{"id":6,"date":"2020-08-19T09:58:19","date_gmt":"2020-08-19T16:58:19","guid":{"rendered":"https:\/\/blogs.ubc.ca\/iranadel\/?page_id=6"},"modified":"2020-08-19T16:13:09","modified_gmt":"2020-08-19T23:13:09","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/iranadel\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<h2><a href=\"#articles\">Articles<\/a> | \u00a0<a href=\"#books\">Books<\/a><\/h2>\n<p><a name=\"articles\"><\/a><\/p>\n<h3>Articles (Selected)<\/h3>\n<ul>\n<li>\u201cOriental Bloomsbury,\u201d <em>Modernist Cultures<\/em>. Special Issue on Global Modernism. Forthcoming, 2018.<\/li>\n<li>\u201cMansfield, Movement and Dance,\u201d <em>Katherine Mansfield Annual<\/em>, ed. Gayla Diment, Gerri Kimber, et al. 89-106. Forthcoming, 2017.<\/li>\n<li>\u201cLaughter in Jerusalem: Eichmann, Brecht and Arendt,\u201d <em>Clio<\/em> 45.3 (2017).\u00a0 Forthcoming, 2017.<\/li>\n<li>\u201cBeckett, Proust and the Darkroom,\u201d <em>Journal of Modern Literature<\/em>, forthcoming.<\/li>\n<li>\u201cFather and Daughter, Leslie Stephen and Virginia Woolf,\u201d <em>Journal of English Language and Literature,<\/em> 62: 2 (June 2016): 177-94.<\/li>\n<li>\u00a0\u201cThe Ethics of Transformative Texts,\u201d <em>Foreign Literature Studies<\/em>, 38.4 (2016): 7-14. Wuhan University, China.<\/li>\n<li>\u00a0\u201cOriental Woolf,\u201d <em>Affirmations: of the Modern<\/em> (Australia). 4.1 (2016): 65-91. Special issue on transnational modernisms.<\/li>\n<li>\u00a0\u201c\u2018Count Me In,\u2019 Comedy in <em>Dracula<\/em>,\u201d <em>Victorian Literary Cultures, Studies in<\/em> <em>Textual Subversion<\/em>, ed. Kenneth Womack and James M. Decker. Madison, NJ: Fairleigh Dickinson Univ. Press, 2016, 129-152.<\/li>\n<li>\u00a0\u201cRoth @25: Publishing <em>Goodbye, Columbus<\/em>,\u201d <em>Roth After 80<\/em>, ed. David Gooblar and Aimee Pozorski. Lanham, MD: Lexington, Books, 2016. 19-27.<\/li>\n<li>\u00a0\u201cThe Bloomsbury Short Story,\u201d <em>Fudan Journal of the Humanities and Social Sciences. <\/em>10.1 (2016): 5-19<em>. <\/em>Fudan University, Shanghai, China.<\/li>\n<li>\u201cCopyright , Empire and The Politics of Print,\u201d <em>Topia <\/em>93 (2015): 29-51.<\/li>\n<li>\u201cWhite Rain: 9\/11 and American Fiction,\u201d <em>Canadian Review of American Studies<\/em>, 45.2 (2015): 125-48.<\/li>\n<li>\u201cApollinaire\/ Stein\/ Picasso,\u201d <em>Journal of English Language and Literature<\/em>, 61 (June 2015): 173-191.<\/li>\n<li>\u201c\u2018The Nature of Fun\u2019: The Late Essays of David Foster Wallace,\u201d <em>David Foster Wallace, Critical Insights<\/em>, ed. Philip Coleman. Amenia, NY: Grey House, 2015. 209-20.<\/li>\n<li>\u201cThe Fingerprint or The Photograph? The Fiction of Biographical Facts,\u201d <em>English Language and Literature <\/em>60.1 (2014) 59-76.<\/li>\n<li>\u201cEzra Pound and MI 5,\u201d <em>Paideuma<\/em> 40 (2013): 327-47.<\/li>\n<li>\u201cPhilip Roth and Film,\u201d <em>Roth and Celebrity<\/em>, ed. Aimee Pozorski. Lanham, Maryland: Lexington Books, 2012. 47-66.<\/li>\n<li>\u201cBoxing with Brecht: David Mamet and Bertolt Brecht,\u201d <em>Journal of Dramatic theory and Criticism, <\/em>XXVI (2011): 103-24.<\/li>\n<\/ul>\n<p><a name=\"books\"><\/a><\/p>\n<h3>BOOKS<\/h3>\n<h4>Authored<\/h4>\n<table border=\"0\" width=\"100%\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"20%\"><a name=\"bio\"><\/a><a href=\"https:\/\/www.penguin.com.au\/products\/9780734399533\/ezra-pound-s-cathay-penguin-specials\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-32 size-full\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_Cathay_EzraPoundsOrient.jpg\" alt=\"\" width=\"145\" height=\"241\" \/><\/a><\/td>\n<td width=\"80%\"><a name=\"cathay\"><\/a><em>Cathay: Ezra Pound&#8217;s Orient<\/em>. China: Penguin, 2015<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td width=\"20%\"><a name=\"bio\"><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-64\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_biography.jpg\" alt=\"Biography: Fiction, Fact &amp; Form\" width=\"140\" height=\"200\" \/><\/td>\n<td width=\"80%\"><a name=\"joyce1\"><\/a><em>Biography: Fiction, Fact &amp; Form<\/em>. London: Macmillan, 1984<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-68\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_joyce.