{"id":40,"date":"2024-01-20T12:50:28","date_gmt":"2024-01-20T19:50:28","guid":{"rendered":"https:\/\/blogs.ubc.ca\/rmst202esther\/?p=40"},"modified":"2024-01-20T12:50:28","modified_gmt":"2024-01-20T19:50:28","slug":"week-3-nadja-andre-breton","status":"publish","type":"post","link":"https:\/\/blogs.ubc.ca\/rmst202esther\/2024\/01\/20\/week-3-nadja-andre-breton\/","title":{"rendered":"Week 3 Nadja\u2014\u2014\u2014Andr\u00e9 Breton"},"content":{"rendered":"

\u00a0 \u00a0 Nadja<\/span><\/i> was written by Andr\u00e9 Breton, who is a theorist of surrealism. The concept of surrealism is greatly expressed in the novel “Nadja.” Personally, surrealism is very abstract to me, and its ideas seem to transcend conventional reasoning and rationality, not depending on any conventional aesthetic constraints.<\/span><\/p>\n

\u00a0 \u00a0 The novel begins with the question “Who am I?” (p.11), which leads to the author’s philosophical debate. This is a question that seems never to be directly answered, but the answers are scattered throughout. The first part of “Nadja” was the most complicated for me to read, as it was a mix of a diary and philosophical thoughts. I realized that the images were disorganized and misplaced with the corresponding text. While it was distracting, it strengthened the surrealist belief, emphasizing the freedom of narrative. Nadja was not present in this part; this is where Breton was self-exploring, and trying to understand the world, not only discussing his insights but also mentioning inspiration from those surrealist artists around him. One interesting character who appeared in this part was Robert Desnos, who always seemed to “doze.” However, Desnos can always tell the name of a potential appointment before the time when his eyes are closed. Things happen in a way that escapes the control of human reason, and the author simply follows the stream of consciousness.<\/span><\/p>\n

In the later part, where Nadja appears, it was easier for me to read and follow the main plot. Unlike traditional literature, where the main characters are often noble, beautiful, or special, the characterization of Nadja is just a woman he encounters on the street with poor clothes. However, in this surrealist literature, she becomes the main character where Breton is attracted by her eyes and her free spirit. They often meet on the street and sit at the caf\u00e9, but Breton never knows where she lives, why she is on the street, and exactly who she is. There is a moment when Breton asks Nadja, \u201cWho are you\u201d (p.71). The answer he got is \u201cI am the soul in limbo\u201d (p.71).\u00a0 <\/span>Nadja is mysterious and seems to exist in a state of unconsciousness. Nadja\u2019s answer also seems to respond to the first question Breton asks in the novel, who is he? Breton keeps a diary of her strange behaviour and rootless thoughts. But their relationship does not last long. <\/span><\/p>\n

Nadja has mental problems and was admitted to the hospital. However, Breton never considers her mental illness as an abnormal condition because Surrealism focuses on the freedom of mental consciousness. In sum, this was a novel full of mystery and freedom.<\/span><\/p>\n

One question I would like to post about the novel is Nadja’s answer \u201cI am the soul in limbo.” What is your interpretation of this answer about who Nadja is, and how does it contribute to the surrealistic atmosphere in the novel?<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 Nadja was written by Andr\u00e9 Breton, who is a theorist of surrealism. The concept of surrealism is greatly expressed in the novel “Nadja.” Personally, surrealism is very abstract to me, and its ideas seem to transcend conventional reasoning and rationality, not depending on any conventional aesthetic constraints. \u00a0 \u00a0 The novel begins with […]<\/p>\n","protected":false},"author":100089,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,1],"tags":[13,14,15,12],"class_list":["post-40","post","type-post","status-publish","format-standard","hentry","category-andre-breton","category-introduction","tag-mystery","tag-paris","tag-philosophical","tag-surrealism"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/posts\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/users\/100089"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":2,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/posts\/40\/revisions"}],"predecessor-version":[{"id":42,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/posts\/40\/revisions\/42"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/categories?post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ubc.ca\/rmst202esther\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}