1964 Are You My Mother?

 

January 1964

Mother steps around my bed.

Pushes away the curtain.

Plugs in the humidifier.

My lungs are plugged with phlegm

and groaning.

So is Mother.

 

I am sick. Again.

Another cold in my chest.

 

Mother leans over my head.

Her lips touch my forehead.

Quick. Cold. Hard.

Like the man at the post office

who pounds the envelope

with his inked stamp.

 

Are you MY Mother?

 

March 1964 

Mother grips a pair of scissors.

Orders me to stand on the toilet.

Her long finger nails painted red

cut into my arm.

She snaps the scissors open and closed

across my brow.

 

I squeeze my eyelids together.

Hold my breath.

A nauseous sour smell

pushes against my face.

I scrunch my nose.

“Stand still!”

Her nails bite deeper into my arm.

 

The cold blade cuts a path

from ear to ear.

Shards of hair

prick my face.

I pray her hand stays steady

that her sour breath

is only unbrushed teeth.

 

Are you REALLY my Mother?

 

April 1964

I jump up.

Tug open the curtains.

The sun smiles inside my room.

Outside in Mother’s garden

Rows of flowers

wear yellow bonnets

and swing in the sunshine.

 

Little fairies wear pink skirts

and dance in the tree

like Ann’s tutu.

The wind blows.

One pink fairy lets go.

Jumps free.

Spins. Twirls round and round

to the ground.

 

********

It is Saturday.

Baton lessons

at the Dunbar Community Centre.

I hold a shiny medal stick

with hard rubber

like old chewing gum

stuck to each end.

 

Mother brushes my hair

into two pigtails.

Pulls my black leotard

with green fringe.

Hand sewn. Straight. Even.

Like grass strands around Mother’s garden.

Like my bangs.

 

Mother sees a lose hair. “Ouch!” I yelp.

Mother yanks

without warning.

 

Coats drop. Outside shoes scatter.

Stocking feet patter.

Mothers sit on benches.

My Mother stands.

Apart.

 

Girls wait

for music to begin.

I swing in circles

to make my fringe dance.

 

“March,” Mother says with her

meat grinder eyes.

Then turns and leaves

to buy groceries

across the street at Stongs.

 

I am smallest.

I am the caboose in a long line of girls

that march around the big room.

 

I pull my knees up high.

Swing my baton

forward and back.

I march two steps

then run to catch up.

Then march again.

 

I watch my feet

and the wooden floors

that are painted with squares

of sunshine.

Tiny specks dance in the air.

 

The music stops. Class is over.

Mother smiles like my Barbie doll

at the other ladies.

 

I jump into the back seat

of our Chevrolet Impala.

Mother turns around. “Bad girl.”

Mother wants to be a majorette.

I want to spin with the fairies.

 

May 1964

Without warning

a hurricane hits the house.

Thunders down the hallway.

 

I dive into my closet as

my bedroom door flies open.

“Wait till I get my hands on you.

You little bastard.”

 

I wriggle behind winter coats.

Tugs my knees against my chest.

Mother moves wildly.

Pulling open. Slamming shut drawers.

Throwing blankets aside.

Mother’s shoes stop.

My chest thumps.

 

This is not

like playing Hide n’ Seek

with Heidi.

Heidi’s mom whistles

Her words smile when she speaks

and makes us lunch.

 

I open my eyes.

Mother’s feet stare up at me.

 

“Wait till I get my hands on you.

You little bastard…”

Her arm reaches in and shoves

coats and dresses aside.

A well-worn leather strap

grazes my leg.

Swings by her side.

I press my spine against the back of the closet.

Hold my breath.

My bottom still burns fire

from Mother and Father yesterday.

 

The gap disappears. The clothes sag.

Shoes stomp away.

Door slams.

 

Bedroom walls groan. Shudder

under seismic stress.

 

My body shakes.

Shock waves ripple

long after danger

has passed.

 

The room grows dark.

Still I crouch behind coats.

Closet door still slightly ajar.

Afraid to move.

Legs jittering.

Breath held. Calming.

Eyes staring.

Thoughts melting.

Afraid to break

the silence.

To stir the air

with my step

or breath.

Uncertain if wild animals

still hunger

for flesh.

 

How could SHE

 

be

MY Mother?

 

June 1964 

Mother spends his money

to dress me

like a porcelain doll.

 

Father sees. Yells at Mother.

Mother yells.

At me.

“Do NOT cross the street.

Do NOT get dirty,”

Mother warns.

 

I stand in the front yard

on Mother’s grass.

Looking.

I watch a robin splash in the small puddle

in front of Mrs. Gow’s house.

