{"id":8,"date":"2016-01-14T13:38:33","date_gmt":"2016-01-14T20:38:33","guid":{"rendered":"https:\/\/blogs.ubc.ca\/sherrillgrace\/?page_id=8"},"modified":"2020-07-31T19:34:56","modified_gmt":"2020-08-01T02:34:56","slug":"research-publications","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/","title":{"rendered":"Research &#038; Publications"},"content":{"rendered":"<h3>Selected Publications Include:<\/h3>\n<ul>\n<li><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/#scholarly\"><b>Scholarly Editions<\/b><\/a><\/li>\n<li><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/#monographs\"><b>Monographs<\/b><\/a><\/li>\n<li><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/#collections\"><b>Edited Collections<\/b><\/a><\/li>\n<li><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/#selectcrit\"><b>Selected Critical Articles &amp; Chapters in Books<\/b><\/a><\/li>\n<\/ul>\n<h4>*\u00a0 * Articles published in <a href=\"#selectcrit\">2018\u00a0<\/a>\u00a0 \u00a0*\u00a0 *<\/h4>\n<p>The UBC Library recently published the fonds for Sherrill Grace. They may be accessed\u00a0<a href=\"http:\/\/www.library.ubc.ca\/archives\/u_arch\/grace.pdf.\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n<h3><a id=\"scholarly\" name=\"scholarly\"><\/a><b>A. Scholarly Editions:<\/b><\/h3>\n<table border=\"0\" width=\"95%\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"29%\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-126 size-medium alignleft\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2020\/07\/Tiff-A-Life-of-Timothy-Findley-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2020\/07\/Tiff-A-Life-of-Timothy-Findley-200x300.jpg 200w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2020\/07\/Tiff-A-Life-of-Timothy-Findley.jpg 204w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td width=\"71%\"><em>Tiff: A Life of Timothy Findley. <\/em><a href=\"https:\/\/www.wlupress.wlu.ca\/Books\/T\/Tiff\">Wilfrid Laurier Univ. Press<\/a>, Aug 2020.<\/p>\n<div class=\"cons-author\"><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2020\/07\/Newsletter-Friends-of-the-CAMH-Archives-Spring-2020.pdf\">Newsletter &#8211; Friends of the CAMH Archives &#8211; Spring 2020<\/a><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td width=\"29%\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-86\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_LandscapesOfWar-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_LandscapesOfWar-200x300.jpg 200w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_LandscapesOfWar-768x1152.jpg 768w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_LandscapesOfWar-683x1024.jpg 683w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_LandscapesOfWar.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/td>\n<td width=\"71%\"><em>Landscapes of War and Memory: The Two World Wars in Canadian Literature and the Arts, 1977\u20132007<\/em>. <a href=\"http:\/\/wsupress.wayne.edu\/\"> Wayne State University Press<\/a>, October 2014.<\/p>\n<p><a href=\"https:\/\/indiefab.forewordreviews.com\/finalists\/2014\/war-and-military-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">Finalist for <em>Foreword Reviews<\/em>&#8216; 2014 INDIEFAB Book of the Year Award. <\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/english.ubc.ca\/faculty\/grace\/LandscapesOfMemory.pdf\">Press Release<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-104\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/mina.jpg\" alt=\"\" width=\"219\" height=\"299\" \/><\/td>\n<td><em>Mina Benson Hubbard&#8217;s <\/em>&#8220;A<em> Woman&#8217;s Way Through Unknown Labrador<\/em>.&#8221; Edited with an Introduction. McGill-Queen&#8217;s UP, 2004.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-89\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_SatanInABarrel-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_SatanInABarrel-194x300.jpg 194w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_SatanInABarrel-768x1186.jpg 768w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_SatanInABarrel-663x1024.jpg 663w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_SatanInABarrel.jpg 1638w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/td>\n<td><em>Satan in a Barrel: Malcolm Lowry&#8217;s Early Stories<\/em>.\u00a0 Edited, annotated, with introduction.\u00a0 Edmonton: Juvenilia P, 1999.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-92 size-medium\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda-Vol-2-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda-Vol-2-196x300.jpg 196w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda-Vol-2.jpg 622w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/td>\n<td><em>Sursum Corda: The Collected Letters of Malcolm Lowry<\/em>, Vol. II (London: Jonathan Cape, and Toronto: UTP, 1996) 974 pp, with the assistance of K.Y. Chung.