{"id":15,"date":"2026-02-01T20:26:01","date_gmt":"2026-02-02T03:26:01","guid":{"rendered":"https:\/\/blogs.ubc.ca\/keshiablogs\/?p=15"},"modified":"2026-02-01T20:26:01","modified_gmt":"2026-02-02T03:26:01","slug":"this-house-has-mold-memories-and-malice","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/keshiablogs\/2026\/02\/01\/this-house-has-mold-memories-and-malice\/","title":{"rendered":"This House Has Mold, Memories, and Malice"},"content":{"rendered":"<p data-start=\"72\" data-end=\"552\">Reading Nada felt less like reading a novel and more like being dropped into someone else\u2019s extremely tense family group chat, except it\u2019s set in postwar Barcelona and everyone is emotionally unwell in a deeply artistic way. What got me wasn\u2019t the plot (which I\u2019ll spare you), but the feeling of the book: that constant sense that the walls are closing in, that the air is stale, and that Andrea is just trying to exist without being spiritually jump-scared every five minutes.<\/p>\n<p data-start=\"554\" data-end=\"1089\">Andrea\u2019s voice is what really carries the novel for me. She\u2019s observant, sensitive, and quietly funny in a way that feels unintentional, like when you laugh just to cope. One line that stuck with me describes the apartment as feeling like \u201ca conspiracy of the entire universe to frustrate Andrea and keep her, and almost everyone around her, from being happy.\u201d That line honestly felt personal. Laforet captures something so specific about being young and hopeful in a place that is aggressively committed to crushing both those things.<\/p>\n<p data-start=\"1091\" data-end=\"1634\">What I loved most is how Nada refuses to give us a clean moral framework. No one is fully good, no one is fully evil, and everyone is shaped by scarcity, of food, of love, of freedom. The adults cling to control because it\u2019s the only power they have left, while Andrea quietly absorbs everything, trying not to disappear. At one point, she admits that \u201cwhat is unspoken is more important than what is said,\u201d and that pretty much sums up the whole novel. The silence, the pauses, the things characters don\u2019t say end up screaming the loudest.<\/p>\n<p data-start=\"1636\" data-end=\"1946\">Also, can we talk about how the apartment itself feels like a haunted character? Between the darkness, the clutter, and the constant tension, it\u2019s giving emotional horror movie. Not ghosts, just unresolved trauma and too many opinions. Honestly, if bad vibes were a location, this house would be on Google Maps.<\/p>\n<p data-start=\"1948\" data-end=\"2249\">But despite all of this, or maybe because of it, Nada doesn\u2019t feel hopeless. Andrea\u2019s survival isn\u2019t loud or dramatic. It\u2019s subtle. She endures. She observes. She doesn\u2019t let the chaos fully rewrite who she is. That quiet resistance felt more powerful to me than any big, triumphant ending ever could.<\/p>\n<p data-start=\"1948\" data-end=\"2249\">Discussion question: Do you think Andrea\u2019s refusal to fully engage with the dysfunction around her is a form of strength, or is it a kind of emotional withdrawal?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading Nada felt less like reading a novel and more like being dropped into someone else\u2019s extremely tense family group chat, except it\u2019s set in postwar Barcelona and everyone is emotionally unwell in a deeply artistic way. What got me wasn\u2019t the plot (which I\u2019ll spare you), but the feeling of the book: that constant [&hellip;]<\/p>\n","protected":false},"author":107537,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10,9,11],"class_list":["post-15","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-laforet","tag-nada","tag-war"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/posts\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/users\/107537"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/posts\/15\/revisions"}],"predecessor-version":[{"id":16,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/posts\/15\/revisions\/16"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/media?parent=15"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/categories?post=15"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/keshiablogs\/wp-json\/wp\/v2\/tags?post=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}