For this week’s readings, I read “20 love poems and a song of despair” by Paul Neruda. These poems illuminate themes of passion and lust through the use of strong imagery, expressing the human form with the natural elements of the world. This can especially be seen in lines such as: “white bee, you buzz in my soul, drunk with honey/ And your flight winds in slow spirals of smoke” (page 27) and “you were what the wind was making with illuminated leaves/ Behind the nocturnal mountains, white lily of conflagration/ Ah, I can say nothing! You were made of everything” (page 39). The use of environmental metaphors throughout these poems provides an extra layer of intensity and emotional impact, allowing the reader to deeply connect with the feelings of the narrator as he seems to experience the progression of love and loss. The images created in these poems also may allow the readers to clearly understand the heartfelt emotions as the carefully picked out words emphasizes the heartfelt emotions within each poem. Additionally, I found a quote from the introduction to be quite interesting, stating “these are not abstract poems aimed at idealizing beauty or love, but the messy, scented perceptions of lived loves-and lusts” (Page VIII). As mentioned, these poems do not seem to reflect what one may first think of when they see the words “love poems” but rather emphasize the darker parts of love in the aftermath of passion.
If I am going to be completely honest, I have always had trouble with reading poems as I generally find them quite hard to interpret. These poems were no different to me, so I turned to the lectures in order to deepen my understanding of the content. In watching these, I became increasingly aware of the underrepresentation of the role of the woman in his work and could not look passed the overt objectification of the woman throughout the poems. In particular, in the poem “Vastness of Pines”, Paul Neruda refers to a female as a “toy doll” within the poem as though she is solely an object resembling a status of high beauty that is there to fulfill his desires rather than an actual human being with their own feelings and emotions. While he does mention feelings of love toward the women within his poems, this love does not seem to me to be a reciprocal relationship but instead, a love of a woman in a passive sense as, in accordance with one of his poems, “I like for you to be still: it is though you were absent, distant and full of sorrow as though you had died” (page 57).
Discussion question: What are your thoughts on how the woman is described by Paul Neruda throughout his poems? Were there any quotes related to this that really stuck out to you? Why?