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-93\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda-198x300.jpg 198w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Sursum-Corda.jpg 630w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/td>\n<td><em>Sursum Corda: The Collected Letters of Malcolm Lowry<\/em>, Vol. I (London: Jonathan Cape, and Toronto: UTP, 1995), 730 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h3><b><a id=\"monographs\" name=\"monographs\"><\/a>B. Monographs<\/b><\/h3>\n<table border=\"0\" width=\"95%\">\n<tbody>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-75\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/BearingWitness-1.jpg\" alt=\"\" width=\"150\" height=\"225\" \/><\/td>\n<td width=\"71%\">Co-ed. with P. Imbert and T. Johnstone, <em>Bearing Witness: Perspectives on War and Peace from the Arts and Humanities<\/em><br \/>\nMcGill-Queen&#8217;s UP, 2012.<a href=\"http:\/\/english.ubc.ca\/faculty\/grace\/BearingWitness_release2012.pdf\">Press Release<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-70\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/InventingTom.jpg\" alt=\"\" width=\"166\" height=\"250\" \/><\/td>\n<td><em>Inventing Tom Thomson: From Biographical Fictions to Fictional Autobiographies <\/em> McGill-Queen&#8217;s UP, 2004.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-29\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/OnArtBeingCdn.jpg\" alt=\"\" width=\"160\" height=\"240\" \/><\/td>\n<td>On the Art of Being Canadian<br \/>\nUBC Press, 2009.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-26\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/idea_north2.jpg\" alt=\"\" width=\"164\" height=\"236\" \/><\/td>\n<td><i>Canada and the Idea of North<\/i>. (Montreal &amp; Kingston: McGill-Queen&#8217;s University Press, 2002) 365 pp.<\/p>\n<p><a href=\"http:\/\/english.ubc.ca\/faculty\/grace\/rev_north.htm\">Read Review<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td width=\"29%\" height=\"10\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-103 size-medium\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/apocalypse-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/apocalypse-197x300.jpg 197w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/apocalypse.jpg 200w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/td>\n<td><em>Regression and Apocalypse: Studies in North American Literary Expressionism<\/em> (Toronto: University of Toronto Press, 1989) 312 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-66\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/DUALITY.jpg\" alt=\"\" width=\"110\" height=\"175\" \/><\/td>\n<td><em>Violent Duality: A Study of Margaret Atwood<\/em> (Montreal: V\u00e9hicule P, 1980) 154 pp. Reprinted pp. 79-86 from <em>Violent Duality<\/em> in <em>Short Story Criticism<\/em> (Gale 1989).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-42\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/VoyageThatNeverEnds.jpg\" alt=\"\" width=\"203\" height=\"296\" \/><\/td>\n<td><em>The Voyage That Never Ends: Malcolm Lowry\u2019s Fiction<\/em> (Vancouver: U of British Columbia P, 1982) 160 pp. (publ. 29 Nov. 1982). &#8220;The Luminous Wheel&#8221; in <em>Malcolm Lowry: Under the Volcano<\/em>, ed. Gordon Bowker (London: Macmillan, 1987), pp. 152-71. Reprinted from <em>The Voyage That Never Ends<\/em>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><b><a id=\"collections\" name=\"collections\"><\/a>C. Edited Collections<\/b><\/h3>\n<table border=\"0\" width=\"95%\">\n<tbody>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-87 size-medium\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Making-Theatre-A-Life-of-Sharon-Pollock-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Making-Theatre-A-Life-of-Sharon-Pollock-205x300.jpg 205w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Making-Theatre-A-Life-of-Sharon-Pollock-768x1127.jpg 768w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Making-Theatre-A-Life-of-Sharon-Pollock-698x1024.jpg 698w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_Making-Theatre-A-Life-of-Sharon-Pollock.jpg 1996w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/td>\n<td valign=\"top\"><em>Making Theatre: A Life of Sharon Pollock<\/em>. Vancouver: <a href=\"http:\/\/www.talonbooks.com\/index.cfm?event=titleDetails&amp;ISBN=0889225869\">Talonbooks<\/a>, 2008.