{"id":41,"date":"2016-03-09T14:54:42","date_gmt":"2016-03-09T21:54:42","guid":{"rendered":"https:\/\/blogs.ubc.ca\/marielareveuse\/?p=41"},"modified":"2016-03-09T14:54:42","modified_gmt":"2016-03-09T21:54:42","slug":"assignment-26","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/marielareveuse\/2016\/03\/09\/assignment-26\/","title":{"rendered":"Assignment 2:6"},"content":{"rendered":"<p class=\"p1\">In his article, \u201cGodzilla vs. Post-Colonial,\u201d King discusses Robinson\u2019s collection of stories. King explains that while the stories are written in English, \u201cthe patterns, metaphors, structures as well as the themes and characters come primarily from oral literature.\u201d More than this, Robinson, he says \u201cdevelops what we might want to call an oral syntax that defeats reader\u2019s efforts to read the stories silently to themselves, a syntax that encourages readers to read aloud\u201d and in so doing, \u201crecreating at once the storyteller and the performance\u201d (186). Read \u201cCoyote Makes a Deal with King of England\u201d, in Living by Stories. Read it silently, read it out loud, read it to a friend, and have a friend read it to you. See if you can discover how this oral syntax works to shape meaning for the story by shaping your reading and listening of the story.Write a blog about this reading\/listening experience that provides references to the story.<\/p>\n<p class=\"p1\"><span class=\"s1\"> As I started to read <i>Coyote Makes a Deal With the King of England<\/i> silently, I rapidly found myself getting <a href=\"https:\/\/drafthouse.com\/show\/lost-in-translation\">lost in translation<\/a>. My inner voice was not doing justice to the story, and made it more difficult for me to grasp the meaning of the story. To deal with this problem, I tried to innerly reproduce the colloquial tone I imagined Harry Robinson would have told the text with. Imagining him sitting on his chair counting the story to me, cleared up some of the challenges I was facing, but required much more focus and diligence on my part to keep up it. Halfway through I impulsively started reading out loud, and found that this method significantly improved my grasp of the story\u2019s meaning. I could more clearly hear and reproduce the pauses, intonations and accents on passages such as this one: <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cDo you know what the Angel was?<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Do you know?<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The Angel, God\u2019s Angel, you know. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">They sent that to Coyote.\u201d (66)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The more I read out loud, the more I felt like I needed to be reading it to someone as opposed to myself. As King notes, the oral syntax of the story totally defeats the reader\u2019s effort to read the story silently (and I add even orally) to themselves. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">While reading the story out loud to my friend, the words came much more naturally to me. Having an interlocutor whose physical and verbal reactions I could perceive helped structure the way I told the story and allowed me to embody the persona of the story teller. The \u201cyou know\u201d\u2019s and Robinson\u2019s rhetorical questions felt much more in place compared to when I was reading to myself (both orally and silently). The amount of times I had read it before retelling it out loud to my friend probably also helped in rehearsing the theatrical performance of the story.<\/p>\n<p>The manner in which Wickwire structured the text as a running prose, with short and more extended pauses was crucial in the way I read to myself and to others, but alone, it did not help too much in telling me how to read the story for it to best understood. I don\u2019t think I\u2019ve ever read a text that pushed me so ardently into reading it out loud, with arm gestures, and a less literary, more colloquial tone. Reading it to myself, whether silently or orally, and telling it to an interlocutor made a palpable difference. When reading to my friend, the way I voiced the story was no longer only structured by the text\u2019s set up. In reading it silently, I had trouble understanding, and I think this feeling transferred over as a fear that my interlocutor wouldn\u2019t understand it either once I read it to her. Perhaps I had added motivation to make this story communicable and understandable to my friend, which might have been a factor in how I structured my oral performance.<\/p>\n<p>This story is definitely not one to read to oneself, it seems made to communicate orally, and to be complimented with <a href=\"https:\/\/www.psychologytoday.com\/blog\/subliminal\/201205\/how-we-communicate-through-body-language\">physical gestures to better convey its meaning<\/a>.<\/span><\/p>\n<p class=\"p1\">\n<p class=\"p1\">Robinson, Harry, and Wendy C. Wickwire. <i>Living by Stories: A Journey of Landscape and Memory<\/i>. Vancouver: Talon, 2005. Print.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In his article, \u201cGodzilla vs. Post-Colonial,\u201d King discusses Robinson\u2019s collection of stories. King explains that while the stories are written in English, \u201cthe patterns, metaphors, structures as well as the themes and characters come primarily from oral literature.\u201d More than this, Robinson, he says \u201cdevelops what we might want to call an oral syntax that [&hellip;]<\/p>\n","protected":false},"author":39478,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-41","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/posts\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/users\/39478"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/posts\/41\/revisions"}],"predecessor-version":[{"id":42,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/posts\/41\/revisions\/42"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/media?parent=41"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/categories?post=41"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/marielareveuse\/wp-json\/wp\/v2\/tags?post=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}