{"id":28,"date":"2021-10-25T21:27:16","date_gmt":"2021-10-26T04:27:16","guid":{"rendered":"https:\/\/blogs.ubc.ca\/information\/?page_id=28"},"modified":"2026-06-04T20:54:13","modified_gmt":"2026-06-05T03:54:13","slug":"resume","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/information\/resume\/","title":{"rendered":"Resume 2026"},"content":{"rendered":"<p><strong>Marcos Moscoso-Garay<\/strong><\/p>\n<p>Address: 314-255 West first street<\/p>\n<p>Vancouver, V7M 3G8, BC, Canada<\/p>\n<p>E-mail: <a href=\"mailto:marcos.moscoso@ubc.ca\">marcos.moscoso@ubc.ca<\/a><\/p>\n<p>Marcosmoscoso3@gmail.com<\/p>\n<p><a href=\"https:\/\/blogs.ubc.ca\/information\/\">https:\/\/blogs.ubc.ca\/information\/<\/a><\/p>\n<p><a href=\"https:\/\/inomoxocardenal.blogspot.ca\">https:\/\/inomoxocardenal.blogspot.ca<\/a><\/p>\n<p>Cellular\u00a0: 604 446 0960<\/p>\n<p>Languages: Spanish, English, French.<\/p>\n<p>Citizenship: Peruvian and Canadian<\/p>\n<p><u> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/u><\/p>\n<h2><strong><em>Research Areas<\/em><\/strong><\/h2>\n<p>Contemporary Latin American Studies (Andean region): This research area encompasses an interdisciplinary exploration of the intersections between literature, cinema, history, art, politics, and society in contemporary Latin America.<\/p>\n<p>Contemporary Peruvian Studies: Focused specifically on the literary, history and cinematic output of Peru in the modern era, this research area delves into the historical, artistic, political, and societal dimensions of Peruvian culture.<\/p>\n<p>Women in the Arts: Amazonian Literature and Cinema: This area of research centers on the representation and participation of women in the arts, particularly within the context of Amazonian literature and cinema.<\/p>\n<p>Transpacific Relations and Globalization: 16th-19th Centuries: Focusing on the historical dynamics of transpacific relations and globalization during the early modern period, this research area investigates the interconnectedness between Asia, the Americas, and Europe.<\/p>\n<p>Colonial literature and culture:<\/p>\n<p><strong style=\"color: #222222; font-family: 'Fira Sans', sans-serif; font-size: 1.75em;\"><em>Education<\/em><\/strong><\/p>\n<p><strong>PhD 2022, Doctor of Philosophy in Hispanic Studies program<\/strong>. University of British Columbia (UBC).Vancouver, British Columbia, Canada.<\/p>\n<ul>\n<li>Dissertation: \u201cMachines and Automatons: Portraits of Amazon Women and Their Relationship With Nature in the Literature of the Rubber Extraction Boom (1879 \u2013 1914)\u201d. Supervisor: Professor Kim Beauchesne<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/li>\n<\/ul>\n<p><strong>Master\u2019s Degree in Hispanic Literature, Art, History and Society 2011. <\/strong>University \u201cAut\u00f3noma de Madrid\u201d (UAM) Madrid, Spain.<\/p>\n<ul>\n<li>Dissertation: \u201cIntertextualidad en <em>Los r\u00edos profundos<\/em> de Jos\u00e9 Mar\u00eda Arguedas y <em>El r\u00edo<\/em> de Javier Heraud\u201d Supervisor: Carmen Valc\u00e1rcel Rivera<\/li>\n<\/ul>\n<p><strong>Linguistic and cultural integration program 2009.<\/strong> University of Quebec (UQAM). Montreal, Canada.<\/p>\n<p><strong>Bachelor in Literature 2004.<\/strong> University National \u201cMayor de San Marcos\u201d (UNMSM) Lima, Peru.<\/p>\n<p><u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><strong><em>\u00a0<\/em><\/strong><strong><em>\u00a0<\/em><\/strong><\/p>\n<h2><strong><em>Positions held<\/em><\/strong><\/h2>\n<ul>\n<li><strong>Summer<\/strong><strong> 2025 Sessional Spanish Instructor (SPAN 222);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Winter 2024 Limited Assistant Professor (SPAN 101 and 102);<\/strong> The University of Saint Francis Xavier; Department of Modern Language; Antigonish, NS, CANADA.