I squint. I step onto the road

to see better.

My dress flutters.

My shoes tap.

They have never seen

sunshine.

 

It rained yesterday.

Today the puddle is full

of fresh water.

Sunlight jumps. Plays on top

tossing pieces of happiness my way.

 

The robin flaps her wings.

Sunshine leaps into the air. Sparkles.

 

I step closer.

To see better.

To dip my shoes in.

So I can make sunshine dance.

 

I copy the robin.

Making big splashes with my foot.

I wonder how big the joy

when I jump in with both shoes.

 

Sunlight bounces up.

Drenches me.

I smile. From head to toe.

 

But Mother does not.

She marches over.

Hauls me away

from the robin

the puddle

and all my sunshine.

 

August 1966

Mother watches wrestling. With Father.

Every Saturday.

Inside the house

Mother is angry.

Bulldog Brown

is winning.

 

Outside. The air is cool.

The grass soft on bare toes.

Sister and I swing.

Bare legs pump the air.

Toes touch the sky.

Wind tickles rosy cheeks.

 

Shoes stomp down stairs.

Across concrete. Grass flattens.

My swing halts.

Mother clamps her fingers

around my arm.

Drags me behind her.

 

Across the lawn.

Up the back stairs.

Through the kitchen.

Into the bathroom.

 

Television on loud. Wrestling over.

Mother becomes

Bulldog Brown.

 

No. She is not my Mother.

 

September 1966 

I step around the back corner

of the house.

Duck under

the overgrown laurel hedge

to see Mother standing

in the same spot

she occupies every summer night

at dusk. In her vegetable garden.

A narrow strip of soil

on the south side of the house

she reclaimed for herself.

 

I catch my request

in my throat.

Not wanting to interrupt

the stillness that surrounds her.

Mother is quiet. Peaceful.

Her thumb pressed over the hose nozzle

so water leaps out to her

“thirsty tomato and zucchini plants”.

I hear her talking. To her plants.

Her face is soft. Sad.

 

A mosquito buzzes.

Lands on my bare arm.

I swing. Slap it away.

 

Mother startles. Turns.

Her face washed with anger.

“What are doing back here?

Get inside right now!”

 

I wish

I was one

of her tomatoes.

October 1965 

I am playing. In my room.

Snipping scraps of fabric.

 

When Mother grabs me.

From behind.

By the scruff of the neck.

Drags me

from my bedroom.

Down the hallway. To the bathroom.

Mother holds tight.

She grips. Twists my hair

in her fist.

Hairs snap.

 

Mother stops

at the toilet bowl.

Lifts the lid.

Shoves

my head

inside the hollow.

 

Something foul hits

my face.

 

Mother hauls my head out.

Twists my head

her fist locked around my ponytail.

Pushes my face into gooey fabric.

The accident

I hid in the laundry pile.

 

How could she?

be my Mother?

********

Mother wears

A beehive wig

that sits on the back of the toilet

on a styrofoam head.

False teeth sit on the counter

by the cold water tap.

Every night they appear.

Every morning

they are gone.

 

Her nails are long

painted red. Perfect.

Her touch

is not.

Her lips are wide

painted red. Perfect.

Her words

are not.

 

I want Mother to hold me.

Touch me.

Talk to me. Kindly.

Mother yells, “Not home.”

Mother locks herself away

in her bedroom.

********

I walk down

to the basement.

Stairs groan.

In the laundry room

I stretch up on tip toes.

Swing arms to catch a string

that stirs awake the light bulb

on the ceiling.

Light spreads like sunshine

in winter. Cool. Dim.

Paints shadows on the walls.

Cobwebs decorate the window.

I shiver.

Dirty clothes piled high

on the floor.

Clean clothes piled high

on the freezer.

 

I stretch up on tip toes

to touch a button.

Dryer jolts awake.

Begins to hum.

I crawl inside the laundry basket.

Wrap towels around me. Over me.

I rest my head on hard metal.

The steady hum

soothes me. Comforts.

 

I am baby bird.

Big warm wings around me

hold me close.

 

I am safe. I am home.

Her steady hum

lulls me to sleep every time.

 

You

are my Mother.

 

As long as I keep

my eyes

closed.

 

********

1975

Mother sees me. Snorts.

“You did it on purpose.

Didn’t you? To get attention.”

Face turns to stone.

“Mother!” My ankle throbs

and hangs limply. Swollen.

Like a grapefruit.

 

Mother turns and walks away.

To her bedroom.

“Mother!” I cry

crawling after her.

 

Mother shuts the door.

