IP8: Attention

Introduction

I initially shied away from this IP, as its focus is on data, graphs, and analysis, which is not my area of expertise. Yet as I read more about Citton’s attentional ecosophy and thought about deep diving into my own attention, my curiosity got the best of me. As I immersed myself into Citton’s (2017) writing, I braced for a dense economic-centric read, and initiated a kind of didactic notetaking practice, which quickly gave way to my standard reading practice of highlighting and marginalia. This text is not tedious economics (in fact, Citton later positions his ideas away from an economics-based perspective, and toward an ecosophical view (pp. 19-23)) – it is surprisingly and thankfully philosophically poetic, akin to French theorists such as Barthes, Baudrillard, Perec and Deleuze and Guatarri (amongst many others).

Citton describes the attention economy as being “another economy” (p. 4); unlike an economy based on the “scarcity of factors of production” (p. 2), the attention economy focuses on the “scarcity of the capacity for the reception of cultural goods” (p. 2). To simplify: an economy fueled by an excess of cultural goods, and a lack of individuals’ attention to consume those goods. Citton hypothesizes that the growth of this other economy will lead to a shift where we (our attentions) will be valued as a sought after good, “in a few years or decades, we will be able to request payment for giving our attention to a cultural good instead of having to pay for the right to access it” (p. 8). There is something expectantly glib about this idea, as though, of course this is the kind of dystopic reality we are on the periphery of/are already in – maybe we can benefit from it. But we are reminded that our attention is not something to commodify, it is much more than a commodity, it is essentially us, who we are, individually and societally.

…attention does not only allow us to secure our ‘subsistence’ by avoiding death, and our ‘existence’ by bringing about the emergence of a unique and unprecedented life form through us; but, above all, it enables us to acquire a greater ‘consistence’ within the relationships that are woven in us. Far from helping us only to continue in being, it enables us to become ourselves (p. 172).

 

Where My Attention Lies

I documented my attentions for a 12-hour period. There are different types of days in my life: a day at the office, a day working from home, a day of errands about the city, a day of adventure, a social day, a lazy day. This day was a schoolwork day, a weekend day, normally reserved for rest and relaxation, but a day I begrudgingly set aside to complete the academic tasks I signed up for. From an emotional perspective, I would describe schoolwork days as a battle with procrastination and guilt, but the data revealed more. To capture a high-level visual on how I spent the day, I went through each attention entry and coded it to pair with a higher-level categorization: Physical, Food, Social, Internet, School, Self-Care, Housekeeping, then translated this data into the pie chart displayed below.

I was surprised and pleased to see that school-related work accounted for almost half of the period, totalling just over 5 hours of work. Additionally, I was dismayed that I spent over 2 hours on the internet – and this means, just on the internet, Googling or streaming content. The “internet” category does not account for all digital activity, nor does it account for school-related internet engagement (which would exist in the ‘school’ category).

 

Multitasking

The blue highlighted lines represent internet activity. See Google Sheets document.

Over the 12-hour period, I shifted from another activity toward the internet 15 times – I used my search history to gather accurate data on time and focus of activity. Upon reflection my attention seems frenetic and impulsive, yet in the moment, my outward activity is simply reflective of my own thoughts in flux and my actions feel fluid. De Castell and Jenson (2004) validate this kind of multitasking that is reflective of our technologically dominant culture,

…in fact highly efficient and effective deployments of partial, subsidiary, and intermittent attention strategies routinely used by students, who have learned to do homework while watching television and listening to music on headsets — with that homework being done on a computer whose multiple screens are simultaneously at work and at play, between Internet research, chat programs, word processing, e-mail, and, of course, online games, users switching rapidly among the screens to minimize any loss of time associated with waiting for processing, loading, connecting, and the like (p. 388).

