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Deep Rivers

After reflecting on each chapter, I either felt a sense of loss or weight. I believe the author wanted the reader to not have an easy time reading the novel.

Ernesto observed his surroundings like a curious child. He saw things that one may perceive to be insignificant; however, in the end, they ended up being everything. For example, stones weren’t just stones, walls weren’t just walls, and rivers weren’t just rivers, but rather they were living things that have memories of their own. There were times where I almost didn’t know how to feel about this. But then again, I thought to myself, what a good way to portray how children see the world as long as they lack the verbal abilities and power to describe what they see. The world is alive with energy and larger than life.

I was surprised by the parts involving the pongo. Not in an entertaining way (that’s not the best way to explain it), but because they dragged on for so long. The treatment of the pongo is humiliating; the even more unsettling part is that no one is disturbed by the treatment of the pongo, they appear to be all in agreement with how the pongo is being treated. Also, it made me think that Ernesto is observing this action, but does not have the words to describe what’s going on. However, he knows something is wrong. This made sense to me because I know when something is wrong even if I can’t articulate why yet.

Cuzco felt overwhelming to me. Although it’s beautiful, it still feels a bit heavy. To me, the sound of Maria Angola’s bell wasn’t relaxing, but rather it sounded sad and judgmental, like it carries the weight of everyone’s suffering rather than bringing comfort. I wondered why there was so much emphasis on religion throughout the novel, and why religion does not seem to provide any relief to anyone.

At times, I hoped that Ernesto would be more proactive in expressing his thoughts. However, sometimes I thought this is not entirely fair considering he is a young boy who has been forced to move many times and is used to seeing adults abuse one another as if there’s nothing wrong with it. Silence may be the only thing he knows. Overall, this book wasn’t a sudden emotional hit, but rather more of a slow build-up of sadness that stayed as I continued to read. I noticed that the book is full of bells, churches, and religious imagery, but everyone is still suffering. One question I’d like to discuss is, What do you think religion is actually doing there? Is it helping people, controlling them, or just distracting them?

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Nada – Silence and Survival

At the beginning of the book, I was immediately hit by the environment and emotions of Andrea who was arriving in Barcelona with lots of hope. Soon after arriving the harsh atmosphere of the home created by her relatives became clear. The home was small, but was heavy with tension that I found myself finding it hard to feel comfortable (this was also true for some of the other characters’ experiences as well). 

What surprised me is how little “action” there is in the book, but there is still a powerful emotional experience, even though Laforet doesn’t put any major events in there at all. The emotional tension resides in the arguments, silence and awkward physical contact between family members and when there is so much conflict between family members, the apartment itself feels as if nobody can actually breathe. Throughout my reading, I kept thinking about the role of the environment in shaping people’s characters (especially for young people such as Andrea).

At times Andrea really frustrated me because she was very observant and passive. I would’ve liked to see her react but she would remain silent. As I kept reading, I realised this silence could be her strength in a home of cruelty and bitterness where she could have become lost in the chaos. Rather than being weak in her ability to endure the struggles, it is more of a quiet refusal to become like those around her.

Roman was an interesting character because I could not decide if he was someone who you would want to spend time with or not. He has a magnetic personality, but also has a mysterious quality about him and it made me question whether he was kind to others as a genuine expression of caring or if he was just exerting power and control over them each time he showed kindness to others. This is why I was uncomfortable every time he appeared.

By the time I finished reading Nada, I was left feeling empty and I wondered if that is what the author intended to convey. There are parts of the story that are not necessarily comforting. However, the honesty is what is comforting about the author’s message. It also got me thinking about the concepts of survival and whether just simply getting through something can count as growth.

A question I’d like us to discuss is whether or not you think Andrea’s silence is a strength or does her silence hinder her from knowing who she is as well as the world around her?

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