<\/p>\n<p><a href=\"http:\/\/english.ubc.ca\/faculty\/grace\/rev_makingTheatre.htm\">Read Press Release<\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-99\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/GraceWasserman_Theatre-Autobiography-Writing-Performing-Lives-in-Theory-and-Practice-e1508443328171-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/GraceWasserman_Theatre-Autobiography-Writing-Performing-Lives-in-Theory-and-Practice-e1508443328171-212x300.jpg 212w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/GraceWasserman_Theatre-Autobiography-Writing-Performing-Lives-in-Theory-and-Practice-e1508443328171-768x1085.jpg 768w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/GraceWasserman_Theatre-Autobiography-Writing-Performing-Lives-in-Theory-and-Practice-e1508443328171-725x1024.jpg 725w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/GraceWasserman_Theatre-Autobiography-Writing-Performing-Lives-in-Theory-and-Practice-e1508443328171.jpg 2043w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/td>\n<td valign=\"top\"><em>Theatre and Autobiography<\/em>. co-edited with Jerry Wasserman. Vancouver, Talonbooks, 2006.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-72\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/pni.jpg\" alt=\"\" width=\"178\" height=\"250\" \/><\/td>\n<td valign=\"top\"><i>Performing National Identities: International Perspectives on Contemporary Canadian Theatre, <\/i>co-edited with Albert-Reiner Glaap. Vancouver: Talonbooks, 2003.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-105\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/SharonPollock3Plays-1-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/SharonPollock3Plays-1-199x300.jpg 199w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/SharonPollock3Plays-1.jpg 330w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/td>\n<td valign=\"top\"><i>Sharon Pollock Three Plays<\/i>, introductory essay. Toronto: Playwrights Canada Press, 2003.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-71\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/PaintingTheMaple.jpg\" alt=\"\" width=\"170\" height=\"257\" \/><\/td>\n<td valign=\"top\"><em>Painting the Maple. Essays on Race, Gender, and the Construction of Canada<\/em>, co-edited with V. Strong-Boag, A. Eisenberg, and J. Anderson. Vancouver: UBC Press.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><\/td>\n<td valign=\"top\"><em>Representing North<\/em>. A special issue of <em>Essays on Canadian Writing<\/em>, guest-edited with introduction and one chapter. 59 (Fall 1996). 230 pp.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-106 size-full\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/stagingnorth.jpg\" alt=\"\" width=\"164\" height=\"250\" \/><\/td>\n<td valign=\"top\"><em>Staging the North: Twelve Canadian Plays<\/em>, co-edited with L. Chalykoff and E. D\u2019Aeth. Toronto: Playwrights Canada Press, 1999.<\/p>\n<p><a href=\"http:\/\/english.ubc.ca\/faculty\/grace\/rev_staging.htm\">Read Press Release <\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_swingingMaelstrom.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-94 size-medium\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_swingingMaelstrom-190x300.jpg\" alt=\"\" width=\"190\" height=\"300\" srcset=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_swingingMaelstrom-190x300.jpg 190w, https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2017\/10\/Grace_swingingMaelstrom.jpg 444w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-38\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/swingingMaelstrom.jpg\" alt=\"\" width=\"1\" height=\"1\" \/><\/td>\n<td valign=\"top\">Edited collection (with two contributions), <em>Swinging the Maelstrom: New Perspectives on Malcolm Lowry<\/em>. Montreal: McGill-Queens U.P., 1992, 270 pages. See nos. 37 and 38. Translation of pages 9-10 in Alberto Gironella: El Via Crucis del Consul (Barcelona 1992): 44-45.<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-107\" src=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/files\/2016\/01\/AtwoodLanguageText.jpg\" alt=\"\" width=\"165\" height=\"249\" \/><\/td>\n<td valign=\"top\">Co-ed. with L. Weir, <em>Margaret Atwood: Language, Text and System<\/em> (Vancouver: U of British Columbia P, 1983) 158 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3><b><a id=\"selectcrit\" name=\"selectcrit\"><\/a>D. Selected Critical Articles &amp; Chapters in Books<\/b><\/h3>\n<ul>\n<li>&#8220;Timothy Findley&#8217;s &#8216;Stones&#8217;: Names, Symbols, and Stories&#8221; in <em>Gained Ground: Perspectives on Canadian and Comparative North American Studies,\u00a0<\/em>Eva Gruber and Caroline Rosenthal eds. (New York: Boydell &amp; Brewer. 2018).<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Timothy Findley, His Biographers, and The Piano Man\u2019s Daughter&#8221; in\u00a0<em>Text Matters: A Journal of Literature, Theory and Culture<\/em>\u00a0(No. 8, 2018) 414-430.