{"id":10,"date":"2017-01-09T18:02:10","date_gmt":"2017-01-10T01:02:10","guid":{"rendered":"https:\/\/blogs.ubc.ca\/last201spring2017\/?page_id=10"},"modified":"2017-03-30T12:16:23","modified_gmt":"2017-03-30T19:16:23","slug":"readings","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/last201spring2017\/readings\/","title":{"rendered":"Readings"},"content":{"rendered":"<p><em>what is culture?<\/em><\/p>\n<ul>\n<li>Williams, Raymond.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/williams_ordinary3.pdf\">\u201cCulture is Ordinary\u201d<\/a>.  <em>The Every Day Life Reader<\/em>.  Ed. Ben Highmore.  London: Routledge, 2002.  91-100.<\/li>\n<li>Keesing, Roger.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/keesing_theories-of-culture.pdf\">\u201cTheories of Culture Revisited\u201d<\/a>.  <em>Canberra Anthropology<\/em> 13.2 (1990): 46-60.<\/li>\n<\/ul>\n<p><em>what is the people?<\/em><\/p>\n<ul>\n<li>Per\u00f3n, Evita.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/peron_my-message.pdf\">\u201cMy Message&#8221;<\/a>. <em>In My Own Words<\/em>. Trans. Laura Dail.  New York: New Press, 1996.  47-92.<\/li>\n<li>Borges, Jorge Luis.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/borges_monster.pdf\">\u201cA Celebration of the Monster\u201d<\/a>  Trans. Alfred J. McAdam, Suzanne Jill Levine, and Emir Rodriguez Monegal.  <em>Borges, a Reader: A Selection from the Writings of Jorge Luis Borges<\/em>.  Ed. Emir Rodriguez Monegal and Alastair Reid.  New York: Dutton, 1981.  202-210.<\/li>\n<\/ul>\n<p><em>what is popular culture in Latin America?<\/em><\/p>\n<ul>\n<li>Rowe, William, and Vivian Schelling.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/rowe-schelling_chapter2.pdf\">\u201cThe Faces of Popular Culture\u201d<\/a>.  <em>Memory and Modernity: Popular Culture in Latin America<\/em>.  London: Verso, 1991.  49-150.<\/li>\n<\/ul>\n<p><em>popular culture as folk culture<\/em><\/p>\n<ul>\n<li>Asturias, Miguel Angel.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/asturias_legends.pdf\">\u201cLegend of the Singing Tablets,\u201d \u201cLegend of the Crystal Mask,\u201d \u201cLegend of the Silent Bell,\u201d and \u201cLegend of the Dancing Butchers\u201d<\/a>.  <em>The Mirror of Lida Sal: Tales Based on Mayan Myths and Guatemalan Legends<\/em>.  Trans. Gilbert Alter-Gilbert.  Pittsburgh, PA: Latin American Literary Review Press, 1997.  81-126.<\/li>\n<li>Arguedas, Jos\u00e9 Mar\u00eda.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/arguedas_pongo.pdf\">\u201cThe Pongo\u2019s Dream\u201d<\/a>.  <em>The Peru Reader<\/em>.  Ed. Orin Starn, Carlos Iv\u00e1n Degregori, and Robin Kirk.  Durham, NC: Duke University Press, 1995.  258-263.<\/li>\n<\/ul>\n<p><em>theories of mixture I: mestizaje<\/em><\/p>\n<ul>\n<li>Vasconcelos, Jos\u00e9.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/vasconcelos_cosmic-race.pdf\"><em>The Cosmic Race<\/em><\/a>.  Trans. Didier T. Ja\u00e9n.  Baltimore, MD: The Johns Hopkins University Press, 1997.  1-40.<\/li>\n<li>Wade, Peter.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/wade_mestizaje.pdf\">\u201cRethinking Mestizaje: Ideology and Lived Experience\u201d<\/a>.  <em>Journal of Latin American Studies<\/em> 37 (2005): 239-257.<\/li>\n<\/ul>\n<p><em>folk culture and modernity<\/em><\/p>\n<ul>\n<li>Campbell, Bruce. <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/campbell_mexican-murals2.pdf\">&#8220;Mexican Muralism and the Official Public Sphere&#8221;<\/a>.  <em>Mexican Murals in Times of Crisis<\/em>.  Tucson: University of Arizona Press, 2003.  29-72.<\/li>\n<li>Taussig, Michael.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/taussig_magic-of-the-state2.pdf\">\u201cThe Spirit Queen\u2019s Court\u201d<\/a>.  <em>The Magic of the State<\/em>.  New York: Routledge, 1997.  1-75.<\/li>\n<\/ul>\n<p><em>theories of mixture II: transculturation<\/em><\/p>\n<ul>\n<li>Ortiz, Fernando.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/ortiz_transculturation.pdf\">\u201cOn the Social Phenomenon of \u2018Transculturation\u2019 and its Importance in Cuba\u201d<\/a>.  <em>Cuban Counterpoint: Tobacco and Sugar<\/em>.  Trans. Harriet de On\u00eds.  Durham, NC: Duke University Press, 1995.  97-103.<\/li>\n<li>Millington, Mark.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/millington_transculturation.pdf\">\u201cTransculturation: Contrapuntal Notes to Critical Orthodoxy\u201d<\/a>.  <em>Bulletin of Latin American Research<\/em> 26.2 (2007): 256\u2013268.<\/li>\n<\/ul>\n<p><em>popular culture as mass culture<\/em><\/p>\n<ul>\n<li>Bellos, Alex.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/bellos_futebol.pdf\"><em>Futebol: The Brazilian Way of Life<\/em><\/a>.  London: Bloomsbury, 2003.  43-145.<\/li>\n<li>Hippolyte Ortega, Nelson.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/hippolyte-ortega_big-snakes.pdf\">\u201cBig Snakes on the Street and Never Ending Stories: The Case of Venezuelan Telenovelas\u201d<\/a>.  <em>Imagination Beyond Nation: Latin American Popular Culture<\/em>.  Ed. Eva P. Bueno and Terry Caesar.  Pittsburgh: University of Pittsburgh Press, 1998.  64-80.<\/li>\n<\/ul>\n<p><em>theories of mixture III: hybridity<\/em><\/p>\n<ul>\n<li>Garc\u00eda Canclini, N\u00e9stor.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/garcia-canclini_hybrid-cultures2.pdf\"><em>Hybrid Cultures: Strategies for Entering and Leaving Modernity<\/em><\/a>.  Trans. Christopher L. Chiappari and Silvia L. L\u00f3pez.  Minneapolis: University of Minnesota Press, 1995.  xxiii-xlvi, 206-263.<\/li>\n<\/ul>\n<p><em>the end of popular culture?<\/em><\/p>\n<ul>\n<li>G\u00f3mez-Pe\u00f1a, Guillermo. <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/gomez-pena_topography.pdf\">\u201cIn Search of a New Topography\u201d<\/a>.  <em>Dangerous Border Crossers: The Artist Talks Back<\/em>.  London: Routledge, 2000.  221-227.<\/li>\n<li>Beltr\u00e1n, Mary C.  <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/beltran_lopez.pdf\">\u201cThe Hollywood Latina Body as Site of Social Struggle: Media Constructions of Stardom and Jennifer Lopez&#8217;s \u2018Cross-Over Butt\u2019\u201d<\/a>.  <em>Quarterly Review of Film and Video<\/em> 19.1 (2002): 71-86.<\/li>\n<li>Rom\u00e1n-Vel\u00e1zquez, Patria. <a href=\"https:\/\/blogs.ubc.ca\/last201spring2017\/files\/2017\/01\/roman-velazquez_salsa.pdf\">\u201cThe Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity\u201d<\/a>.  <em>Popular Music<\/em> 18.1 (January 1999): 115-131.<\/li>\n<\/ul>\n<p><em>final thoughts: the Eternaut and Mafalda<\/em><\/p>\n<ul>\n<li><em>The Eternaut<\/em>, selection: <a href=\"http:\/\/www.wordswithoutborders.org\/graphic-lit\/the-eternonaut\" target=\"_blank\">page one<\/a>, <a href=\"http:\/\/www.wordswithoutborders.org\/graphic-lit\/from-the-eternonaut-part-ii\" target=\"_blank\">page two<\/a>.<\/li>\n<li>Mafalda: <a href=\"http:\/\/www.timetravelturtle.com\/2011\/11\/mafalda-statue-buenos-aires-argentina\/\" target=\"_blank\">about<\/a>, <a href=\"http:\/\/www.turning-pages.com\/mafalda\/gallery1.htm\" target=\"_blank\">page one<\/a>, <a href=\"http:\/\/www.turning-pages.com\/mafalda\/gallery2.htm\" target=\"_blank\">page two<\/a>, <a href=\"http:\/\/www.turning-pages.com\/mafalda\/gallery3.htm\" target=\"_blank\">page three<\/a>, <a href=\"http:\/\/www.turning-pages.com\/mafalda\/gallery4.htm\" target=\"_blank\">page four<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>what is culture? Williams, Raymond. \u201cCulture is Ordinary\u201d. The Every Day Life Reader. Ed. Ben Highmore. London: Routledge, 2002. 91-100. Keesing, Roger. \u201cTheories of Culture Revisited\u201d. Canberra Anthropology 13.2 (1990): 46-60. what is the people? Per\u00f3n, Evita. \u201cMy Message&#8221;. In My Own Words. Trans. Laura Dail. New York: New Press, 1996. 47-92. Borges, Jorge Luis. [&hellip;]<\/p>\n","protected":false},"author":64,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":17,"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":313,"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/pages\/10\/revisions\/313"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/last201spring2017\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}