{"id":6,"date":"2009-01-08T16:49:53","date_gmt":"2009-01-09T00:49:53","guid":{"rendered":"https:\/\/blogs.ubc.ca\/last201\/?page_id=6"},"modified":"2017-01-10T12:26:56","modified_gmt":"2017-01-10T20:26:56","slug":"readings","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/last201\/readings\/","title":{"rendered":"Readings"},"content":{"rendered":"<p><em>what is culture?<\/em><\/p>\n<p>Williams, Raymond.\u00a0 \u201cCulture is Ordinary.\u201d\u00a0 <em>The Raymond Williams Reader<\/em>.\u00a0 Ed. John Higgins.\u00a0 Oxford: Blackwell, 2001.\u00a0 10-24.<br \/>\nKeesing, Roger.\u00a0 \u201cTheories of Culture Revisited.\u201d\u00a0 <em>Assessing Cultural Anthropology<\/em>.\u00a0 Ed. Robert Borofsky.\u00a0 New York: McGraw-Hill, 1994.\u00a0 301-312.<\/p>\n<p><em>what is the people?<\/em><\/p>\n<p>Per\u00f3n, Evita.\u00a0 <em>In My Own Words<\/em>. Trans. Laura Dail.\u00a0 New York: New Press, 1996.\u00a0 47-114.<br \/>\nBorges, Jorge Luis.\u00a0 \u201cA Celebration of the Monster.\u201d\u00a0 Trans. Alfred J. McAdam, Suzanne Jill Levine, and Emir Rodriguez Monegal.\u00a0 <em>Borges, a Reader: A Selection from the Writings of Jorge Luis Borges<\/em>.\u00a0 Ed. Emir Rodriguez Monegal and Alastair Reid.\u00a0 New York: Dutton, 1981.\u00a0 202-210.<\/p>\n<p><em>what is popular culture in Latin America?<\/em><\/p>\n<p>Rowe, William, and Vivian Schelling.\u00a0 \u201cThe Faces of Popular Culture.\u201d\u00a0 <em>Memory and Modernity: Popular Culture in Latin America<\/em>.\u00a0 London: Verso, 1991.\u00a0 49-150.<\/p>\n<p><em>popular culture as folk culture<\/em><\/p>\n<p>Asturias, Miguel Angel.\u00a0 \u201cLegend of the Singing Tablets,\u201d \u201cLegend of the Crystal Mask,\u201d \u201cLegend of the Silent Bell,\u201d and \u201cLegend of the Dancing Butchers.\u201d\u00a0 <em>The Mirror of Lida Sal: Tales Based on Mayan Myths and Guatemalan Legends<\/em>.\u00a0 Trans. Gilbert Alter-Gilbert.\u00a0 Pittsburgh, PA: Latin American Literary Review Press, 1997.\u00a0 81-126.<br \/>\nArguedas, Jos\u00e9 Mar\u00eda.\u00a0 \u201cThe Pongo\u2019s Dream.\u201d\u00a0 <em>The Peru Reader<\/em>.\u00a0 Ed. Orin Starn, Carlos Iv\u00e1n Degregori, and Robin Kirk.\u00a0 Durham, NC: Duke University Press, 1995.\u00a0 258-263.<\/p>\n<p><em>theories of mixture I: mestizaje<\/em><\/p>\n<p>Vasconcelos, Jos\u00e9.\u00a0 <em>The Cosmic Race<\/em>.\u00a0 Trans. Didier T. Ja\u00e9n.\u00a0 Baltimore, MD: The Johns Hopkins University Press, 1997.\u00a0 1-40.<br \/>\nWade, Peter.\u00a0 \u201cRethinking Mestizaje: Ideology and Lived Experience.\u201d\u00a0 <em>Journal of Latin American Studies<\/em> 37 (2005): 239-257.<\/p>\n<p><em>folk culture and modernity<\/em><\/p>\n<p>Campbell, Bruce.\u00a0 <em>Mexican Murals in Times of Crisis<\/em>.\u00a0 Tucson: University of Arizona Press, 2003.\u00a0 3-72.<br \/>\nTaussig, Michael.\u00a0 \u201cThe Spirit Queen\u2019s Court.\u201d\u00a0 <em>The Magic of the State<\/em>.\u00a0 New York: Routledge, 1997.\u00a0 1-86.<\/p>\n<p><em>theories of mixture II: transculturation<\/em><\/p>\n<p>Ortiz, Fernando.