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Sharon Pollock&#8217;s <em>Doc<\/em> and the Biographer&#8217;s Dilemma.&#8221; <em>Theatre and AutoBiography<\/em>. Eds. S. Grace and J. Wasserman. Vancouver: Talonbooks, 2006. 275-88.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Introduction,&#8221; <em>The Circle Game<\/em> by Margaret Atwood (Toronto: Anansi, 1978) 9-15. Reprinted 1998.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Duality and Series: Forms of the Canadian Immigartion,&#8221; <em>Canadian Review of Comparative Literature<\/em> (Fall 1980) 438-51.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Wastelands and Badlands: The Legacies of Pynchon and Kroetsch&#8221; (with illus.), in <em>Beyond Nationalism<\/em>, ed. Evelyn J. Hinz, with a Prologue by Robert Kroetsch (Winnipeg: Mosaic, 1981) 21-34.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Margaret Atwood and the Poetics of Duplicity,&#8221; in <em>The Art of Margaret Atwood<\/em>, eds. C. and A. Davidson (Toronto: Anansi, 1981) 55-68.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;A Northern Quality: Voaden\u2019s Canadian Expressionism,&#8221; <em>Canadian Drama<\/em> 8 (1982): 1-14.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Western Myth and Northern History: The Plains Indians of Berger and Wiebe,&#8221; <em>Great Plains Quarterly<\/em> 3.3 (1983): 146-56.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Quest for the Peaceable Kingdom: Urban\/Rural Codes in Roy, Laurence and Atwood&#8221; (1illus.), <em>Women Writers and the City<\/em>, ed. Susan Squier (Knoxviller: U of Tennessee P, 1984) 193-209. Rpt. in <em>Canadian Literature: Recent Essays<\/em>, ed. M. Trikha (Delhi: Pencroft International, 1994), 148-64.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Structuring Violence: \u2018The Ethics of Linguistics\u2019 in <em>The Temptations of Big Bear<\/em>,&#8221; <em>Canadian Literature<\/em> 104 (Spring 1985): 7-22.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;A Northern Modernism: Canadian Artists in the Twenties&#8221; (4 illus.), <em>The Literary Criterion<\/em> 19.3-4 (1985): 105-24.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;A Northern Modernism,&#8221; abridged version without illustrations reprinted in <em>Canada: Ieri e Oggi<\/em> vol II, ed. Giovanni Bonano (Faesano, Italy: Schena Editore, 1986): 425-40.<\/li>\n<\/ul>\n<ul>\n<li>&#8221; \u2018Consciousness of Shipwreck\u2019: Ortega y Gasset and Malcolm Lowry\u2019s Concept of the Artist,&#8221; in <em>Ortega y Gasset: Proceedings of the \u2018Expectador universal<\/em>\u2019 <em>International Interdisciplinary Conference<\/em>, ed. Nora de Marvel-McNair (New York: Greenwood Press, 1987), pp. 137-42.<\/li>\n<\/ul>\n<ul>\n<li>&#8221; \u2018An Assembly of apparently incongruous parts\u2019: Intertextuality in Lowry\u2019s \u2018Through the Panama,\u2019&#8221; <em>Proceedings of the Malcolm Lowry Conference<\/em>, eds. Gordon Bowker and Paul Tiessen (London: U of London, 1985) 135-65; extensively revised version in <em>Apparently Incongruous Parts<\/em>, ed. paul Tiessen (Metuchen, N.Y.: Scarecrow Press, 1988), pp. 187-229.<\/li>\n<\/ul>\n<ul>\n<li>&#8221; \u2018A Sound of Singing\u2019: Polyphony and Narrative Decentering in Malcolm Lowry\u2019s <em>Hear Us O Lord<\/em>,&#8221; an invited contribution to <em>Modes of Narrative: Approaches to English, American and Canadian Fiction<\/em>, eds. Reingard N. Nischik and Barbara Korte (W\u00fcrzburg: K\u00f6nigshausen u. Neumann, 1990), pp. 129-40.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;In Search of Demeter: The Lost, Silent Mother in Atwood\u2019s <em>Surfacing<\/em>,&#8221; <em>Margaret Atwood: Vision and Form<\/em>, ed. Kathryn Van Spanckeren (S. Illinois University Press, 1988): 35-47.<\/li>\n<\/ul>\n<ul>\n<li>&#8221; \u2018The Daily Crucifixion of the Post\u2019: Editing and Theorizing the Lowry Letters,&#8221; <em>Challenges, Projects, Texts: Canadian Editing<\/em>, ed. John Lennox and Janet M. Paterson (New York: AMS Press, 1993), pp. 26-53.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Gender as Genre: Atwood\u2019s Autobiographical \u2018I\u2019,&#8221; <em>Margaret Atwood: New Critical Essays<\/em>, ed. Colin Nicholson (London: Macmillan, 1993), pp. 189-203.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Comparing Mythologies,&#8221; <em>The Borderlands Anthology<\/em>, ed. Robert Lecker (Toronto: ECW Press, 1991): 243-262.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Archeology of Editing: \u2018Caravan of Silence\u2019,&#8221; <em>Malcolm Lowry Review<\/em>, 29\/30 (1991-92): 64-77.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Asperin Tree and the Volcano: Carol Phillips and Malcolm Lowry,&#8221; <em>Journal of Modern Literature<\/em> XVII.4 (1994): 509-20.