It is true that while waiting I turned my attention to the internet, but this was also my reflexive response to many passing thoughts, some of which, I did not truly care to know more about and quickly abandoned my query. “Google lives off our active and reactive attention, which continually nourish and refine the effectiveness of the formal apparatus put at our disposal. On the other hand, Google tends increasingly to sell our attention, our needs to know and our search choices, to advertisers that the firm allows to short-circuit the effects of our common intelligence…” (2017, p. 9) – Citton’s words remind me that I need to bring awareness to my attention, particularly if my quotidian actions benefit massive corporations by selling a little bit of me for an answer I barely cared to know.

 

Fluctuation Over Time

I attempted to code the data I collected to reflect the following levels: my emotional state, multitasking, and procrastination. I used a scale ranging from 0-3. For my emotional state, 0 represented negative emotions and 3 represented the height of positive emotions (ranging from resentful to enthusiastic). For multitasking, 0 represented not multitasking at all, where 3 represented extensive multitasking. For procrastination I was thinking about how my attention best reflected my goal of completing schoolwork for the day, 0 representing not procrastinating at all, and 3 representing extreme procrastination.

Emotional State Over Time

Initially, this chart appears chaotic, as though a regular day is an emotional rollercoaster, but keep in mind, that the emotional range is not extreme, and if the dimensions of the graph are transformed to visually reflect the emotional range, it appears more accurate. Additionally, it was comforting to know, that even during a stressful period (nearing the end of a school semester), I experience regular stretches of general happiness.


Click on images to be brought to the Google Sheets document where the charts can be viewed large-scale.

Multitasking Over Time

Most of the time I was engaged in some level of multitasking. Particularly on this day, as I started the period with learning how to use a new slow cooker and making a stew, so tending to the stew and learning this new device served as a backdrop to all the other activities. There were also times throughout the day where I hyper multitasked (e.g., 6:15pm: Had a bath and read school texts in there (best place to do so) while doing a face mask. Used sample of ‘Ginseng Renewal Cream’ from Sephora.) Why not combine self-care, school, and relaxation all in one –and while the stew is cooking!

Procrastination Over Time

Initially this section was called “distractions” but I changed it to procrastination, as I felt that most of my distractions were intentional acts of avoidance, methods to avoid focusing on my schoolwork, the necessary goal of the day. Those periods where procrastination is at 0 represent when I was able to focus on schoolwork or complete a necessary task for basic functioning.

All Levels Over Time

I worked out all this data specifically so I could compare it to look for correlations, or interesting patterns. Here are some of my initial observations:

  • Multiple times there is a peak in red (emotional state) followed shortly after by a peak in green (procrastination) upon inspecting the data, it appears in these cases I did schoolwork, and then, almost as a reward, right after I did something unimportant, like Google a passing thought.
  • There is an overall similar flow with red (emotional state) and green (procrastination). I believe this is because both levels over time are directly emotionally based.
  • Blue (multitasking) is more consistent than the other two that are directly reflective of my emotions. But the act of multitasking is more stable, displaying longer timeframes of similar states – during these times, I may be jumping around to different activities, but they are in the same realm (e.g., all on the internet, or cooking different parts of a meal).
  • During periods of steady blue (multitasking) there seems to be more activity with red (emotional state) and green (procrastination), yet when blue is more active, red, and green seem less so – as though steady activity, allows my mind to wander, but as my multitasking abilities shift, my emotions are less active as I focus on the change. 

Conclusion

The act of reading Citton’s text, then closely analyzing my own attention, has guided me to look carefully at what exactly my attentions are, how they flow, how they are affected and how they affect, and their deeper connections. These close observations have taught me more about myself and how I interact with my reality. Part of Citton’s turn to an attention ecosophy as opposed to the notion of an attention economy points to attention’s nature of being relational/interactive/connected/entangled. “It represents the essential mediator charged with assuring my relationship with the environment that nourishes my survival…” (p.22). Learning about an ecosophy of attention through a close observation of my own attentions enables another way for me to perceive my place in this world, an awareness that I hope provokes me to remain attentive. As a reminder, we can always refer to Citton’s tenth maxim of attentional ecosophy:

10. Learn to devote yourself, at different times, to hyper-focusing, open vigilance and free-floating attention. Even more than the ability to concentrate, good attentional health is characterized by an aptitude for modulating your level of attention to the situation at hand. It is just as essential to be able to immerse yourself in methods of sustained hyper-focusing, which make us impervious to any external stimulus, as it is to sweep broadly across the field of possibilities to note something entirely new, or to allow your free-floating attention to transgress the barriers of habit (p. 180).

