{"id":119,"date":"2018-01-16T13:43:36","date_gmt":"2018-01-16T21:43:36","guid":{"rendered":"https:\/\/blogs.ubc.ca\/mdvl310d\/?p=119"},"modified":"2018-01-21T11:48:41","modified_gmt":"2018-01-21T19:48:41","slug":"week-3","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/mdvl310d\/2018\/01\/16\/week-3\/","title":{"rendered":"Week 3"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-147 size-large\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/221C883B-C006-457A-AA7D-63EA6A5F48C8-645x1024.jpeg\" alt=\"\" width=\"604\" height=\"959\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/221C883B-C006-457A-AA7D-63EA6A5F48C8-645x1024.jpeg 645w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/221C883B-C006-457A-AA7D-63EA6A5F48C8-189x300.jpeg 189w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/221C883B-C006-457A-AA7D-63EA6A5F48C8-768x1220.jpeg 768w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/221C883B-C006-457A-AA7D-63EA6A5F48C8.jpeg 995w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><br \/>\nPerformance notes&#8230; (<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b105326322\/f3.item\" target=\"_blank\" rel=\"noopener\">BNF NAF 1104 f. 1r<\/a>)<br \/>\n<!--more--><\/p>\n<h2>BESTIARIES, FABLES, METAMORPHOSES, AND MARIE DE FRANCE<\/h2>\n<h3>TUESDAY<\/h3>\n<p>PROLOGUES (from last week)<\/p>\n<p>Reading and the transformative power of education (inc moral). Marvellousness and another transformation: translation, rewriting, bringing to new audiences, preserving; as with Rabelais, you\u2019re seeing a literary work serve as guide and bridge across time, space, and worlds; bringing you into other worlds and also bringing them into yours, keeping them alive.<\/p>\n<p>(more on this on Thursday) Anglo-Norman Dictionary: <a href=\"http:\/\/www.anglo-norman.net\/gate\/\" target=\"_blank\" rel=\"noopener\">the \u201cmerveilleux\u201d in Old French<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-125\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.29.45-PM.png\" alt=\"\" width=\"1000\" height=\"910\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.29.45-PM.png 1000w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.29.45-PM-300x273.png 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.29.45-PM-768x699.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-126\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.30.51-PM.png\" alt=\"\" width=\"782\" height=\"507\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.30.51-PM.png 782w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.30.51-PM-300x195.png 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.30.51-PM-768x498.png 768w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-127\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.08-PM.png\" alt=\"\" width=\"604\" height=\"289\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.08-PM.png 783w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.08-PM-300x144.png 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.08-PM-768x368.png 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-128\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.31-PM.png\" alt=\"\" width=\"604\" height=\"189\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.31-PM.png 781w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.31-PM-300x94.png 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/Screen-Shot-2018-01-16-at-1.31.31-PM-768x240.png 768w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>Marie de France&#8217;s <em>Fables<\/em> and <em>Lais<\/em>, the manuscripts and transmission history (inc. their teaching)<\/p>\n<ul>\n<li><a href=\"https:\/\/web.archive.org\/web\/20070703065024\/http:\/\/www.people.vcu.edu\/~cmarecha\/ms.html\" target=\"_blank\" rel=\"noopener\">the manuscripts, via the International Marie de France Society<\/a><\/li>\n<li><em>Lais<\/em>: <a href=\"http:\/\/www.bl.uk\/catalogues\/illuminatedmanuscripts\/record.asp?MSID=8682\" target=\"_blank\" rel=\"noopener\">British Library (London, UK) Harley MS 978<\/a>\u00a0(manuscript H) f. 139a-181a, Biblioth\u00e8que nationale de France (Paris, France) MS fr. 2168, fr. 24432, <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b105326322\" target=\"_blank\" rel=\"noopener\">nouv. acqu. fr. 1104 (manuscript S) f. 1a-45d<\/a><\/li>\n<li>the <em><a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Legend_of_the_Purgatory_of_St._Patrick\" target=\"_blank\" rel=\"noopener\">Purgatory of St Patrick<\/a><\/em>: pilgrimage, travel to the underworld (which is another Other World)<\/li>\n<li>late 12th century multilingual England, but with French as high-status cultural language (via Norman Conquest and Anglo-Norman aristocracy; at this stage of linguistic development, this is a form of Norman French; related to the current form used in the Channel Islands (still called the \u201cNorman Islands\u201d in French))<\/li>\n<li>context, background, environment: abbeys, convents, Benedictine