Categories
Literature Review

LR 11: Whatever Happened to the Jock, the Brain, and the Princess?

Barber, B., Eccles, J., & Stone, M. (2001). Whatever Happened to the Jock, the Brain, and the Princess? Young Adult Pathways Linked to Adolescent Activity Involvement and Social Identity. Journal of Adolescent Research, 16(5), 429-455. Retrieved November 19, 2015, from SageJournals.

Keywords: 

identity, crowds, activity, participation, adolescent

Abstract:

This study states that participation at grade 10 high school activities predict later substance use, psychological adjustment, and educational and occupational outcomes. Prosocial activity participation predicts lower substance use and higher self-esteem and an increased likelihood of college graduation. Performing arts participation predicts more years of education as well as increases drinking between ages 18-21 and higher rates of suicide attempts and psychologist visits by age 24. Sports participation predicts positive educational and occupational outcomes and lower levels of social isolation but also higher rates of drinking.

Relevance:

Identity is formed through the activities one partakes in.

Quotes:

“Together, peer group membership and activity involvement are linked to identity exploration and to a sense of belonging to a particular type of peer group and having a particular activity-based persona.” (431)

“…adolescents choose crowds to a certain extent but that they also are to some extent assigned to crowds by peers in recognition of their behavioral choices and personalities (Brown, 1989, 1990). (450)

“…through both identity and participation in the activities associated with the crowd, adolescents may consolidate specific skills, attitudes, values, and social networks that have a far-ranging impact on the transition to adulthood.” (453)

Problems:

Does not discuss about those into visual arts, but instead the performing arts.

Categories
Literature Review

LR 7: Constructing Identities at the Intersections

Jones, S. (2009). Constructing Identities at the Intersections: An Autoethnographic Exploration of Multiple Dimensions of Identity. Journal of College Student Development, 50(3), 287-304. DOI:10.1353/csd.0.0070

Keywords: 

autoethnography, identity, intersectionality, privilege, oppression

Abstract:

This article investigates identity development through the lenses of race, gender, class, sexual orientation, religion, ethnicity, culture, and family background, using the autoethnographic research method. The argument of using this method is to display the multiple layers of consciousness, connecting the personal to the cultural, through evocative stories. The aim of this article is to find the intersectionality, a term rooted in feminist theory, between identity negotiation and perception management. Jones argues that self-authorship is not enough to define identity, when we are also externally defined by the external context from which we draw from to define ourselves. The process included reading, rereading the individual narratives, and writing responses to these narratives to illuminate the particularities and commonalities across individual perceptions of multiple and intersecting identities and to arrive at a collective interpretation. Through the autoethnographic method, Jones argues that intersectionality of identity was researched and presented in a more genuine voice navigating both oppression and privilege.

Relevance:

Complex formation of identity, layers that one must navigate to see somebody’s true identity

Different way of exploring identity based on perceivable difference and oppression

Quotes:

“Intersectionality provides a a heuristic for exploring the relationships between identity categories and individual differences and larger social systems of inequality and thus illuminates the complexities of the lived experience.” 

“Bringing together intersectionality, which necessarily situates identity within larger structures of power and privilege, with self-authorship and its emphasis on holistic development, provides a new theoretical lens to explore developmental understandings of the multiple dimensions of identity.” (289)

“The goal of these conversations was to illuminate the particularities and commonalities across individual perceptions of multiple and intersecting identities and to arrive at a collective interpretation.” (291)

“We found it easier to name our oppressed/marginalized identities, but it also became clear that self-definitions cannot really be considered outside structures of power and privilege and the dynamic interplay between dominant and oppressed identities.” (296)

“Far from fixed and stable, the process of identity construction was consistently described in both contested and fluid terms as the dynamic interplay of managing the perceptions of others and negotiating one’s own sense of self.” (298)

“Individuals from more privileged identities (e.g., White) are able to more closely connect to the internal process of negotiating their social identities and sense of self, whereas participants of colour were expressing the need to manage the perceptions of others–presumably because of how they are treated by others and the realities of the external contexts they must negotiate.” (299)

Categories
Literature Review

LR 3: Expressing Identity

Collins, F., & Ogier, S. (2012). Expressing Identity: The Role of Dialogue in teaching Citizenship Through Art. Education 3-13, 41(6), 617-632. DOI:10.1030/03004279

Keywords: 

Identity, safe classroom, dialogue, citizenship

Abstract:

This article focuses on a Comenius funded project, Images and Identity (2008-2010), in which six European Union countries explored the cross-curricular links between Citizenship and Art Education with both primary and secondary age pupils Most of the participants are bicultural, enhancing a deeper sense of community as the children uncovered surprising commonalities between each other. Exploratory talk allowed participants to take risks, share ideas, and move into new avenues of thinking. The role of talk and collaboration, facilitated by a safe classroom environment, is evident in fostering identity. As Zander argues, when working on an artistic production, a creative community is established whereby pupils develop a shared meaning through dialogue, which in turn becomes an inherent part of the understanding of their own creative output.

Relevance:

Importance of identity: understanding of oneself and relationships, community

How identity can be explored in the classroom: safe environment, dialogue, art making

Quotes:

Hicks argues, the confidence that children acquire through working collaboratively with their peers and their teacher develops a positive self-esteem, amongst other interpersonal skills, as the children feel able to identify their ideas and to voice their own opinions. These skills can be seen as essential in developing a sense of oneself in society. (619-20)

This [assumption making exercise] supplied a very good starting point for further exploration of stereotypical views and children’s later independent research in beginning to question their assumptions and knowledge about Europe. (622)

They were able to communicate their understanding from previous discussions, and their own developing awareness of themselves, within a wider community. (625)

Through this activity the children came to realise that they had multiple identities: an individual identity; a family identity; class/group identity; a school identity; a national identity and a EU identity. (629)

Artists Mentioned:

Gillian Wearing and Cindy Sherman

Problems:

Primary school case study.

Europe based but can easily be translated to Canadian culture.

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