<\/li>\n<li><strong>Winter 2024 Instructor the Spanish-American Poetry (SPAN 3331); <\/strong>Mount Allison University; Department of Modern Languages &amp; Literatures. NW, CANADA.<\/li>\n<li><strong>Fall 2023 Instructor Introduction to Hispanic Literacy Studies (SPAN 2090); <\/strong>Dalhousie University; Department of Spanish and Latin American Studies. Halifax, CANADA<\/li>\n<li><strong>Fall 2023 Instructor the Spanish-American Novel (SPAN 3311); <\/strong>Mount Allison University; Department of Modern Languages &amp; Literatures.NW, CANADA.<\/li>\n<li><strong>Summer<\/strong><strong>\u00a02023 Sessional Spanish Instructor (SPAN 102);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>\u00a0Winter 2023 Limited Assistant Professor (SPAN 102 and SPAN 222);<\/strong> The University of Saint Francis Xavier; Department of Modern Language; Antigonish, NS, CANADA.<\/li>\n<li><strong>Winter 2022 Sessional Spanish Instructor (SPAN 101);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA<\/li>\n<li><strong>Summer and Winter 2022 Research Assistant (Professor Kim Beauchesne)<\/strong> \u201cEnvironmental Utopias: Hope and Crisis in Contemporary Amazonian Literature\u201d. The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Winter 2021 Research Assistant (Professor Kim Beauchesne)<\/strong> \u201cBridging Transatlantic and Transpacific Studies: The Keich\u014d Embassy and its Textual Representations in the Hispanic World (17th and 21st Centuries). The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Winter 2021 Sessional Spanish Instructor (SPAN 101);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Summer 2021 Sessional Spanish Instructor (SPAN 102);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Winter 2020 Sessional Spanish Instructor (SPAN 102);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Summer 2020 Sessional Spanish Instructor (SPAN 102);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>Winter 2019-2020 Research Assistant (Professor Kim Beauchesne);<\/strong> \u201cBridging Transatlantic and Transpacific Studies: The Keich\u014d Embassy and its Textual Representations in the Hispanic World (17th and 21st Centuries). The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2014-2020 Teaching Assistant (SPAN 101-102-201);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2019-2020 Research Assistant (Professor Kim Beauchesne);<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2015-2019 Volunteer, FHIS Writing Center;<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2015-2016 Organizer, FHIS Cine Club;<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2014 Member of the FHIS Graduate Forum;<\/strong> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li><strong>2008 Professor of Linguistic\u00a0and Literature;<\/strong> University Catholique Sedes Sapientiae. Lima, Peru,<\/li>\n<\/ul>\n<p><u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/p>\n<h2><strong><em>Event participation<\/em><\/strong><\/h2>\n<ul>\n<li>2023 Presenter, X Coloquio Internacional de Literaturas Amaz\u00f3nicas \u201cTecnolog\u00edas de los sujetos en las novelas del tiempo de la extracci\u00f3n del caucho: El burdel de la Amazon\u00eda.<\/li>\n<li>2023 Speaker invited. Workshop: <em>Education and society.<\/em> The University Ruiz de Montoya; Department of Education and Philosophy; Lima, Peru.<\/li>\n<li>2023 Speaker invited. Round table discussion: <em>Learning another language.<\/em> The University Saint Francis Xavier; Department of Modern Language; Antigonish, Canada.<\/li>\n<li>2022 Presenter, Latin American Studies Association (LASA): <em>\u201cCiudades modernas y familias heterosexuales. Utopias de la Amazon\u00eda en el tiempo de la extracci\u00f3n del cacuho\u201d. <\/em>Virtual event.