nuns<\/li>\n<li>manuscripts: mainly mid to later 13th c., period of significant manuscript production and circulation; new techniques enabling more, faster, cheaper; includes a blossoming of encyclopaedic works: universal histories, books of all knowledge, collections, compilations, compendia, giant \u201csong-books\u201d (chansonniers, canzoniere: anthologies of (mostly lyric) poetry), miscellanies; some of which are made by or with women religious. May include herbals, natural history, medicine, magic. An earlier example: <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Herrad_of_Landsberg\" target=\"_blank\" rel=\"noopener\">Herrad of Landsberg, <i>Hortus deliciarum<\/i><\/a> (another \u201cGarden of Delights\u201d); I also referred in passing to <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Trotula\" target=\"_blank\" rel=\"noopener\">Trotula<\/a> of Salerno.<\/li>\n<li>fables: version (\u201ctranslation\u201d in strict and broad senses) of Aesop\u2019s <i>Fables<\/i>, one of many (popular text and material, also continuing to circulate orally and across political borders and cultures and languages at the same time)<\/li>\n<li>lays: short (compared to a tale (<i>conte<\/i>, \u201ctold story, telling\u201d; related to <i>account<\/i>) or romance) verse narrative related to German <i>Leich<\/i> &gt;\u00a0<i>Lied<\/i> and Irish <i>laid<\/i> (song); retaining aspects of oral performance, probably also performed; one of several instances of the flow between oral and written, reading and listening, a confluence rather than simpler binary distinction<\/li>\n<li>material: retelling Breton lays; with connections to Breton (obviously), Cornish, Welsh, and Irish material<\/li>\n<li>movement across languages, and language change and cross-influence, and translation are also forms of metamorphosis, \u201cchanging shape\u201d and\u2014when going back and forth\u2014\u201cshape-shifting\u201d; both in the narrow sense of translation (language A \u2014&gt; language B) and the wider one of transformation and\u00a0refashioning (with subtractions, additions, amplifications, continuations, changes of place and costume and customs, cultural and contextual relocation &#8230; including dislocation into other worlds and non-worlds)<\/li>\n<li>warning: may contain skewed morals \/ lessons; or unexpected ones, or paradoxical, playful, satirical, imaginative \/ hypothetical \/ unrelated to the actual world; or none at all. This aspect may be enhanced by the lays\u2019 \u00a0irrealism, irreality, atemporality, other-worldliness<\/li>\n<li>introductions: <a href=\"\u201chttps:\/\/people.clas.ufl.edu\/jshoaf\/marie_lais\/\u201d\" target=\"\u201c_blank\u201d\">Judith Shoaf<\/a>, <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Marie_de_France\" target=\"_blank\" rel=\"noopener\">Wikipedia<\/a>,\u00a0International Marie de France Society &gt; <a href=\"https:\/\/web.archive.org\/web\/20070703065017\/http:\/\/www.people.vcu.edu\/~cmarecha\/online.html#About%20Marie\" target=\"_blank\" rel=\"noopener\">About Marie<\/a>, <a href=\"https:\/\/web.archive.org\/web\/20070703065017\/http:\/\/www.people.vcu.edu\/~cmarecha\/online.html#Marie%20de%20France's%20World\" target=\"_blank\" rel=\"noopener\">About her World<\/a>,\u00a0<a href=\"https:\/\/web.archive.org\/web\/20070703065017\/http:\/\/www.people.vcu.edu\/~cmarecha\/online.html#About%20Her%20Lais\" target=\"_blank\" rel=\"noopener\">About her Lais<\/a><\/li>\n<li>maps below: adding a further reason for reference to certain places in the <i>Lais<\/i> (besides proximity; familiarity through trade, family, and other connections; fame; references as cues to associations with other literature and culture, ex. Arthurian): part of the same political entity (note that these maps are not uncontroversial, but they\u2019re a useful basis; they\u2019re also hyperlinked)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Angevin_Empire\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-156\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/4844F17F-7F54-4050-AF0B-DE561BBAAEE8.gif\" alt=\"\" width=\"330\" height=\"432\" \/><\/a><\/p>\n<p><a href=\"https:\/\/commons.m.wikimedia.org\/wiki\/Atlas_of_France#\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-151 size-full\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/65CF6812-B696-456E-92A5-9F18C372A63C.jpeg\" alt=\"\" width=\"475\" height=\"600\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/65CF6812-B696-456E-92A5-9F18C372A63C.jpeg 475w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/65CF6812-B696-456E-92A5-9F18C372A63C-238x300.jpeg 238w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><br \/>\n<a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Angevin_Empire\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-152 size-large\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/D5AC649C-9740-45CB-BF79-5428CB1CABB3-859x1024.png\" alt=\"\" width=\"604\" height=\"720\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/D5AC649C-9740-45CB-BF79-5428CB1CABB3-859x1024.png 