Addendum

Check out the Google Sheets document for more detailed views of the charts and graphs shown as well as further visualizations of the data, including:

  • High-Level Activities lumped into even broader categories: School, Internet, Non-Internet Tasks (everything else)
  • Digital vs. Non-Digital Activities
  • Pie Chart of Emotional States
  • Bar graph of key words and their levels of usage

References

Citton, Y. (2017). The ecology of attention. John Wiley & Sons.

De Castell, S., & Jenson, J. (2004). Paying attention to attention: New economies for learning. Educational Theory54(4), 381-397.

IP7: Digital Labour

Was this IP intended to have us experience intense digital labour? This particular IP surprisingly continuously served me many technical challenges. Below are some of them:

  • Realizing the animation app I wanted to use was expensive, and there was no free trial
  • Finding an animation app that was free to use – or – had a free trial with sufficient features (I signed up for 4 until I found one that worked – Moovly)
  • Figuring out how to use Descript to enhance my audio recordings (on another free trial)
  • Realizing that Moovly would limit my videos to 3 minutes – and subsequently figuring out that I could piece my videos together using iMovie
  • Also realizing I would have to splice my audio using Garage Band to make it fit

Regardless – an animated video was created! (Thanks to my spouse, Hiller Goodspeed, who let me integrate his life and illustrations with theories of digital labour). The video, and corresponding text are below:

The Digital Labour of an Instagram Influencer Made Freelance Illustrator

The Aspirational Labour Required to Attain Influencer Status

In the third chapter of her book, Duffy focuses on aspirational labour – a kind of digital labour social media influencers engage in when “they approach social media creation with strategy, purpose, and aspirations of career success” (2017, p. 48). Although Duffy’s writing specifically focuses on females, I recognized the representation of my own (male) partner’s lived experience as a social media influencer. He would cringe at such a label, but with a fluctuating Instagram followership of approximately 180,000, it is difficult to deny.

Duffy describes the “patterned narratives” of how influencers found themselves in the social media sphere, and outlines three major themes, “[1] creativity as accidental entrepreneurship, [2] managing uncertainty in the post-recession economy, and [3] breaking into the creative industries” (p. 52). Each of which were relevant at the time my partner, Hiller, initiated his online presence. Hiller is truly creative and a constant (perhaps even obsessive) producer of images and ideas. In the late aughts, many millennials, particularly students of art and design were regularly posting work online, just as Hiller was. Additionally, his ‘blogging’ (in the form of a very active Tumblr) began, when he was a recent design graduate, in a new city looking for work and new friends – his lack of each meant he had the time to continually generate free content. Although he may not have explicitly said so at the time, he also aimed to break into the local, and particularly insular Portland design scene.

Eventually, Hiller expanded his presence to Instagram, and over a 2–3-year period of sharing content online, his work became ubiquitous in certain realms of the internet, a direct result of his prolific and consistent content creation. Throughout this time, he began accepting illustration commissions from individuals and small to mid-sized organizations to big name companies. During this transitional period, it became evident to both of us that Hiller’s digital labour, represented what Crawford (2021) describes as the “…collapse between the distinction of work and leisure” (p. 58). Throughout this period, Hiller maintained separate day jobs and the shift from content creation stemming from personal fulfilment to content creation to maintain followers, or to stay relevant, or to keep receiving contract offers resulted in high stress and a high workload that did not equate to high profits.

Aspirations Become Reality – Is It Worth It?

To avoid a life where his income was directly tied to his leisure/labour efforts, rather than pushing the role of influencer, Hiller decided to let it simmer in the background and pursued a career in library studies. Yet he continues to maintain his social media presence and work on select contract jobs as a side gig. It’s this contract work that recalled Crawford’s explanation of machine and human collaboration during the industrial revolution, “the integration of workers’ bodies with machines was sufficiently thorough that early industrialists could view their employees as a raw material to be managed and controlled like any other resource” (p. 60).