<\/li>\n<li>2021 Presenter, FHIS Symposium: \u201cLa mujer aut\u00f3mata en el tiempo de la extracci\u00f3n del caucho.\u201d The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2021 Speaker invited, Span 301. Workshop: <em>The Peruvian indigenous situation today.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2021 Speaker invited, Span 206. Workshop: <em>The generation that demands a new Peru.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2019 Presenter, Latin American Studies Association (LASA): <em>&#8220;Modelos de mujer en el\u00a0<\/em><em>imaginario de los mitos de los Huitotos&#8221;<\/em> . Boston, USA.<\/li>\n<li>2019 Presenter, 8th Latin America Research Group: <em>Political fictions of women in \u201cDioses y hombres de Huarochir\u00ed\u201d.<\/em> The University of Victoria. Victoria, Canada.<\/li>\n<li>2019 Invited speaker, undergraduate students. Workshop: <em>The decade of the 80s in Peruvian society.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2018 Presenter, FHIS Eighth Biennial Graduate Students: <em>Fictions about women and nature at the time of rubber extraction (1989-1912).<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2017 Invited speaker, undergraduate students. Workshop: <em>Small picture of the landscape in the Amazon documentaries.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2017 Presenter, FHIS Seventh Biennial Graduate Students: <em>Images of Women and the Amazon in the time of rubber boom (1989-1912).<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2016 Invited speaker, undergraduate students. Workshop: <em>Resistance and Colonialism in the Amazon.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2016 Presenter, V International Colloquium of Amazonia literatures at \u201cCasa de la literatura\u201d: <em>Genesis of the coloniality of power in the Amazon jungle. \u201c<\/em>Revista Peruana de Literatura\u201d Lima, Per\u00fa.<\/li>\n<li>2015 Presenter, FHIS Symposium:<em>\u201cEl cuerpo grotesco en la pel\u00edcula Carmina o Rivienta\u201d. <\/em>The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<li>2014 Speaker invited, undergraduate students. Workshop: <em>\u201cModernidad\/Colonialidad en Guaman Poma de Ayala\u201d.<\/em> The University of British Columbia; Department of French, Hispanic, &amp; Italian Studies; Vancouver, BC, CANADA.<\/li>\n<\/ul>\n<p><u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/p>\n<h2><strong><em>Doctoral award<\/em><\/strong><\/h2>\n<ul>\n<li>2022 S. President Academic Excellence Initiative PhD Award<\/li>\n<li>2021 W. President Academic Excellence Initiative PhD Award<\/li>\n<li>2021 S. President Academic Excellence Initiative PhD Award<\/li>\n<li>2020 W. Graduate Covid Program Delay Tuition Award<\/li>\n<li>2020 W. Faculty of Arts Graduate Award<\/li>\n<li>2020 W. President Academic Excellence Iniciative PhD Award<\/li>\n<li>2020 S. Graduate Emergency Bursary<\/li>\n<li>2020 S. President Academic Excellence Iniciative PhD Award<\/li>\n<li>2018 W. Faculty of Arts Graduate Award<\/li>\n<li>2018 W. Honorable mention award for the best graduate poster in French, Hispanic and Italian Studies.<\/li>\n<li>2017 W. Student Aid Bursary for Graduate Students<\/li>\n<li>2017 W. Audrey B Millar Memorial Bursary<\/li>\n<li>2017 W. Faculty of Arts Graduate Award<\/li>\n<li>2016 W. Faculty of Arts Graduate Award<\/li>\n<li>2016 S. Graduate Student Travel Award<\/li>\n<li>2015 W. Faculty of Arts Graduate Award<\/li>\n<li>2014 W. Faculty of Arts Graduate Award<\/li>\n<\/ul>\n<p><u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/p>\n<h2><i>Publications<\/i><\/h2>\n<p><strong>Referred Contributions:<\/strong><\/p>\n<ul>\n<li>Moscoso, Marcos. \u201cCicatrices iron\u00edas y resilencia: voces femeninas en <em>Las Hijas del terror <\/em>despu\u00e9s del conflicto armado peruano\u201d Cuadernos Literarios, Peru, 2024: 118, 135. Print.