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Bodily Harm: Women\/Literature\/Violence,&#8221; <em>Zeitschrift der Gesellschaft f\u00fcr Kanada-Studien <\/em>no. 1 (1992): 13-23.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Respecting Plagiarism: Tradition, Guilt and Malcolm Lowry\u2019s \u2018pelagiarist pen,\u2019&#8221; <em>English Studies in Canada<\/em> XVIII, 4 (December 1992): 462-82. Winner of F.E.L. Priestley Prize, 1993.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Franklin Lives: Atwood\u2019s Northern Ghosts&#8221; in Various Atwoods: Essays on the Late Poems, Short Fiction, and Novels, ed. Lorraine York (Toronto: Anansi, 1995), 146-66.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Robert Kroetsch and the Semiotics of North,&#8221; <em>Open Letter<\/em> 5\/6 (Spring\/Summer, 1996): 13-24, plus cover image.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Ut Pictura Poesis: From Alberto Gironella to Malcolm Lowry,&#8221; in <em>Canadian Literature<\/em> 142\/43 (1994): 191-203.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Documenting the Komagata Maru Incident,&#8221; with G. Helms, in <em>Painting the Maple<\/em>.\u00a0 85-99.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;From Landscape to Soundscape: The Northern Arts of Canada,&#8221; with S. Haag.\u00a0 <em>Mosaic<\/em> 31.7 (1998): 101-22.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Going North on Judith Thompson&#8217;s <em>Sled<\/em>.&#8221;\u00a0 <em>Essays in Theatre<\/em> 16.2 (1998): 153-64.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Staging the &#8216;North&#8217; in B.C.: Two Cariboo Gold Rush Plays.&#8221;\u00a0 <em>CTR<\/em> 101 (Winter 2000): 19-24, with illustrations.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;A Woman&#8217;s Way: Narratives of Northern Discovery.&#8221;\u00a0 <em>New Worlds: Discovering and Constructing the Unknown in Anglophone Literature<\/em>. Eds Martin Kuester et al.\u00a0 Munich: V\u00f6gel, 2000.\u00a0 177-202.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Play&#8217;s the Thing: Reading Lowry in the Dark Wood of Cocteau, Freud and Barthes.&#8221; <em>A Darkness that Murmured: Essays on Malcolm Lowry and the Twentieth Century<\/em>. Eds F. Asals and P. Tiessen. Toronto: UTP, 2000. 225-52.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Hidden Country: Discovering Mina Benson Hubbard.&#8221; <i>Biography<\/i> 24.1(2001): 273-87.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Incorporating &#8216;Butterfly&#8217; in Plays by David Henry Hwang and Robert Lepage.&#8221; <i>The Hannan Ronshu<\/i>. Invited chapter for Special Issue in Honour of Professor Norubu Watanabe. 10.2 (2001): 11-25.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Creating the Girl from God&#8217;s Country.&#8221; Special issue on AutoBiography. <i>Canadian Literature<\/i> 172.33 (2002): 98-117. winnter of Richard Plant Prize, 2002.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Pollock&#8217;s Portraits of the Artist.&#8221; <i>Theatre Research in Canada<\/i> 22.2 (2002): 124-138.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Imagining Canada: Sharon Pollock&#8217;s <i>Walsh<\/i> and <i>Fair Liberty&#8217;s Call<\/i>.&#8221; <i>Performing National Identities. <\/i>2003. 51-69.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;From Emily Carr to Joy Coghill&#8230;and Back: Writing the Self in <i>Song of This Place<\/i>.&#8221; <i>BC Studies<\/i> 137 (Spring 2003): 103-24.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Performing the Auto\/biographical Pact.&#8221; <em>Tracing the Autobiographical.<\/em> Eds. M. Kadar et al. Waterloo: WLUP, 2005. 65-79.<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The Expressionist Vision and Malcolm Lowry\u2019s Fiction,&#8221; <em>The Art of Malcolm Lowry<\/em>, ed. Dr. Anne Smith (London: Vision P, 1978) 93-111.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Selected Publications Include: Scholarly Editions Monographs Edited Collections Selected Critical Articles &amp; Chapters in Books *\u00a0 * Articles published in 2018\u00a0\u00a0 \u00a0*\u00a0 * The UBC Library recently published the fonds for Sherrill Grace. They may be accessed\u00a0here. A. Scholarly Editions: &hellip; <a href=\"https:\/\/blogs.ubc.ca\/sherrillgrace\/research-publications\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2643,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/users\/2643"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":20,"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":144,"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/pages\/8\/revisions\/144"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/sherrillgrace\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}