Faces in the Crowd

“Faces in the Crowd” by Valeria Luiselli was definitely not an ordinary novel. Its complex style of writing made it very hard to find meaning through the novel, which made me kind of sad because this is the last reading and I was expecting a lot from it. Luiselli deftly weaves a fragmented and profound narrative, exploring themes of identity and time. There is no doubt that we all encountered a dizzy array of stories within stories, where past and present and facts and fiction blurred as we navigated through the pages of this novel.

Although the novel has multiple narratives, it primarily focuses on a woman who is writing a novel whilst researching a Mexican poet named Gilberto Owen. She soon starts unhealthily obsessing over the life of the poet. The novel soon fluidly shifts with the introduction of Owen, where his narrative runs parallel to the woman’s own, creating a dual perspective that progressively switches between paragraphs, with stars (⭐) separating them. This chaotic style of narration made it difficult for me to follow the plot, and I had to flip back and forth between the reading to understand the novel’s perspectives.

I saw the woman’s obsession with Gilberto Owen as a coping mechanism that allowed her to reconcile the disparate parts of her identity. Living in the present, which feels increasingly disconnected from her vibrant past as a young woman in New York to the mature, grounded woman with familial responsibilities in Mexico constrained by the roles of a stereotypical woman in a patriarchal society, I feel she turns to Owen as a means of escape and connection. I feel Owen’s story became a vessel for her own unvoiced desires and frustrations, for she finds comfort in the parallels between both their struggles in recognition of their writing. This obsession serves as a way to cope with the invisibility she feels in her own life. It allows her to assert her identity in the face of societal expectations, using her connection with Owen to navigate the complexities of her own existence, and she is able (or rather feels that she is able) to establish her place in the world.

To conclude, the book embraces its own intricacy, turning uncertainty into an asset for exploration rather than a barrier. It invites us readers to accept the disorientation, make sense of the fragmented narrative, and view the world through the spectral reflections of its characters. Under Luiselli’s direction, the book develops into an in-depth reflection on the nature of humanity, a kaleidoscope of lives that converge and diverge in the tangled spaces of memory and imagination.

Question: What do you think obsessing over the poet symbolized?

The Labyrinth of Memory: A reflection on Proust’s “Combray”

Marcel Proust’s “Combray,” the first part of his exceptional work “In Search of Lost Time,” is a testament to a unique stream of consciousness that takes us through different passages of time and a complex web of memory. The immaculate writing style and narrative of the author invite the readers on a journey through the protagonist’s childhood memories.

I personally regard Marcel Proust’s “Combray” as quite complex and intimidating. I really struggled to get through the first few pages of the novel because his style of writing felt quite descriptive and nuanced, making me go back and forth throughout the text. However, Proust grabbed my attention with how he conveyed the depth and complexities of human memories and insights, making “Combray” an interesting yet challenging read.

The theme of memory and childhood is one of the central themes of Proust’s exploration of time and identity. As the plot jumps back and forth between the past and the present, facts and memories become hazy, making it challenging for us to comprehend the reality of the story at hand.

Our childhood is one of the most crucial parts of our upbringing, shaping our personality, behavior, relationships with others, and much more. The detailed narration about the protagonist’s presence in his parental home in “Combray” creates his most impressionable memory. His bedroom as the setting of the story shapes how fixated he is on his childhood and is perplexed by the external world. His revisiting of his memories with his family, especially his mother and father, gives us a sense of belonging and yearning for them. The most profound emotional experience of his childhood was the moment when his mother used to give him goodnight kisses. The habitual action by his mother now makes it uneasy for him to fall asleep because she is no more. The narrator also talks about how hard it was for him to fall asleep when he was younger. I believe this is something he still struggles with because, when he is about to fall asleep or dream, his childhood memories seem to trigger him, reminding him of his early years.

Ultimately, “Combray” is an exploration of the nature of time and the role of memory in shaping our personalities and everyday habits. Proust, through his writing, depicts how important it is to reconnect with our past and understand how it impacts our present selves.

Question: Do you think today’s novels have a different style of writing, narration, or literature in general as compared to that of Proust?

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