{"id":49,"date":"2012-08-01T15:12:54","date_gmt":"2012-08-01T22:12:54","guid":{"rendered":"https:\/\/blogs.ubc.ca\/roundtable2012\/?page_id=49"},"modified":"2012-08-01T15:40:57","modified_gmt":"2012-08-01T22:40:57","slug":"catherine-filloux","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/roundtable2012\/sample-page\/catherine-filloux\/","title":{"rendered":"Catherine Filloux"},"content":{"rendered":"<p><strong><a href=\"http:\/\/www.catherinefilloux.com\" target=\"_blank\">CATHERINE FILLOUX<\/a><\/strong> is an award-winning playwright, whose new play <strong><em>LUZ<\/em><\/strong><em> <\/em>premieres in Fall 2012 at La MaMa in New York City, where she is an Artist in Residence. Filloux is currently writing a commissioned one-woman play for the actress Marietta Hedges surrounding the civil rights movement and the KKK.\u00a0 Filloux\u2019s libretto, <em>New Arrivals,<\/em> for Houston Grand Opera, Song of Houston, premiered in June 2012, composed by John Glover.\u00a0 Her more than twenty plays have been produced in New York City and around the world. She is the librettist for <em>Where Elephants Weep<\/em> (Composer Him Sophy), which premiered in Phnom Penh, Cambodia, and <em>The Floating Box: A Story in Chinatown<\/em> (Composer Jason Kao Hwang), which opened at Asia Society and is released by New World Records. Filloux\u2019s awards include: Voice Award for Artistic Works (Voices of Women), New Generations-<em>Future Collaborations<\/em> Award (Mellon Foundation\/TCG), PeaceWriting Award (Omni Center for Peace), Critics Choice <span style=\"text-decoration: underline;\">Opera News<\/span>, Roger L. Stevens Award (Kennedy Center), Eric Kocher Playwrights Award (O&#8217;Neill) and the Callaway Award (New Dramatists). She is a Fulbright Senior Specialist (Cambodia &amp; Morocco), Asian Cultural Council Grant, NEA<strong> <\/strong>and MAP Fund recipient, and also a<strong> <\/strong>Core Writer (The Playwrights\u2019 Center) and New Dramatists alumna. Filloux\u2019s plays are widely published and her play anthologies include<em> Dog and Wolf &amp; Killing the Boss, Two Plays, <\/em>NoPassport Press,<em> <\/em>and <em>Silence of God and Other Plays, <\/em>published by Seagull Books, London Limited. \u00a0She lives in New York City with her husband John Daggett. <a href=\"https:\/\/blogs.ubc.ca\/roundtable2012\/files\/2012\/08\/Catherine-Filloux1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-53\" title=\"Catherine Filloux\" src=\"https:\/\/blogs.ubc.ca\/roundtable2012\/files\/2012\/08\/Catherine-Filloux1-261x300.jpg\" alt=\"Photographer: Vandy Rattana\" width=\"261\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/roundtable2012\/files\/2012\/08\/Catherine-Filloux1-261x300.jpg 261w, https:\/\/blogs.ubc.ca\/roundtable2012\/files\/2012\/08\/Catherine-Filloux1-893x1024.jpg 893w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CATHERINE FILLOUX is an award-winning playwright, whose new play LUZ premieres in Fall 2012 at La MaMa in New York City, where she is an Artist in Residence. Filloux is currently writing a commissioned one-woman play for the actress Marietta &hellip; <a href=\"https:\/\/blogs.ubc.ca\/roundtable2012\/sample-page\/catherine-filloux\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7697,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-49","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/pages\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/users\/7697"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":4,"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/pages\/49\/revisions"}],"predecessor-version":[{"id":52,"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/pages\/49\/revisions\/52"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/roundtable2012\/wp-json\/wp\/v2\/media?parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}