{"id":25,"date":"2017-05-17T22:03:05","date_gmt":"2017-05-18T05:03:05","guid":{"rendered":"https:\/\/blogs.ubc.ca\/mdvl310c\/?p=25"},"modified":"2019-01-07T18:20:02","modified_gmt":"2019-01-08T02:20:02","slug":"prologue","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/mdvl310d\/2017\/05\/17\/prologue\/","title":{"rendered":"Prologue"},"content":{"rendered":"<figure id=\"attachment_15\" aria-describedby=\"caption-attachment-15\" style=\"width: 625px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/en.m.wikipedia.org\/wiki\/The_Fall_of_the_Rebel_Angels_(Bruegel)\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15 size-large\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945.jpg\" alt=\"\" width=\"625\" height=\"451\" srcset=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945.jpg 1360w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945-300x217.jpg 300w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945-768x555.jpg 768w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945-1024x739.jpg 1024w, https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2017\/05\/IMG_8945-624x451.jpg 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><figcaption id=\"caption-attachment-15\" class=\"wp-caption-text\">Bruegel, Fall of the Rebel Angels (1562); <br \/>Mus\u00e9es royaux des beaux-arts de Belgique, Brussels<\/figcaption><\/figure>\n<p>Work in progress during the\u00a0<i>imaginatio<\/i> stage of designing and making this course\u00a0is on Twitter at\u00a0<a href=\"https:\/\/mobile.twitter.com\/hashtag\/mdvl310c\" target=\"_blank\" rel=\"noopener noreferrer\">#mdvl310c<\/a> and <a href=\"https:\/\/mobile.twitter.com\/hashtag\/mdvl310d\" target=\"_blank\" rel=\"noopener noreferrer\">#mdvl310d<\/a>. The course grew out of the elements that follow below, which appeared in two courses I taught in 2016,\u00a0<a href=\"https:\/\/blogs.ubc.ca\/mdvl301\" target=\"_blank\" rel=\"noopener noreferrer\">MDVL301A\u00a0\u201cTHE LIBERAL ARTS\u201d<\/a> &amp; <a href=\"https:\/\/blogs.ubc.ca\/fren336\" target=\"_blank\" rel=\"noopener noreferrer\">FREN336 \u201c LA BANDE DESSIN\u00c9E\u201d<\/a> (all images, as elsewhere on this site, are hyperlinked).<\/p>\n<p>For some idea about what this course may be like, information about previous O&#8217;Brien Medieval courses at UBC may be helpful:<\/p>\n<ul>\n<li>MDVL301A:\u00a0Medieval Studies: European Literature from the 5th to the 14th Century<br \/>\n<a href=\"https:\/\/blogs.ubc.ca\/mdvl301\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;THE LIBERAL ARTS&#8221;<\/a> (2016)<\/li>\n<li>MDVL302:\u00a0European Literature of the 14th to the 16th centuries<br \/>\n<a href=\"https:\/\/blogs.ubc.ca\/mdvl302\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;CRITICISM&#8221;<\/a> (2012)<\/li>\n<li>RMST 221: Romance Studies: Literatures and Cultures of the Romance World I: Medieval to Early Modern<br \/>\n&#8220;<a href=\"https:\/\/blogs.ubc.ca\/rmst221\/\" target=\"_blank\" rel=\"noopener noreferrer\">INTRIGUE<\/a>&#8221; (2012)<br \/>\n\u201c<a href=\"https:\/\/rmst221in2010to11.wordpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">MISCHIEF<\/a>\u201d (2010)<br \/>\n\u201c<a href=\"https:\/\/rmst221in2009to10.wordpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">ADVENTURES<\/a>\u201d (2009)<\/li>\n<\/ul>\n<figure id=\"attachment_342\" aria-describedby=\"caption-attachment-342\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/tuinderlusten-jheronimusbosch.ntr.nl\/en#\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-342 size-full\" src=\"https:\/\/blogs.ubc.ca\/mdvl301a\/files\/2016\/09\/Screen-Shot-2016-09-27-at-3.33.22-PM.png\" alt=\"screen-shot-2016-09-27-at-3-33-22-pm\" width=\"510\" height=\"342\" \/><\/a><figcaption id=\"caption-attachment-342\" class=\"wp-caption-text\">Hieronymus Bosch, &#8220;The Garden of Earthly Delights&#8221;<br \/>Museo del Prado, Madrid <br \/>Image links to interactive transmedia