In “Woman Hollering Creek,” by Sandra Cisneros, the bridge not only functions as a structure to carry a path over water, but also serves as a symbol that crosses between pain (Dolores), solitude (Soledad) and comfort (Chela). This is depicted in the text when Cleofilas is beat and then left alone by her husband often in Seguin while back in her home town she was comfortable — even if there wasn’t “very much to do,” (220). Water, on the other hand, is another symbol commonly used for change in literature. Thus, begs the question, where does the idiom water under the bridge come into play? The crossing of the river further illustrates the Chicano experience of crossing the Rio Grande, a river commonly known for its disputed border between Mexico and Texas during the 19th century. This traversal not only occurs literally, but in the understanding of individuality and culture as well.  Notably, Seguin corresponds to an American town during the 19th century, while the protagonist’s home town represents more of a Mexican hometown. Furthermore, the bridge over water exemplifies a third meaning. By crossing over the bridge for perhaps the last time, Cleofilas is letting bygones be bygones, or in other words, letting it be just water under the bridge. Through this use of symbolism and imagery, Cisneros masterfully manages to capture the emotions and struggles of the Chicanos as well as the tones, identity, and culture of both Mexican and American women during and after that time period.