From an uninformed lens, many viewers of Hiller’s work, including his clients, assume he works solely digital, when in fact, his work is a careful assemblage of analogue and digital processes. Analogue integration is what makes Hiller’s work authentically his – to further digitize his process would result in a loss of authenticity, and as the work is so intrinsically tied to his identity of self – working more digitally would alter the outcome, and more importantly, his identity.

The Embarrassment of Hidden Background Labour

The labour Hiller engages in, is not simply his artistic genius, but also marketing, communication, coordination and administrative work and a vast array of repetitive technical work that can take hours. This additional, hidden labour is the kind of work larger companies outsource or create departments to facilitate. This reminds me of Crawford’s description of Babbage’s “disassembly line,” an automated process so efficiently designed, that “the human techniques required at any point… could be performed by just about anyone” (p. 72). Yet in our even more dystopic present reality, all processes are expected to be performed, for minuscule wages, when the totality of work is factored in.

Crawford explains how many artificial intelligence systems – systems that seem fully digitized, are supplemented with “unseen…” human background labour, and without this collaboration, “…AI systems won’t function” (p. 63-64), misleading users to believe in seamless technologies that do not actually exist. Perhaps the internalization of this falsified idea of an advanced technological reality compels freelance workers, such as Hiller, to keep the full extent of their labour hidden, as it would be almost embarrassing to admit that so much of the necessary and hidden work is not automated, but in fact, painstakingly completed by them – and how are they to convince their clients of their value, when their value has already been deceptively determined in society?

References:

Crawford, K. (2021). Digital labor. The atlas of AI: Power, politics, and the planetary costs of artificial intelligence. (pp. 53-88). Yale University Press.

Duffy, B. E. (2017). (Not) just for the fun of it: The labor of social media production. (Not) getting paid to do what you love: Gender, social media, and aspirational work. (pp. 45-97). Yale University Press.

Goodspeed, H. (2017.a, July 06). [Good but not the best]. Instagram. https://www.instagram.com/p/BWOFBLHh5hL/?hl=en

Goodspeed, H. (2017.b, November 01). [Too much can’t do]. Instagram. https://www.instagram.com/p/Ba9vrmuhLw5/?hl=en

Goodspeed, H. (2017.c, December 09). [Another clueless millenium]. Instagram. https://www.instagram.com/p/BcfzsLNh_Al/?hl=en

Goodspeed, H. (2018.a, March 27). [No one understands me like computer]. Instagram. https://www.instagram.com/p/Bg2gXselCh_/?hl=en

Goodspeed, H. (2018.b, September 14). [OK]. Instagram. https://www.instagram.com/p/BntxXXYF4vb/?hl=en

Goodspeed, H. (2018.c, September 29). [Your email…]. Instagram. https://www.instagram.com/p/BoVAVksFJrq/?hl=en

Goodspeed, H. (2019.a, January 18). [I am learning so much today]. Instagram. https://www.instagram.com/p/Bsyh2flgwAq/?hl=en

Goodspeed, H. (2019.b, February 22). [Don’t tell them they hurt your feelings]. Instagram. https://www.instagram.com/p/BuMsLlDHK9u/?hl=en

Goodspeed, H. (2019.c, November 03). [Save your best ideas for yourself]. Instagram. https://www.instagram.com/p/B4b4OfZD0dh/?hl=en

Goodspeed, H. (2019.d, December 26). [Be more efficient]. Instagram. https://www.instagram.com/p/B6jUjeOHIJ4/?hl=en

Goodspeed, H. (2021.a, September 29). [Still me]. Instagram. https://www.instagram.com/p/CUbd55wFhEc/?hl=en

Goodspeed, H. (2022.a, September 29). [Hiding under couch]. Instagram. https://www.instagram.com/p/CjHOvzsrBCB/?hl=en

Goodspeed, H. (2022.b, November 24). [Just another day]. Instagram. https://www.instagram.com/p/ClXCFWVytli/?hl=en

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