859w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/D5AC649C-9740-45CB-BF79-5428CB1CABB3-252x300.png 252w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/D5AC649C-9740-45CB-BF79-5428CB1CABB3-768x916.png 768w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/D5AC649C-9740-45CB-BF79-5428CB1CABB3.png 1920w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/a><br \/>\n<a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Angevin_Empire\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-153 size-large\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/02297FFF-C78D-4BBB-B2C4-C2E64EBDF263-895x1024.jpeg\" alt=\"\" width=\"604\" height=\"691\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/02297FFF-C78D-4BBB-B2C4-C2E64EBDF263-895x1024.jpeg 895w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/02297FFF-C78D-4BBB-B2C4-C2E64EBDF263-262x300.jpeg 262w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/02297FFF-C78D-4BBB-B2C4-C2E64EBDF263-768x879.jpeg 768w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/02297FFF-C78D-4BBB-B2C4-C2E64EBDF263.jpeg 1195w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/a><\/p>\n<p>Languages in England towards the end of the 12th century:<\/p>\n<ul>\n<li>Latin &amp; French (Anglo-Norman = what Norman French becomes once it has moved to England with the Norman invasion and conquest of 1066)<br \/>\n= official languages (government, administration, the exercise of power: royal court, courts of law, the church &amp; its courts) and, in the 12th and 13th c., main languages of literary and scholarly \/ intellectual production<\/li>\n<li><a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Middle_English\" target=\"_blank\" rel=\"noopener\">Middle English<\/a><br \/>\n= main working language; also used, increasingly, for literature from the 12th century onwards; becomes the dominant language for such work by the 14th century, helped in part by war with France (1337-1453)<\/li>\n<li>Cornish (Brittonic Celtic language group)<\/li>\n<li>other forms of English closer to Old English \/ Anglo-Saxon persist and influence regional linguistic forms, becoming regional dialects later<\/li>\n<\/ul>\n<p>Neighbouring languages:<\/p>\n<ul>\n<li>Welsh\u00a0(Brittonic Celtic group)<br \/>\nWales remains independent until 1282 (Norman conquest 1070s-90s, overturned 1130s-70s): kingdoms of Powys, Gwynedd, Deheubarth, Brycheiniog, Morgannwg, Gwent<\/li>\n<li>Early \/ Older Scots &amp; Gaelic (Goidelic Celtic language group)<br \/>\nScotland remains independent until 1707 (when, by Act of Union, it and England will become a United Kingdom) but is close to England through most of the 12th &amp; early 13th c. as, via marriage and inheritance, its rulers (and much of the attached aristocracy) are Anglo-Norman; this is why it appears on some maps of the \u201cAngevin \/ Plantagenet Empire\u201d (= Anglo-Norman)<\/li>\n<li>Middle Irish (Goidelic Celtic group)<br \/>\nIreland, at the time of Marie de France, has just been invaded and conquered (1167) and remains under English control until 1921<\/li>\n<\/ul>\n<p>Languages in France towards the end of the 12th century:<\/p>\n<ul>\n<li>the \u201clangues d\u2019o\u00efl\u201d (Romance language group)<br \/>\n= languages in which the word for \u201cyes\u201d is <i>o\u00efl \/ oui<\/i> (a linguistic distinction first appearing in Ramon Vidal de Besal\u00fa <em>Raz\u00f3s de trobar<\/em> (Catalan, writing in Occitan, c. 1210), later reused in Dante <em>De Vulgari eloquentia<\/em>(Italian, writing in Latin, c. 1302-05); the others are <em>oc<\/em> (see next item) and the Italian <em>si<\/em>)<br \/>\nforms of Old French, which will come closer together and become more standardised through the 13th c. (14th c., becoming Middle French); main written forms = those from the north of France (inc. Norman), being richer and thus producing more books<\/li>\n<li>the \u201clangues occitanes\u201d (Romance group)<br \/>\n= languages in which the word for \u201cyes\u201d is <i>oc<\/i><br \/>\nmore usually called Old Occitan, used to be called Proven\u00e7al (it is one of the languages): technically a <i>koine<\/i>, group of inter-comprehensible languages; major literary language in Europe at the time (ex. Troubadour poetry)<\/li>\n<li>Catalan: also in the Romance group<\/li>\n<li>Breton: closely related to Cornish, also related to Welsh (Brittonic Celtic group)<\/li>\n<li>Basque: very different from all of the above and all European languages<\/li>\n<\/ul>\n<p><a href=\"http:\/\/www.axl.cefan.ulaval.ca\/francophonie\/HIST_FR_s3_Ancien-francais.