\u00a0 \u201cOn the Social Phenomenon of \u2018Transculturation\u2019 and its Importance in Cuba.\u201d\u00a0 <em>Cuban Counterpoint: Tobacco and Sugar<\/em>.\u00a0 Trans. Harriet de On\u00eds.\u00a0 Durham, NC: Duke University Press, 1995.\u00a0 97-103.<br \/>\nCornejo Polar, Antonio.\u00a0 \u201cIndigenismo and Heterogenous Literatures: Their Double Sociocultural Statute\u201d and \u201cMestizaje, Transculturation, Heterogeneity.\u201d\u00a0 <em>The Latin American Cultural Studies Reader<\/em>.\u00a0 Ed. Ana del Sarto, Alicia R\u00edos, and Abril Trigo.\u00a0 Durham, NC: Duke University Press, 2004.\u00a0 100-119.<br \/>\nMillington, Mark.\u00a0 \u201cTransculturation: Contrapuntal Notes to Critical Orthodoxy.\u201d\u00a0 <em>Bulletin of Latin American Research<\/em> 26.2 (2007): 256\u2013268.<\/p>\n<p><em>popular culture as mass culture<\/em><\/p>\n<p>Bellos, Alex.\u00a0 <em>Futebol: The Brazilian Way of Life<\/em>.\u00a0 London: Bloomsbury, 2003.\u00a0 43-145.<br \/>\nHippolyte Ortega, Nelson.\u00a0 \u201cBig Snakes on the Street and Never Ending Stories: The Case of Venezuelan Telenovelas.\u201d\u00a0 <em>Imagination Beyond Nation: Latin American Popular Culture<\/em>.\u00a0 Ed. Eva P. Bueno and Terry Caesar.\u00a0 Pittsburgh: University of Pittsburgh Press, 1998.\u00a0 64-80.<\/p>\n<p><em>theories of mixture III: hybridity<\/em><\/p>\n<p>Garc\u00eda Canclini, N\u00e9stor.\u00a0 <em>Hybrid Cultures: Strategies for Entering and Leaving Modernity<\/em>.\u00a0 Trans. Christopher L. Chiappari and Silvia L. L\u00f3pez.\u00a0 Minneapolis: University of Minnesota Press, 1995.\u00a0 145-263.<\/p>\n<p><em>the end of popular culture?<\/em><\/p>\n<p>G\u00f3mez-Pe\u00f1a, Guillermo.\u00a0 \u201cIn Search of a New Topography.\u201d\u00a0 <em>Dangerous Border Crossers: The Artist Talks Back<\/em>.\u00a0 London: Routledge, 2000.\u00a0 221-227.<br \/>\nBeltr\u00e1n, Mary C.\u00a0 \u201cThe Hollywood Latina Body as Site of Social Struggle: Media Constructions of Stardom and Jennifer Lopez&#8217;s \u2018Cross-Over Butt.\u2019\u201d\u00a0 <em>Quarterly Review of Film and Video<\/em> 19.1 (2002): 71-86.<br \/>\nVel\u00e1zquez, Patria Rom\u00e1n. \u201cThe Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity.\u201d\u00a0 <em>Popular Music<\/em> 18.1 (January 1999): 115-131.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>what is culture? Williams, Raymond.\u00a0 \u201cCulture is Ordinary.\u201d\u00a0 The Raymond Williams Reader.\u00a0 Ed. John Higgins.\u00a0 Oxford: Blackwell, 2001.\u00a0 10-24. Keesing, Roger.\u00a0 \u201cTheories of Culture Revisited.\u201d\u00a0 Assessing Cultural Anthropology.\u00a0 Ed. Robert Borofsky.\u00a0 New York: McGraw-Hill, 1994.\u00a0 301-312. what is the people? Per\u00f3n, Evita.\u00a0 In My Own Words. Trans. Laura Dail.\u00a0 New York: New Press, 1996.\u00a0 47-114. [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":1031,"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/pages\/6\/revisions\/1031"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/last201\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}