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td><em>Joyce and the Jews, Culture and Texts.<\/em> London: Macmillan, 1989<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-45\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_cohenLifeAsArt.jpg\" alt=\"\" width=\"140\" height=\"229\" \/><\/td>\n<td><em>L<\/em><em>eonard Cohen, His Life as Art<\/em>. Downsview, ON: ECW Press, 1994.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-65\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_cohen.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td><em>Various Positions, A Life of Leonard Cohen<\/em>. Toronto: Random House, 1996; New York: Pantheon, 1996.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-70\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_stoppard.jpg\" alt=\"\" width=\"140\" height=\"197\" \/><\/td>\n<td><em>Double Act, A Life of Tom Stoppard<\/em>. London: Methuen, 2002; New York: St. Martin\u2019s, 2002.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-66\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ezra.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td><em>Ezra Pound, A Literary Life<\/em>. London: Palgrave, 2004.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-51\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_none.jpg\" alt=\"\" width=\"140\" height=\"182\" \/><\/td>\n<td><em>Joyce and His Publishers<\/em>. Dublin: National Library of Ireland, 2005.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-44\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_cambridge_ezra.jpg\" alt=\"\" width=\"140\" height=\"213\" \/><\/td>\n<td><em>The Cambridge Introduction to Ezra Pound<\/em>. Cambridge: Cambridge Univ. Press, 2007.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-46\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_DavidMamet_ALifeInTheatre.jpg\" alt=\"\" width=\"151\" height=\"234\" \/><\/td>\n<td><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-47\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_DavidMamet_ALifeInTheatre2_methuen.jpg\" alt=\"\" width=\"153\" height=\"236\" \/><br \/>\nDavid Mamet, A Life in the Theatre<\/em>. NY: Palgrave, 2008; UK: Methuen, 2008.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-41\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_Uris-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_Uris-200x300.jpg 200w, https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_Uris.jpg 575w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td><em>Leon Uris: Life of a Best Seller<\/em>. Texas: U of Texas Press, 2010.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-37\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_Roth.jpg\" alt=\"\" width=\"152\" height=\"197\" \/><\/td>\n<td><em>A Critical Companion to Philip Roth. <\/em>NY: Facts on File, 2011.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-36\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_ModernismSecondAct.jpg\" alt=\"\" width=\"140\" height=\"210\" \/><\/td>\n<td><em>Modernism&#8217;s Second Act, A Cultural Narrative<\/em>. New York: Palgrave, 2013.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>Co-authored<\/h4>\n<table border=\"0\" width=\"100%\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-52\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_style.jpg\" alt=\"\" width=\"147\" height=\"220\" \/><\/td>\n<td>With Joseph Williams. <em>Style, 10 Lessons in Clarity and Grace. <\/em>\u00a0Canadian EditionToronto: Longman, 2005.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-55\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ggate-300x224.jpg\" alt=\"\" width=\"139\" height=\"104\" srcset=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ggate-300x224.jpg 300w, https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ggate-620x463.jpg 620w, https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ggate.jpg 670w\" sizes=\"auto, (max-width: 139px) 100vw, 139px\" \/><\/td>\n<td>with Donald MacDonald. <em>Golden Gate Bridge, History and Design of an Icon<\/em>. San Francisco: Chronicle Books, 2008.