online version<\/figcaption><\/figure>\n<h2 style=\"text-align: left;\">I. ONE IMAGE<\/h2>\n<figure id=\"attachment_377\" aria-describedby=\"caption-attachment-377\" style=\"width: 277px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Garden_of_Earthly_Delights\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-377 size-medium\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/5A64A761-D094-4C95-8AAA-1AA7CFB368F2.jpeg\" alt=\"Hieronymus Bosch, Graden of Earthly Delights (1490-1510); Museo del Prado, Madrid\" width=\"277\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-377\" class=\"wp-caption-text\">Hieronymus Bosch, <i>Garden of Earthly Delights<\/i> (1490-1510): outer wings closed; Museo del Prado, Madrid<\/figcaption><\/figure>\n<figure id=\"attachment_378\" aria-describedby=\"caption-attachment-378\" style=\"width: 605px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Garden_of_Earthly_Delights\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-378 size-large\" src=\"https:\/\/blogs.ubc.ca\/mdvl310d\/files\/2018\/01\/19DD21FD-76B4-40E6-AA76-F89BF69B71D8.jpeg\" alt=\"img_1861\" width=\"605\" height=\"344\" \/><\/a><figcaption id=\"caption-attachment-378\" class=\"wp-caption-text\">Bosch, <i>Garden of Earthly Delights<\/i>: left, central, and right panels<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h2>II. TWO BOOKS<\/h2>\n<p><a href=\"http:\/\/www.bl.uk\/manuscripts\/FullDisplay.aspx?ref=Add_MS_42130\" target=\"_blank\" rel=\"noopener noreferrer\">The Luttrell Psalter: British Library Add. MS 42130<\/a><\/p>\n<p><a href=\"http:\/\/www.bl.uk\/catalogues\/illuminatedmanuscripts\/record.asp?MSID=8117\" target=\"_blank\" rel=\"noopener noreferrer\">Matfr\u00e9 Ermengau, <i>Breviari d&#8217;Amor<\/i>: British Library Yates Thompson 31<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>III. THREE FILMS<\/h2>\n<p><iframe loading=\"lazy\" title=\"De Herinacio. On the Hedgehog\" src=\"https:\/\/player.vimeo.com\/video\/109377646?dnt=1&amp;app_id=122963\" width=\"604\" height=\"340\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"The Secret Of Kells - Promotional Trailer\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/lw2_HZTuQBE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"La bande dessin\u00e9e \u00e0 la recherche du Moyen \u00c2ge\" width=\"604\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/3LePAgdB3z8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"http:\/\/www.enc-sorbonne.fr\/fr\/actualite\/bande-dessinee-recherche-du-moyen-age-interference-pratiques-graphiques-bd-au-codex\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-12565 aligncenter\" src=\"https:\/\/metametamedieval.files.wordpress.com\/2017\/04\/img_8561.jpg\" alt=\"IMG_8561\" width=\"1536\" height=\"481\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Work in progress during the\u00a0imaginatio stage of designing and making this course\u00a0is on Twitter at\u00a0#mdvl310c and #mdvl310d. The course grew out of the elements that follow below, which appeared in two courses I taught in 2016,\u00a0MDVL301A\u00a0\u201cTHE LIBERAL ARTS\u201d &amp; FREN336 \u201c LA BANDE DESSIN\u00c9E\u201d (all images, as elsewhere on this site, are hyperlinked). For some &hellip; <a href=\"https:\/\/blogs.ubc.ca\/mdvl310d\/2017\/05\/17\/prologue\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Prologue<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1097,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/users\/1097"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":8,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/25\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/posts\/25\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/media?parent=25"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/categories?post=25"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/mdvl310d\/wp-json\/wp\/v2\/tags?post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}