Primary Texts: Tolkien’s Ainulindalë, Valaquenta and the Quenta Silmarillion 1-4 in The Silmarillion; selections from the Bible (New Revised Standard Version), Milton’s Paradise Lost and Ovid’s Metamorphosis; selections from C. S. Lewis’s Chronicles of Narnia (not included, see Jadis in The Magician’s Nephew and The Lion, the Witch and the Wardrobe)
Secondary Texts: Victor Nagy, “The Silmarillion: Tolkien’s Theory of Myth, Text, and Culture,” in A Companion to J. R. R. Tolkien, and Jane Chance, “The Creator of the Silmarils: Tolkien’s ‘Book of Lost Tales’” Tolkien’s Art: A Mythology for England and Matthew Dickerson, “Varda, Yavanna, and the Value of Creation,” Ents, Elves, and Eriador: The Environmental Vision of J. R. R. Tolkien
Discussion Leaders: Andrew (A. J.) Reimer, John Wragg
Discussion Questions:
- What textual evidence is there that Eä is meant to be our world set in a mythic time? Explain your thoughts on the cosmology and cosmogony of Middle Earth.
- In the Silmarillion, Paradise Lost, The Magician’s Nephew, and the Biblical book of Genesis, worlds are built by a creator God; how do these differ or compare in terms of mode of construction?
- Matthew Dickerson underlines in Ents, Elves, and Eriador (8), that Tolkien makes Telperion, and Laurelin quite “prominent in the history and mythology of Middle-earth.” Why do trees often play important roles in creation mythologies? What device do they serve for Tolkien?
Dickerson also points out that there is a prolific number of names for each and every person, location and object: Why is it significant that this occurs, and what does this tell us about Tolkien’s world?
- Why is it that Aulë did not succumb to his pride after going against the intentions of Ilúvatar by creating his own people, while Melkor falls to his hubris after seeking to create things of his own? Is Melkor Satan?
- How might the Ainur (specifically the fifteen Valar) parallel divinities from other creation myths, including but not limited to: Milton’s assorted angels and Stygian Council, the Greek Pantheon, or Norse gods.
For those of you more familiar with Tolkien’s cosmology and Lewis’s Chronicles of Narnia, who is Tom Bombadil in the hierarchy of Tolkien’s Eä legendarium? What parallels do you see between Tolkien’s Melkor, Lewis’s Jadis, and Milton’s Satan?