The LMNH Vietnamese Dancers treat the Volunteer Connections workshop to a performance at the end of a busy day – photo by Christine Park

At Little Mountain Neighbourhood House I have been working with a group called Volunteer Connections since the start of my placement.  An ambitious, lively leadership group of mostly immigrant women, Volunteer Connections has most recently been making bird’s nest pendants out of wire for a fundraising project.  Each meeting has a chock-full schedule: an open listening circle to start off, discussions of marketing and profit for necklace sales, making the necklaces, and often the meeting ends with some musical performances by the talented members of the group.  Working with this incredibly vibrant and diverse group has been an excellent place to explore the concept of how community building occurs and creates a sense of unity between members of different cultures.  At Volunteer Connections, this is done through art and creative expression.

The members of Volunteer Connections come from all over the world: China, Vietnam, Latin America, Europe and North America.  With so many different cultural backgrounds working together, the main thing Volunteer Connections has done to become a cohesive group is to find some common ground.  According to one of the program facilitators, Jennifer, this has been done through art: “It’s a different language… I mean, we all speak how many different languages?  So many in this room!  But the language of art is something we have in common… it’s something we can do together, and we don’t always have to speak words but we can just be with each other and create.” (Jennifer Wesman, personal communication)  I’ve seen this principle in action when working with the Volunteer Connections group – some of the most tender and inspiring moments have been when members of the group have planned mini performances of art from their own cultures to share with the group.  For example, when one member and her father performed a traditional Argentinean song, very few people in the room could understand the Spanish lyrics.  But everyone was supportive, and the feelings of connection were clearly visible between the performers and the audience.

The social enterprise project, the bird’s nest pendants, is an artistic endeavour unto itself.  What is most remarkable about this particular choice of jewellery design is that it also acts as a very apparent and frequently referenced metaphor for the purpose of the group.  Frequently I hear the group discuss togetherness and how the Volunteer Connections group has been a place for them to be nurtured, much like a nest.  One of the participants told me that without groups like Volunteer Connections she would feel isolated and lonely in Canada, because she wouldn’t have limited opportunities to connect with others.  This sentiment recalls for me what Lauer and Yan point out in their article on Neighbourhood House programs: ““Involvement in associations… allows for the intermingling of people and the creation of ties that bridge social cleavages of class, gender, race, and ethnicity.” (2007: 12)  Because of the open structure LMNH has provided with a workshop like Volunteer Connections, participants are able to connect with each other across language and cultural barriers and bond over the experience of creating art together.

Citations

Lauer, S.R. and Yan, M.C.

2007    Neighbourhood Houses and Social Ties. Centre of Excellence for research on Immigration and Diversity: Working Paper Series.

Wesman, Jennifer

                2012       Personal Communication, at Little Mountain Neighbourhood House June 9

One of the Bird’s Nest necklaces I help make for Volunteer Connections – sometimes fieldwork feels as complicated as these little circles of twisted wire.

Before beginning my research I had a bit of a naive vision of what doing field work was like.  I expected conversation with participants to flow easily and naturally, and that whenever I wanted to I could just nonchalantly duck off to the side and jot down notes.  It’s not that easy.   Much of the time (and especially in the beginning) fieldwork is awkward.    There have been moments where I have felt put on the spot as the “researcher” and have struggled with exactly where I should fit in.

My first experience with one of the groups I work with, a leadership group called Volunteer Connections, was full of such moments.  Firstly, as Chiseri-Strater and Sunstein emphasize, doing your background research before directly interacting with people  is important (FieldWorking 2007: 221).  I wish I had done this more thoroughly, because as I learned quickly a newcomer always sticks out.  I had assumed Volunteer Connections only met to work on their projects, so I was surprised when everyone gathered around at the beginning for a talking circle. Many of the participants shared very personal stories about their lives, and the experience was quite emotional.  When it was my turn to share something with the group I felt I had been caught off-guard.  All of these people were strangers, but I now knew very personal things about many of them.  Was it impolite of me to not reciprocate with a story on an equally personal and intimate level?  But wasn’t it also inappropriate of me as a researcher to break this boundary so early on?  I chose a safe route and told a mundane anecdote, which was an appropriate choice considering that I was there as a newcomer.   However, this left me feeling a little unbalanced, like I was only receiving information but keeping myself distant from the group.  As we moved onto the crafting section of the workshop I found myself in more moments of discomfort as the group was silent a lot of the time while learning some new instructions on how to make our bird’s nest necklaces (pictured above).  I wasn’t sure how to naturally strike up conversation with the people sitting next to me without feeling like I was conducting a mini interview.  I wasn’t even entirely sure how to watch without feeling too much like I was “studying” them.  This is an ongoing struggle in ethnographic research – you’re a researcher asking about peoples’ lives.  It’s personal, yet distant at the same time.  The next time I volunteered in a program that I hadn’t been to before I made sure I was better prepared.  I read about the program beforehand and asked my supervisor questions to clarify the project.  Throughout the next workshop I felt more at ease, since there were not as many surprises and I was familiar with the purpose and structure of the group.

As Chiseri-Strater and Sunstein point out, “[w]hat’s important about researching place is to understand how we acquire our spatial gaze, how that gaze informs our look at others, and what’s behind the gaze of others who look back at us.” (2007: 198)  Doing hands-on ethnographic research is an enriching way to explore the perspectives of yourself and others, and learning about how others see the world is a complex and intricate process.  When one adds language and cultural differences, then mistakes and miscommunication are bound to happen.  What matters is being able to get past the uncomfortable feelings and use that moment as a learning experience, a chance to point out something to yourself that you didn’t know before.

References

Chiseri-Strater, Elizabeth & Bonnie Stone Sunstein

2007    FieldWorking: Reading and Writing Research. Boston: Bedford/St. Martins