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-33\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_alcatraz.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td>with Donald MacDonald. <em>Alcatraz: History and Design of a Landmark<\/em>. San Francisco: Chronicle Books, 2012.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-34\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_BayBridge.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td>with Donald MacDonald. <em>Bay Bridge:<\/em> <em>History and Design of a New Icon<\/em>. San Francisco: Chronicle Books, 2013.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><\/td>\n<td><em>Placemakers, Emperors, Kings, Entrepreneurs, A Short History of Real Estate Development<\/em>. With Herb Auerbach. Vancouver: Figure 1 Publishing, 2016.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>Edited (selected)<\/h4>\n<table border=\"0\" width=\"100%\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"20%\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-48\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_ezra_letters.jpg\" alt=\"\" width=\"131\" height=\"206\" \/><\/td>\n<td width=\"80%\">Pound, Ezra. <em>The Letters of Ezra Pound to Alice Corbin Henderson.<\/em> Austin: Univ. of Texas Press, 1993.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-54\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_wilkie1.jpg\" alt=\"\" width=\"140\" height=\"230\" \/><\/td>\n<td>Collins, Wilkie<em>. The Dead Secret. Oxford: Oxford World\u2019s Classics, 1993.<\/em><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-50\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_iolani2.jpg\" alt=\"\" width=\"140\" height=\"216\" \/><\/td>\n<td>Collins, Wilkie. <em>Iolani; or, Tahiti as it Was<\/em>. Princeton: Princeton Univ. Press, 1999.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-49\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_henry_adams.jpg\" alt=\"\" width=\"140\" height=\"224\" \/><\/td>\n<td>Adams, Henry. <em>The Education of Henry Adams.<\/em> Oxford: Oxford World\u2019s Classics, 1999.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-43 size-full\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_cambridge_ezra_companion.jpg\" alt=\"\" width=\"180\" height=\"271\" \/><\/td>\n<td><em>The Cambridge Companion to Ezra Pound<\/em>. Cambridge: Cambridge Univ, Press, 1999.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-67\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cov_ezra2.jpg\" alt=\"\" width=\"140\" height=\"200\" \/><\/td>\n<td>Pound, Ezra. <em>Early Writings, Poems and Prose. <\/em>\u00a0New York: Penguin, 2005.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-40\" src=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_EzraPoundInContext-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_EzraPoundInContext-197x300.jpg 197w, https:\/\/blogs.ubc.ca\/iranadel\/files\/2020\/08\/cover_EzraPoundInContext.jpg 328w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/td>\n<td><em>Ezra Pound in Context<\/em>. Cambridge: Cambridge UP, 2010.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Articles | \u00a0Books Articles (Selected) \u201cOriental Bloomsbury,\u201d Modernist Cultures. Special Issue on Global Modernism. Forthcoming, 2018. \u201cMansfield, Movement and Dance,\u201d Katherine Mansfield Annual, ed. Gayla Diment, Gerri Kimber, et al. 89-106. Forthcoming, 2017. \u201cLaughter in Jerusalem: Eichmann, Brecht and Arendt,\u201d Clio 45.3 (2017).\u00a0 Forthcoming, 2017. \u201cBeckett, Proust and the Darkroom,\u201d Journal of Modern Literature, forthcoming. [&hellip;]<\/p>\n","protected":false},"author":2643,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/users\/2643"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":16,"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":73,"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/pages\/6\/revisions\/73"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/iranadel\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}