Monthly Archives: November 2013

YTMA …. to be continued?

Perhaps the most poignant criticism of the YMTA event could be that YouTube apparently ignored its audience when it changed the terms of its brand proposition.

The online empire built its powerbase by providing convenient on-demand content that suited the sometimes fickle, sometimes impatient and seemingly meandering viewing habits of its audience. Additionally, a great number of early viewers fled to YouTube as it seemed like a relative haven compared to the saturation of advertising and overt corporate sponsorship of conventional television.

To any of the above viewers, this event must have felt like a 90-minute gavage of self-serving experimental indulgence for YouTube, the music video “Industry” and KIA, the main corporate sponsor.

Perhaps the intent wasn’t to draw a live audience but to have some lasting video content legacy?

The YouTube MusicAwards Spotlight channel has disabled the view count for the archive of the entire show on the home page but looking at the back end statistics, as of NOV 5, 301 people had viewed it in the 48 hours since the show.

The top 4 YTMA highlight videos (the “live music videos”) captured from the performance have less than 3 Million views in the same period.

In comparison, the Official Video for Pentatonix’s Daft Punk medley has captured 1.7 M views in the first 12 hours of it being uploaded to YouTube.

From this point of view, if YTMA’s strategic goals are aligned with conventional televised music awards shows, the YTMA did not live up to expectations.

— November 28 viewership update and check in —

YTMA Show Archive – 3.7 Million views (12 K thumbs up, 6 K thumbs down)

Pentatonix’s Daft Punk has over 22 Million views.

The most highly viewed YTMA recordings:

Lady Gaga, “Dope” 15 Million views

Eminem “Rap God” 11.7 Million views

Currently, the Lady Gaga video has the highest views of any other Lady Gaga video produced in the past month but Eminem has 3 other videos posted this month that have in excess of 30 Million views each.

So, if the design of the event is to create critical viewership mass through archived content, the event sponsors may still be deliberating whether or not this was a success for them.

One thing is certain, we have seen an increasing number of conventional television viewership migrating to online, on-demand archived services but it doesn’t appear that relationship reciprocal? The “conventional” on-demand viewership does not appear to be flocking to live-streamed television-like programming.

There seems little doubt that YouTube would likely put on a YTMA in 2014 but the real questions to be answered are:

  • what should it look like in terms of format? (archive vs live feed)
  • how does it make it more relevant to its native audience?
  • how can it expand its reach to new audiences better?
  • how can it serve the needs of large format sponsors?

Framing the Outcome – A tale of two Crisis

 In the Social Media Era, the digital public expects a response, or at the very least acknowledgement, to a perceived crisis almost immediately. The following are official brand responses to a perceived crises, both handled in very different ways. 

GAP recently was praised for its “rocket-fast” response to racist vandalism of one of its Ads in a New York subway.  GAP’s reaction was quick, decisive and sought to correct the problem immediately. Read…

Lululemon was recently the victim of a self-inflicted crisis where the founder dismissed an apparent product flaw by blaming larger women’s body shapes for exacerbating the issue. This ignited like a molotov cocktail of negative sentiment. Lululemon was roasted in social media channels for not living up to its inclusive and progressive brand values. (Lululemon Manifesto)

So, what led to success for the GAP and failure for Lululemon?

Timeliness of Response:

The GAP responded immediately, within 18 hours of finding the issue through monitoring social media channels.  It is important to note that the Tweet of origin occurred at 5:00pm and the GAP sprung to action just before noon the next day. One can reasonably assume GAP waited until just before lunch to try to capitalize on peak Twitter traffic. (see below) GAP wanted its audience to know that it had acknowledged the issue and is taking swift action.

Lululemon took nearly 4 days to formulate the apololgy. The negative press started almost immediately after the interview aired and Lululemon’s silence on the subject not only added to the negative sentiment but apparent ambivalence is almost worse than a direct admission of guilt in the Social Media ecosystem. Mistakes can potentially be forgiven but ignoring there is a problem incites rage among those offended.

Substance of Apology:

The GAP contacted the author of the original Tweet to message them privately with more information about the location of the ad. The implication with the framing of this response is that the GAP is owning the responsibility to remedy the situation rather than simply the offence on an outside party. GAP doesn’t even attempt to deflect or attribute blame.