Snaps the lock.

“Mother,” I moan

crumbling to the floor.

Sobbing.

“Mother. Please. Help me”.

 

Silence answers.

Tears at my heart

like barbed wire catching on skin.

Mother’s closed door

like nails hammering

into pleading outstretched palms.

********

Doctor says, “Torn ligaments.”

“What? I was walking.”

My ankle twisting sideways

on a loose stone.

 

I hobble out of the doctor’s office.

Move around on crutches.

Each week my ankle grows stronger.

Pain grows weaker. Torn flesh heals.

 

Each week my heart grows sadder.

Pain grows stronger. A wound

that weeps and weeps.

That won’t heal.

because I don’t have a Mother.

 

********

QUOTE:  Are You My Mother?, by P.D. Eastman

 

“He looked way, way up.  He saw a big plane.

‘Here I am , Mother,’ he called out.

 

But the plane did not stop.

The plane went on” (pp. 42-43).

 

********

July 2011

I watch

no one stop.

No one turn to see

the dirty man kneeling.

In Prague with head bowed

to ancient cobblestones

paper cup stretched out

waiting.

********

 

QUOTES: Are You My Mother ? by P.D. Eastman

 

“Out came the baby bird!

‘Where is my mother?’ he said” (p. 9).

 

“‘I have to find my mother!’ he said. ‘But where?

Where is she? Where could she be?’” (p. 27).

“Just then, the baby bird saw a big thing.

This must be his mother!

‘There she is!’ he said.

‘There is my mother!’” (p. 44).

 

“He ran right up to it.

‘Mother, Mother!  Here I am, Mother!’

he said to the big thing” (p. 46).

“But the big thing just said, ‘Snort.’

‘Oh, you are not my mother,’ said the baby bird.

‘You are a Snort. I have to get out of here!’” (p. 48).

 

“But the baby bird could not get away” (p. 50).

“‘Oh, oh, oh!  What is this Snort going to do

to me?  Get me out of here!’” (p. 52).

“‘Where am I?’ said the baby bird.

‘I want to go home!  I want my mother!’” (p. 57).

“The baby bird was home!” (p. 59).

 

“Just then the mother bird came back to the tree.

‘Do you know who I am?’ she said to her baby” (p. 60).

 

“‘You are not a boat, or a plane, or a Snort!’

‘You are a bird, and you are my mother’” (p. 62).

 

********

Rationale 

Are You My Mother? : A Young Girl’s Search for Identity

Baby bird’s search for his mother and his fright when he cannot find her is unforgettably etched in my memory. As a child, Eastman’s Are You My Mother? and her steel clawed Snort reminded me of my own mother’s long, sharp red nails that scratched and poked as they kept my hair in line or grabbed and hit in one of her volatile moments.

Unlike baby bird whose search culminates with a kind, safe, and enfolding mother figure, I was stuck with a mother who terrified me. I was baby bird screaming, “You are a Snort…Get me out of here!” (pp. 48, 52).

Baby bird’s search for a comforting and caring mother validated my own longing for a kind and nurturing maternal figure. Eastman’s picture book contrasts a loving and assessable mother bird with the machine, Snort, who is physically and emotionally unavailable. Visually and textually, baby bird’s response of fright to the cold machine reflected my pain; as a young child, I often felt terrified, alone, and abandoned by my mother.

Like baby bird, I searched, observing mothers everywhere I went. Throughout my childhood and early adulthood, until I became a mother to my own children and rewrote the old scripts, I shifted and widened my search to include women who possessed qualities that I could embody, who facilitated hope and healing, and whose kindness served as a healing salve for the raw deserted space in my heart that only a mother’s love can fill and heal. I found many ‘mother birds’ growing up including my girlfriend’s Danish mother whose sweet humming and words washed over me, hydrating like drops of warm water.

Using my imagination alongside Eastman’s text, helped me navigate times of loneliness and survive. A laundry wicker basket and a humming dryer represented the only source of nurturing maternal love, made real and tangible as I re-enacted the image of and my emotional connection to baby bird safely snuggled inside a cozy nest beside his comforting mother bird.

I wrapped warm sheets around my body pulling them tight around my chest as if they were wings. Closing my eyes and sinking into the laundry wicker basket while resting my head on the metal dryer as it hummed away steadily assured me that all was well, that I was not alone, and that someone loved me.

Over the years, I ached for the comforting embrace that baby bird receives when his mother returns to the nest. I attempted to penetrate my mother’s harsh exterior in hopes of extracting a similar warmth, love, and reassurance. I never succeeded. My mother remained a Snort till her dying breath.

********

 

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