In July of 2018, I travelled with my choir on a tour to South Africa and Namibia. This was a trip where borders played a significant role. A major journey we embarked on included driving about 17 hours from Cape Town, South Africa, to Swakopmund, Namibia. Below is a photo of the river that separates the two countries, and that we passed over just before arriving at the Namibian border. Our assistant conductor had a passport from the Philippines and one of our singers had a passport from Trinidad and Tobago. Both individuals were told that they would not need VISA’s to cross this border. Our team spoke with the border staff, and after hours of waiting, they were denied entry and we heartbreakingly left behind at the border. The waiting experience felt powerless, confusing, sometimes hopeful (as rumours of good news spread around our group from those directly involved in communication with the authorities), and in the end, left us all in low spirits. What I learnt about borders from this experience is that they can be bureaucratic, although sometimes unpredictable and arbitrary.
November 30, 2020
October 1, 2020 “Knowing the Border from Experience”
kate pasula
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Posts by kate pasula
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December 3, 2020. Reimagining the Cultural Figure of the Refugee- What I Have Learnt.
December 8, 2020
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December 1, 2020. “The Refugee Repertoire”
December 8, 2020
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November 5, 2020. Sea Prayer by Khlaed Hosseini- the immersive 360-degree experience.
December 8, 2020
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October 29, 2020. “Chauka, Please Tell Us the Time”
December 8, 2020
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October 13, 2020 The Best We Could Do by Thi Bui- Reframing the cultural figure of the refugee.
December 2, 2020