The GAP then changed the home page picture as a measure of support and a reinforcement of the intent of the original message which is about inclusiveness and racial harmony. The perception of their response is that they are primarily concerned with the feelings of the public who are offended and less concerned with punishing the vandals that defaced their marketing materials.

Lululemon’s apology was framed as an internal-facing address, Chip Wilson  apologized directly to the employees of the company for the bad publicity he brought the company and putting them in a difficult position. There was no attempt to accept responsibility for his own actions, which was initially caused by deflecting responsibility for the previous apparent product flaw. In a sense, the audience that was originally offended was left out of the apology entirely, further compounding the negative sentiment due to late response.

Avenue/Audience of Address:

GAP chose to broadcast its action in a very public venue, Twitter. This appears to have had an inclusive effect, bringing the public “in” on the solution and making a very clear statement that the brand will accept racial intolerance.

Lululemon’s apology was constructed in a way that the public seems to be eavesdropping on an internal communiqué. Mr Wilson turns the prospective apology into a self-deprecating appeal to thank his employees for their service and strength while the brand moves forward despite his mistakes. The apology seems to suggest the company itself is the victim. This further enrages the negative sentiment inferno and tarnishes brand value (the extent of which is difficult to measure).

Each response had an greater affect on brand sentiment than the original crisis itself.

The net short-run result is that GAP was able to add an element of social concern  to its brand value proposition by dealing with this issue promptly and effectively. GAP’s response seemed at the same time effortless and socially conscious. This is great value for a brand that can get great mileage from this particular flavour of differentiation. It is predominantly known for conservative, middle-American values and the response adds an element of freshness and progressiveness.

Lululemon, on the other hand, distances itself from the image it tries to impart with its brand value proposition. It’s response seemed clumsy, cumbersome and seemed to lack leadership, foresight and direction. The mishandling of this issue makes it look uncaring and old-fashioned, with an attitude more fitting of a 60’s male-dominated corporate boardroom than the preferred brand image of a progressive, female-empowering “fro’yo and yoga” lifestyle brand.

I spy with my little keyword tool….

I recently helped a client work on a Keyword research strategy.

Starting with a blank canvass, we wanted to start with a wide funnel and quickly find the avenues of opportunity.

Using traditional Google tools, we did some keyword analysis to find value in keyword search terms. A manual value calculation weighed the criteria of:

  • local monthly search volume
  • attainable high search ranking (i.e. reasonable chance of 1 – 3 ranking with moderate bid spend)
  • strategic value as keyword for content search/SEO

We then classified the groups in terms of:

  • GOLD – great value, focus most attention here
  • GEEN – high cost/high potential volume, spend some attention here but closely monitor these terms for future opportunity
  • ORANGE – low-cost/low strategic value, worth a gamble but not likely a great strategic choice. be cautious about wasting budget here

Keyword Search Results – Manual Triage

Additionally, we wanted to look at other avenues to explore ideas for keyword research so we elected to  perform a scan of some of the competitor’s keywords using a keyword spy tool.

This search provided some information with multiple applications in addition to looking at the keyword families that client was considering.

Our  main strategy for using this tool was to get an idea of the space that our  clients primary competitors were competing for. We also wanted find supporting evidence to validate the attention, or lack of attention, that we were directing our client to particular keyword families to find points of difference and points of parity. 

With the information supplied by the spy tool, we were also able to gain some additional spin-off insights.

We felt that we were able to hone in on some of the competitor’s weaknesses, or potentially detrimental obsessions with some particular keywords. We found this in keywords that the competitor was aggressively bidding for that had both very high Average CPC and a comparatively low competition score. (We assumed the information provided by the tool is accurate)

keyword search_volume average_cpc competition
index funds 27100 21.85 0.680588077
gold etf 18100 8.1 0.597374577
exchange traded funds 18100 18.45 0.607862996
fidelity funds 9900 14.21 0.39598438
what is a mutual fund 9900 12.14 0.411771364
closed end funds 9900 16.5 0.612896074
blackrock funds 8100 89.01 0.352148566
what is an etf 6600 9.31 0.389761302
what are mutual funds 5400 21.48 0.453429278
blackrock inc 3600 7.76 0.089042187
reit etf 3600 25.54 0.537770225
oil etf 2900 12.1 0.611248859
exchange traded fund 2900 20.9 0.375228421