<\/li>\n<li>Moscoso, Marcos. &#8220;El burdel de la Amazonia: cuerpos patol\u00f3gicos y sujetos deudores de justicia.&#8221; Revista Universidad Ricardo Palma, Per\u00fa, 2024. Print.<\/li>\n<li>Moscoso, Marcos. &#8220;Rostros Afectivos como Paisajes en las Pel\u00edculas Peruanas Rosa Chumbe y Magallanes.&#8221; Cuadernos del CILHA, Argentina, 2023. Print.<\/li>\n<li>Moscoso, Marcos. &#8220;El Autor No Ha Muerto.&#8221; Cuadernos Literarios, Peru, 2016: 215, 217. Print.<\/li>\n<li>Moscoso, Marcos. &#8220;Un Corrido Silencioso.&#8221; Cuadernos Literarios, Peru, 2009: 209, 213.<\/li>\n<\/ul>\n<p><strong>Book Chapter:<\/strong><\/p>\n<ul>\n<li>Moscoso Garay, Marcos. &#8220;Close-ups of Political Violence: Peruvian Female Visage as Affective Landscapes in Magallanes (2015).&#8221; In Edited Collection, Lexington Books.<\/li>\n<\/ul>\n<p><strong>Creative outputs:<\/strong><\/p>\n<ul>\n<li>Moscoso, Marcos. \u201cLas mujeres del barbecho\u201d Revista Luvo. December 2024. Online: https:\/\/drive.google.com\/file\/d\/1Xtr3FxCof_4whfU-lVoKGldQ_HV_7mTB\/view<\/li>\n<li>Moscoso, Marcos. \u201cV Poems together\u201d <em>Mnemosine<\/em> 15 December. 2008: 11. Print.<\/li>\n<\/ul>\n<p><strong>Non-referred contributions:<\/strong><\/p>\n<ul>\n<li>Moscoso, Marcos. \u201cInterview with Evelinne Rheault (A Female Artist Qu\u00e9bec)\u201d <em>Mnemosine<\/em> 2 Apr. 2009: 6,7. Print.<\/li>\n<li>Moscoso, Marcos. \u201cInterview with Jean-Pierre Pelletier (Poet Montreal)\u201d <em>Mnemosine<\/em> 5 Apr. 2010: 8,9.<\/li>\n<\/ul>\n<p><u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/u><\/p>\n<h2><em><strong>Forthcoming contributions<\/strong><\/em><\/h2>\n<p><strong>Books<\/strong><\/p>\n<ul>\n<li>Moscoso Garay, Marcos\u00a0(2022)\u201cMachines and Automatons: Portraits of Amazon Women and Their Relationship with Nature in the literature of the Rubber Extraction Boom (1879 \u2013 1914).<\/li>\n<li>Moscoso Garay, Marcos \u201cMontreal: collection of poems\u201d.<\/li>\n<li>Moscoso Garay, Marcos. <em>Peruvian Poet<\/em>: Novel.<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><strong>Articles<\/strong><\/p>\n<ul>\n<li>Moscoso Garay, Marcos. \u201c<em>Cartograf\u00eda y ficciones del cuerpo femenino: <\/em><em>un recorrido hist\u00f3rico filos\u00f3fico\u201d<\/em> (essay to be submitted).<\/li>\n<\/ul>\n<p><strong><em>Names and contact information of referees<\/em><\/strong><\/p>\n<ol>\n<li>Kim Beauchesne. Associate professor of Hispanic Studies. <a href=\"mailto:Kim.beauchesne@ubc.ca\">beauchesne@ubc.ca<\/a><\/li>\n<li>Brianne Orr-\u00c1lvarez. Spanish Coordinator. <a href=\"mailto:Brianne.orr@ubc.ca\">orr@ubc.ca<\/a><\/li>\n<li>Enrique Manch\u00f3n. Retired Spanish Coordinator. \u00a0<a href=\"mailto:enrique.manchon@ubc.ca\">manchon@ubc.ca<\/a><\/li>\n<\/ol>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">Marcos Moscoso-Garay Address: 314-255 West first street Vancouver, V7M 3G8, BC, Canada E-mail: marcos.moscoso@ubc.ca Marcosmoscoso3@gmail.com https:\/\/blogs.ubc.ca\/information\/ https:\/\/inomoxocardenal.blogspot.ca Cellular\u00a0: 604 446&#8230;<\/p>\n","protected":false},"author":26719,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/users\/26719"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":10,"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":103,"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/pages\/28\/revisions\/103"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/information\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}