The diaspora of seasonal music and custom from England to Canada
\nBuddhist music and Buddhology in Asia and the West
\nEthnofusion and acculturation in World Music
\nMisrule and transgression as a determinate of musical style and activity
\nBrass bands as competitive sport and amateur passion in Canada and England
\nThe fiddle and its place in Canada\u2019s sonic and historical landscape
\nLate \u201860s psychedelic music in the Kitsilano area of Vancouver, BC
\nKwakwala (Kwakiutl) language and its relation to music forms
\nPolymetre in First Nations music
\nTheorizing Performativity in the reception of western popular and art music<\/p>\n
Performativity (Richard Schechner)
\nRole-playing (Erving Goffman)
\nEthnomimesis and Re-enactment (Robert Cantwell)
\nThe Invention of Tradition (Eric Hobsbawm)
\nCultural Tourism (Barbara Kirschenblatt-Gimblet)
\nAuthenticity (Handler and Linnekin)
\nTransformations and Evolutions (Neil Rosenberg)<\/p>\n
Liminality (Victor Turner)
\nTransgression (Allon White)
\nParody and irony (Linda Hutcheon)
\nHomo Ludens (Johan Huizinga)
\nRitual behaviour (Sarah Pike)<\/p>\n
Simulacrum (Jean Baudrillard)
\nDifferance (Jacques Derrida)
\nSemiotics (Charles Peirce)
\nCultural capital (Pierre Bourdieu)<\/p>\n
The Art of the Average (Paul Fleming)
\nSerious Leisure (Robert Stebbins)
\nMusicking (Christopher Small)<\/p>\n
Power relationships (Michel Foucault, Frantz Fanon)
\nProtocols and permissions (Linda Tuhiwai Smith)
\nThick and Thin description (Clifford Geertz)
\nHigh and low context (Edward Hall)
\nReflexivity (James Clifford)
\nFirst Nations resistance discourse (Gerald Taiaiake Alfred)<\/p>\n
Music in the Moment (Jerrold Levinson)
\nTrance (Gilbert Rouget, Judith Becker)
\nSpiritualism (Marcel Cobussen)
\nExistentialism<\/p>\n
Postmodern feminism
\nWiggers and White Studies
\nKaraoke and kitsch
\nMusic and Place (Andy Bennett)
\nSubcultures (David Hesmondhalgh)<\/p>\n
Cultural Studies (Stuart Hall)
\nMulticulturalism without Culture (Anne Phillips)
\nIntangible Cultural Heritage (UNESCO)
\nBeyond (Musical) Exoticism (Timothy Taylor)<\/p>\n
Cultural Theory (Helen Thomas)
\nAnthropology (Judith Hanna)
\nSemiotics (Drid Williams)
\nChoreographic politics (Anthony Shay)
\nModes of Inquiry (Susan Foster, Janet Adshead)<\/p>\n","protected":false},"excerpt":{"rendered":"
Current Projects The diaspora of seasonal music and custom from England to Canada Buddhist music and Buddhology in Asia and the West Ethnofusion and acculturation in World Music Misrule and transgression as a determinate of musical style and activity Brass bands as competitive sport and amateur passion in Canada and England The fiddle and its […]<\/p>\n","protected":false},"author":6987,"featured_media":0,"parent":30,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-129","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/users\/6987"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":10,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":1693,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/129\/revisions\/1693"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/30"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}