{"id":42,"date":"2011-04-20T10:58:38","date_gmt":"2011-04-20T17:58:38","guid":{"rendered":"https:\/\/blogs.ubc.ca\/normanstanfield\/"},"modified":"2014-07-10T17:33:15","modified_gmt":"2014-07-11T00:33:15","slug":"research","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/normanstanfield\/research\/","title":{"rendered":"RESEARCH"},"content":{"rendered":"<h2>NW Coast Kwakwaka\u2019wakw Music<\/h2>\n<p>Editorial assistant for <span style=\"color: #0000ff;\"><a href=\"http:\/\/www.thecanadianencyclopedia.com\/index.cfm?PgNm=TCE&amp;Params=U1ARTU0001504\" target=\"_blank\"><span style=\"color: #0000ff;\">Dr. Ida Halpern<\/span><\/a><\/span><\/p>\n<p style=\"padding-left: 30px;\">Prepared liner notes<\/p>\n<p style=\"padding-left: 30px;\">Transcribed select music examples<\/p>\n<p style=\"padding-left: 30px;\">Conducted literature search on specific topics<\/p>\n<p>Consulted with Bill Holm and Kwakwaka&#8217;wakw authorities (William Wasden Jr, Tony Hunt)<\/p>\n<p>Observed Tsequa and Tlasila ceremonies at a Potlatch in Alert Bay<\/p>\n<h2>English morris dance<\/h2>\n<p>Participant observer with the Vancouver Morris Men<br \/>\nThe VMM are one of only two teams from outside England to be accepted into the membership of the English Ring Association of Morris Dancers.<\/p>\n<p>Engaged in field trips as a member of the VMM during their tours in England<\/p>\n<p>Observed the process of aural transmission in the context of traditional folk dance<\/p>\n<p>Recorded the dynamics of musician-dancer interaction in my role as a musician<\/p>\n<p>Conducted ethnographic interviews with male and female members of the Vancouver and English communities of morris dancers<\/p>\n<p>Tested theories of reception and re-enactment in my role as public liaison<\/p>\n<p>Triangulated performance strategies with the VMM and the Romanian Calusari Dancers of Regina during a unique joint venture in Vancouver, re-enacting Whitsuntide customs common to both traditions<\/p>\n<p>Mapped the common practice of spontaneous group singing in pub sessions<\/p>\n<p>Initiated discussions \/ actively participated on an international listserv<\/p>\n<h2>English traditional instrumental folk music<\/h2>\n<p>Researched and engaged in the process of spontaneous, amateur music-making sessions<\/p>\n<p>Studied aural transmission among musicians who only play music by ear<\/p>\n<p>Observed various scenarios relevant to reception theories in folk music performance<\/p>\n<h2>English and continental mummers music-dramas<\/h2>\n<p>Conducted interviews with authorities such as Ron Shuttleworth of England<\/p>\n<p>Tested theories of performativity by re-enacting context-sensitive performances<\/p>\n<p>Initiated discussions \/ actively participated on an international listserv<\/p>\n<p>Examined multiple texts as derivatives and hybrids<\/p>\n<h2>Timbral Brigades of the Salvation Army<\/h2>\n<p>Conducted interviews with authority figures in Toronto, California, and Australia<\/p>\n<p>Observed timbral performances at the North Toronto Salvation Army Community Church<\/p>\n<p>Interviewed performers in Toronto, Vancouver, and Saskatoon<\/p>\n<p>Contrasted gender roles in performance and religious contexts<\/p>\n<h2>May Day celebrations in New Westminster<\/h2>\n<p>Observed and recorded annual performances in New Westminster<\/p>\n<p>Conducted interviews with May Day participants<\/p>\n<p>Researched historical May Day accounts in New Westminster museums<\/p>\n<p>Focused on Ms. Cave-Brown-Cave, a pioneer of New Westminster and its May Day<\/p>\n<p>Corresponded with May Day activists and researchers in England<\/p>\n<p>Recorded transformations of the annual custom across generations<\/p>\n<h2>Militia music in Vancouver<\/h2>\n<p>Participant observer in the British Columbia Regiment Band as musician, then conductor<\/p>\n<p>Researched archival sources in civic archives<\/p>\n<p>Examined historical material in the Beatty Street Armory regimental museum<\/p>\n<p>Examined etic and emic perspectives as a musician and officer in Remembrance Day and Church Day Parades<\/p>\n<p>Triangulated conditions of reception and performativity with other militia musicians in the Seaforth Highlanders and the 5<sup>th<\/sup> Field Regiment, RCA (Victoria)<\/p>\n<p>Noted tension between amateur performers and military expectations<\/p>\n<h2>British Brass Band Culture<\/h2>\n<p>Interviewed English brass band composers and transplanted English brass band players newly moved to Vancouver<\/p>\n<p>Observed the interplay of amateur performance standards and concert expectations<\/p>\n<p>Recorded the varying levels of appreciation for the genre of performance ensemble in relation to cultural heritage and previous experience<\/p>\n<h2>Powwow Music<\/h2>\n<p>Analyzed music using recorded music samples from Western Canadian Drum Circles<\/p>\n<p>Discovered and notated complex polyrhythmic features<\/p>\n<p>Developed a unique system of prescriptive notation and critiqued historical descriptive notation<\/p>\n<h2>Lee-hom Wang, Jay Chou and East Asia Soft Pop<\/h2>\n<p>Compiled ethnographic material from East Asian university music students&#8217; musical tastes<\/p>\n<p>Triangulated \u201cshidaigu\u201d and \u201czhongguo feng\u201d with Chou and Wang<\/p>\n<p>Conducted literature search for Western Middle-of-the-Road popular music stylistic traits<\/p>\n<p>Contrasted East Asian Popular Music reception in Canada among non-East Asians<\/p>\n<p><strong><span style=\"color: #0000ff;\"><a href=\"https:\/\/blogs.ubc.ca\/normanstanfield\/research\/research-interests\/\"><span style=\"color: #0000ff;\">Current Projects<\/span><\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NW Coast Kwakwaka\u2019wakw Music Editorial assistant for Dr. Ida Halpern Prepared liner notes Transcribed select music examples Conducted literature search on specific topics Consulted with Bill Holm and Kwakwaka&#8217;wakw authorities (William Wasden Jr, Tony Hunt) Observed Tsequa and Tlasila ceremonies at a Potlatch in Alert Bay English morris dance Participant observer with the Vancouver Morris [&hellip;]<\/p>\n","protected":false},"author":6987,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/users\/6987"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":42,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":944,"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/pages\/42\/revisions\/944"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/normanstanfield\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}