At the beginning of the term in my ASTU class, we read the novel Extremely Loud and Incredibly Close by Jonathon Foer. This book follows a young boys journey through dealing with his father’s death in the incident of the September 11th terrorist attacks. Throughout this book we are shown how young Oskar Schell copes with the frequently incomprehensible feelings brought on by what I hypothesized as Post Traumatic Stress Disorder (PTSD). In Oskar’s narrative chapters when he becomes depressed or has feelings of sadness or guilt, Oskar’s abstract and childish mind interprets/ labels this state of mind as having “heavy boots”.
“I didn’t understand why I needed help, because it seemed to me that you should wear heavy boots when your dad dies, and if you aren’t wearing heavy boots, then you need help” (Foer 200).
This idea of children viewing this kind of emotion as a physical thing—making it hard for you to move (on) and weighing you down, restraining you from running and jumping as children tend to do—though abstract is an amazing representation of these hard to understand emotions. Does Oskar truly understand the feelings he is having and is just choosing to label them as that? Is his unconscious mind using this term to help him process these feelings and understand them in a less threatening way? This thought led me to generalize Oskar’s abstract coping mechanisms to the whole population of adolescents’. How do other children of his age group cope with their depressive feelings? Do they see them as physically as Oskar? According to Jean Piaget, a famous psychologist, children around Oskar’s age (9) have not yet learned to grasp the idea of abstract thinking and instead tend to approach unfamiliar situations or feelings by assimilating them into existing familiar schemas that they understand. He explains this as the “concrete operations stage” of development that occurs to normally developing children between the ages of 7-11. During this stage, children become logical, can solve problems and have a pretty stable grasp on reality. Children in this stage of development, though logical, seem to lack the skill of abstract thinking, and don’t begin to understand this complex action until ages 11-adulthood when they are in Piaget’s “formal operations stage” of development. Can we explain Oskar’s use of “heavy boots” as due to a stage in children’s cognitive development, or is it dependent on more? Does the way adolescent’s cope and interpret feelings also depend on the parenting style and frame that you were raised around?
All this examination of the way a fictional character and adolescents cope and interpret trauma lead me to wonder how differently we as individuals label and cope with feelings, and to be introspective, how my personal narrative frame in which I was raised impacts the way I deal with feelings and everyday events.
Works Cited
Foer, Jonathan Safran. Extremely Loud & Incredibly Close. Boston, Mass.: Mariner, 2005. Print.
Lindsay, D. Stephen, and Delroy L. Paulhus. Psychology: The Adaptive Mind. 3rd Canadian ed. Toronto: Thomson Nelson, 2008. Print.