spread Christianity to the Latin American natives – and learned that the excessive religious passions of the missionaries ended up leading to many side effects in South America: indoctrination, forced labour, epidemics, death, torture, and burning of ancient religions, I could understand the rebellious spirit embedded within the masks. I was surprised by how a single mask could contain such a deep story, and how it could become an agent of telling a nation’s history.   

 

Arts of Resistance

http://www.hani.co.kr/arti/society/life/303135.html#csidxf56915e942a5fb791822938b3d7f54f

https://www.apuritansmind.com/the-christian-walk/easter-the-devils-holiday-by-dr-c-matthew-mcmahon/

http://www.latinamericanstudies.org/aztecs/aztec-religion.pdf

https://www.jstor.org/stable/1008535?seq=3#metadata_info_tab_contents

https://en.wikipedia.org/wiki/Spanish_missions_in_Mexico

https://en.wikipedia.org/wiki/Sympathy_for_the_Devil

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