Competitor Keyword Analysis

Possible explanations for this paradox are:

  • an external competitor (or small group of) was (were) trying to bid them out of the market
  • they were generating a high bounce rate with a possible mis-match between successful ads linked to unsuccessful landing pages
  • this keyword is one that the competition is willing to pay huge sums to ensure they will get 1st position

There is no doubt that this tool is useful to some extent but the real value is how one interprets and applies of the attained information as part of a greater strategy that dictates success.

In addition to the obvious uses for competitor knowledge, here are some possible tactics that one can employ by using information provided by this tool:

– Find the pressure-point keywords that a competitor cannot live without, indicted by keywords that are highly over-valued and try to bid them up. (Be careful not to be too competitive as you may inadvertently sped budget.) 

– If you are a smaller player and you want to gain awareness by association, try to make sure you end up on all AdWord searches that they do. (And potentially bid them up.)

It should be noted that tools such as this are great tactics to augment a well conceived AdWords bid strategy but they are not, in themselves, a comprehensive strategy.

The Medium is the Medium: Did the YouTube Music Awards crush it?

It is difficult for me to judge the success of the inaugural YouTube Music Awards (YTMA) because I didn’t get it.

I didn’t get it in the way Rob Ford doesn’t get apologies. I didn’t get it the same way that my Grandmother didn’t get 3rd Bass’ Cactus Album.

I heard the music, I saw the spectacle but, conceptually, I just didn’t get it.

I can understand some of the logic behind launching the event:

–       Large Channel Audience:

YouTube Draws 1 Billion Unique Viewers per month, 40% views Music content

–       Affiliation with desirable demographic:

YouTube reaches more 18 – 34 year olds in the US than any cable network. (AC Nielsen)

–       Deepen Brand Association with Music Videos:

YouTube has launched, amplified, and resurrected the careers of many marquee artists (Korean artist PSY has 2.5 B views, Justin Beiber over 4.4 B views)

–       Claim New Territory:

YouTube long passed music television channels as the primary outlet for music video content yet Music Video Awards shows draw huge audiences for traditional television channels. (MTVMVA  > 10M Viewers in August)

To fluff the draw YouTube ran a month-long video ad campaign, receiving more than 10.1M views, stating the event would consist of “Live-action Music Videos” produced by the creative director, acclaimed music video and feature film director Spike Jonze.

So, how did it go?

ADAGE compiled these numbers:

–       60 Million People claimed to have voted

–       873,288 unique views reported on the livestream watch page

–       217,244 concurrent viewers 31 minutes in (before KIA’s promotional content aired)

–       180,000 concurrent viewers averaged for final 60 minutes

Looking at this in terms of conventional television metrics, the live streaming of the events was an absolute dud. Consider that the high-water mark for concurrent viewership wouldn’t even register on any of AC Nielsen’s lists.

For comparison, the recent incarnation of the Family Feud draws approximately 6,600,000 viewers per episode and NCIS draws almost 19,000,000.

Key contributors to the low live stream viewership may be connected to the nature of the event in relation to the needs of its audience.

YouTube rose in popularity through its on-demand service and its interactivity, specifically through viewer comments and tie-ins to other social media networks. For the YTMA, YouTube disabled the comment section and pushed the #YTMA for audience members to comment directly on Twitter like a conventional television awards show would.

Perhaps this was a failed attempt to attract more viewership by pulling them in from Twitter, only YouTube did not achieve the critical mass it had anticipated.

Another failing seems to be that YouTube did not push the livestream to its mobile channels – mobile accounts for 25% of total watch time. Combine this with its rigid Eastern US time slot, the YTMAs wouldn’t even  show up on the radar of half of YouTube’s user base.

It is very likely that motivation behind this live event is to woo a corporate advertising base, as YouTube attempts to further monetize its channel, but it would be difficult to to call the YTMAs a success by any conventional measure.