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-157 size-full aligncenter\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/8B9DF946-A5D1-4A94-AA08-D634F5AFD800.gif\" alt=\"\" width=\"424\" height=\"354\" \/><\/a><br \/>\n<a href=\"https:\/\/en.m.wikipedia.org\/wiki\/History_of_French\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-155\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/C6EDE15F-37C4-4BD6-A17B-D7AEF7007BCB.png\" alt=\"\" width=\"603\" height=\"599\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/C6EDE15F-37C4-4BD6-A17B-D7AEF7007BCB.png 603w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/C6EDE15F-37C4-4BD6-A17B-D7AEF7007BCB-150x150.png 150w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/C6EDE15F-37C4-4BD6-A17B-D7AEF7007BCB-300x298.png 300w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/a><\/p>\n<h3>THURSDAY<\/h3>\n<p>An exercise in spotting marvels and their mechanics: marvels that are beings and objects, marvellous moments, and moments of more or less magical metamorphosis. Your first course blog post will be about this, drawing on Thursday\u2019s class.<\/p>\n<p><em><a href=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/bisclavret.pdf\" target=\"_blank\" rel=\"noopener\">BISCLAVRET<\/a><\/em>: werewolves &#8211; compulsory MUST READ<\/p>\n<p>Also, in order of less obvious, subtler marvellousness:<\/p>\n<p><em><a href=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/yonec.pdf\" target=\"_blank\" rel=\"noopener\">YONEC<\/a><\/em>: bird-man magical lover<\/p>\n<p><em><a href=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/lanval.pdf\" target=\"_blank\" rel=\"noopener\">LANVAL<\/a><\/em>: other-worldly lady lover, a variation on a classic question in amorous casuistry (I\u2019ll bring examples from Occitan troubadour debate-poetry and the French M\u00e9lusine, see also Gawain\u2019s lady)<\/p>\n<p><em><a href=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/chevrefoil.pdf\" target=\"_blank\" rel=\"noopener\">CHEVREFOIL<\/a><\/em>: short, Tristan + Yseult + marvellous stick<\/p>\n<p><em><a href=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/laustic.pdf\" target=\"_blank\" rel=\"noopener\">LA\u00dcSTIC<\/a><\/em>: nightingale as marvellous creature that transforms into marvellous object; also about reliquaries and books<\/p>\n<p>(and <em>EQUITAN<\/em>\u2014warning, bathing and murder\u2014and other lays that have associations with the <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Fabliau\" target=\"_blank\" rel=\"noopener\"><em>fabliau<\/em><\/a>)<\/p>\n<p>Overlapping or intersecting werewolves: <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Gerald_of_Wales\" target=\"_blank\" rel=\"noopener\">Gerald of Wales<\/a>\u00a0who, like any of the proposed candidates to be identified as Marie de France, is also active in the late 12th c., in the same royal\/religious high-status milieu and Benedictine monastic &amp; manuscript-producing connections:\u00a0<em>Geography of Ireland,\u00a0<\/em>the <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Werewolves_of_Ossory\" target=\"_blank\" rel=\"noopener\">werewolves of Ossory<\/a>. <a href=\"http:\/\/www.bl.uk\/catalogues\/illuminatedmanuscripts\/record.asp?MSID=8804\" target=\"_blank\" rel=\"noopener\">British Library Royal MS 13 B VIII<\/a>:<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-138\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CDD09AE6-2BC1-4ADB-A3B7-7C0B3765FA56.jpeg\" alt=\"\" width=\"1014\" height=\"881\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CDD09AE6-2BC1-4ADB-A3B7-7C0B3765FA56.jpeg 1014w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CDD09AE6-2BC1-4ADB-A3B7-7C0B3765FA56-300x261.jpeg 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CDD09AE6-2BC1-4ADB-A3B7-7C0B3765FA56-768x667.jpeg 768w\" sizes=\"auto, (max-width: 1014px) 100vw, 1014px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-137\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CF21703F-9B43-4069-AA5C-4FBA74B2D3CC-945x1024.jpeg\" alt=\"\" width=\"604\" height=\"654\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CF21703F-9B43-4069-AA5C-4FBA74B2D3CC-945x1024.jpeg 945w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CF21703F-9B43-4069-AA5C-4FBA74B2D3CC-277x300.jpeg 277w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CF21703F-9B43-4069-AA5C-4FBA74B2D3CC-768x832.jpeg 768w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/CF21703F-9B43-4069-AA5C-4FBA74B2D3CC.jpeg 1023w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Performance notes&#8230; (BNF NAF 1104 f. 1r)<\/p>\n","protected":false},"author":1097,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-119","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/users\/1097"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":15,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/119\/revisions"}],"predecessor-version":[{"id":170,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/119\/revisions\/170"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/media?parent=119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/categories?post=119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/tags?post=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}